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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
(-) VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Bellamann, Henry

Year: 1932
Complete Citation:
Bellamann, Henry. “An American Composer.” State (Columbia, SC), May 22, 1932, 23.
Source: Newspaper
VI. Topical Studies
P. Ives Collaborators and Colleagues
Year: 1934
Complete Citation:
Bellamann, Henry. “How Sad is American Music?” Commonwealth 20. October 26, 1934: 606.
Source: Magazine
VI. Topical Studies
L. Ives and America

Belt, Byron

Year: 1974
Complete Citation:
Belt, Byron. “America’s Music Pioneer.” The Atlanta Constitution, August 2, 1974, 20A.
Source: Newspaper
VI. Topical Studies
L. Ives and America

Bemlef, J.

Year: 1974
Complete Citation:
Bemlef, J. “On Charles Ives and Wild Gardening.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 232-238. Music in American Life. Urbana, Illinois: University of Illinois Press, 1977.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Berger, Arthur

Year: 1933
Complete Citation:
Berger, Arthur. “The Young Composer's Group.” Trend 2 (April-June 1933): 26-28.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1949
Complete Citation:
Berger, Arthur. “Contemporary Music Society.” New York Herald Tribune, April 26, 1949: 18.
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1955
Complete Citation:
Berger, Arthur. “His Aim Was to Be Solely American.” Review of Charles Ives and His Music, by Henry and Sidney Cowell. The New York Times Book Review, January 9, 1955, section 7, 3.
Source: Newspaper
III. Book-Length Studies
C. Book Reviews
Year: 2002
Complete Citation:
Berger, Arthur. Reflections of an American Composer. Berkeley, CA: Uni-versity of California Press, 2002.
Notes:

Berger re-evaluates some of his earlier critiques of Ives's music (i.e., his published reviews).

Source: Book
VI. Topical Studies
P. Ives Collaborators and Colleagues

Berger, Arthur V.

Year: 1933
Complete Citation:
Berger, Arthur V. “The Young Composers Group.” Trend 2/1 (April--June 1933): 26--28.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1933
Complete Citation:
Berger, Arthur V. “The Young Composers’ Group.” Trend 2 (April-June, 1933): 26-28.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1951
Complete Citation:
Berger, Arthur V. “League of Composers.” New York Herald Tribune, April 7, 1951, 7.
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Bergerson, Sister Gregor, O.S.B.

Year: 1970
Complete Citation:
Bergerson, Sister Gregor, O.S.B. “Ives in High School.” Lecture--demonstration, Ives at Minnesota, University of Minnesota, Minneapolis, Minnesota, May 7, 1970.
Source: Lecture
VI. Topical Studies
N. Ives’ Childhood

Berlin, Edward

Year: 2002
Complete Citation:
Edward Berlin. “Maple Leaf Rag and Its Origins.” Paper read at a Sym-posium during the Scott Joplin Ragtime Festival (June 7: Sedalia, MO; First United Methodist Church).
Notes:

Includes references to Ives’s ragtime pieces.

Source: Festival
VI. Topical Studies
B. Musical Quotation or Borrowing

Berlin, Edward A.

Year: 1980
Complete Citation:
Berlin, Edward A.. Ragtime: A Musical and Cultural History. Berkeley, CA: University of California Press, 1980.
Notes:

References are taken primarily from the Memos (23) and Essays Before a Sonata (49).

Source: Book
VI. Topical Studies
B. Musical Quotation or Borrowing

Bermúdez, Santiago Martín

Year: 2007
Complete Citation:
Bermúdez, Santiago Martín. “Encuentros: Henri Dutilleux - “Lo importante es eschuchar algo que te sorprenda.”” Scherzo: Revista de Música, Vol. 22 (2007): 140-142.
Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Bernstein, Leonard

Year: 1976
Complete Citation:
Bernstein, Leonard. The Unanswered Question: Six Talks at Harvard. Cambridge, MA: Harvard University Press, 1976.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1982
Complete Citation:
Bernstein, Leonard. “The Absorption of Race Elements into American Music.” In Findings: Fifty Years of Meditations on Music, 36-99. New York, NY: Doubleday, 1982.
Source: Book
VI. Topical Studies
K. Stylistic Influences on Ives

Bessom, Malcolm E.

Year: 1974
Complete Citation:
Bessom, Malcolm E. “Overtones.” Music Educator's Journal 61/2 (October 1974): 5.
Source: Journal
VI. Topical Studies
T. Ives in Music Education

Betz, Marianne

Year: 2004
Complete Citation:
Betz, Marianne. “The Voice of the City: New York in Der Musik Von Charles Ives.” Archiv Für Musikwissenschaft, vol. 61, no. 3 (2004): 207-225.
Source: Journal
VI. Topical Studies
M. Ives and Manhattan

Bird, Liz

Year: 1996
Complete Citation:
Bird, Liz. Review of All Made of Tunes: Charles Ives and the Uses of Musical Borrowing, by J. Peter Burkholder. Brio 33/1 (Spring-Summer 1996): 74.
Source: Journal
III. Book-Length Studies
C. Book Reviews