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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
(-) VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Piekut, Benjamin

Year: 2019
Complete Citation:
Piekut, Benjamin. “Introduction: What Was Experimentalism?” In Experimentalism Otherwise. Berkeley, California: University of California Press, 2019.
Source: Newsletter
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Pincus, Andrew L.

Year: 1985
Complete Citation:
Pincus, Andrew L. “Nationalism in Music Recognizes No Boundaries.” The New York Times, October 20, 1985.
Source: Newspaper
VI. Topical Studies
L. Ives and America

Piotrowska, Anna G.

Year: 2003
Complete Citation:
Piotrowska, Anna G. Idea muzyki narodowej w ujęciu kompozytorów amerykańskich pierwszej połowy XX wieku. Toruń, Poland: Adam Marszałek, 2003.
Source: Book
VI. Topical Studies
L. Ives and America

Pleasants, Henry

Year: 1955
Complete Citation:
Pleasants, Henry. The Agony of Modern Music. New York, NY: Simon and Schuster.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1969
Complete Citation:
Pleasants, Henry. Serious Music: And All That Jazz: An Adventure in Music Criticism. New York, NY: Simon and Schuster, 1969.
Source: Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Pollack, Howard

Year: 1999
Complete Citation:
Pollack, Howard. Aaron Copland: The Life and Work of an Uncommon Man. New York, NY: Henry Holt and Co., 1999.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2006
Complete Citation:
Pollack, Howard. George Gershwin: His Life and Work. Berkeley, CA: University of California Press, 2006.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Porter, Andrew

Year: 1974
Complete Citation:
Porter, Andrew. “Songs His Father Taught Him.” New Yorker 50/37, November 4, 1974, 187-190.
Source: Magazine
VI. Topical Studies
N. Ives’ Childhood

Porter, David

Year: 2011
Complete Citation:
Porter, David. “On the Divide: A Classicist/Musician Who Refused to Grow Up.” The Classical World, vol. 104, no. 4 (2011): 475-481.
Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives

Porter, David G.

Year: 1965
Complete Citation:
Porter, David G. “Definitely Maybe: A Definitive Text of Charles Ives's Memos.” Musical Times (July 1965) 138/1853: 11--17.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Porter, David Gray

Year: 1997
Complete Citation:
Porter, David Gray, “Definitely Maybe.” Musical Times 138, no. 1853 (July 1997): 11-17.
Notes:

Review of published Memos in Cowells’ Charles Ives and His Music

Source: Journal
III. Book-Length Studies
C. Book Reviews

Potter, Hugh

Year: 1970
Complete Citation:
Potter, Hugh. “Paul Rosenfeld: Criticism and Prophesy.” American Quarterly 22/1 (Spring 1970): 82-94.
Notes:

Quotes from Rosenfeld's review of the Concord Sonata. Adds that “Rosenfeld's great enthusiasm for the music of Charles Ives was partly attributed to Ives’ interest in American subject matter and his use of native themes.”

Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Pouter, D. G.

Year: 1997
Complete Citation:
Pouter, D.G. “Definitely maybe: Definitive text of Charles Ives’s Memos.” The Musical Times, Vol. 138, No. 1853 (1997): 11-18.
Source: Journal (book review?)
III. Book-Length Studies
C. Book Reviews

Pouzzi, Raffaele, and Louise Forster

Year: 1988
Complete Citation:
Pozzi, Raffaele, and Louise Forster. “Elliott Carter Talking.” Tempo, no. 167 (1988): 14-17.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Prausnitz, Frederik

Year: 1975
Complete Citation:
Prausnitz, Frederik. Review of Charles E. Ives: Memos, edited by John Kirkpatrick. Tempo 114 (September 1975): 28-30.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1975
Complete Citation:
Prausnitz, Frederik. “Reviews of — Charles Ives Remembered: An Oral History by Vivian Perlis. Charles Ives: A Portrait by David Wooldridge. Charles Ives and the American Band Tradition by Jonathan Elkus. L’America Musicale di Charles Ives by Gianfranco Vinay.” Tempo, no. 114, 1975, 28-33.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Preiss, Robin

Year: 2015
Complete Citation:
Preiss, Robin. Modernism and Postmodernism: Review of Charles Ives in the Mirror: American Histories of an Iconic Composer, by David C. Paul. Notes, Vol. 71, No. 3 (2015): 507-508.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Prendergast, Mark J.

Year: 2003
Complete Citation:
Prendergast, Mark J. “Charles Ives.” In The Ambient Century: from Mahler to Moby: the Evolution of Sound in the Electronic Age. New York, NY: Bloomsbury, 2003.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Price, Jonathan

Year: 1968
Complete Citation:
Price, Jonathan. “The Rough Way up the Mountain.” Yale Alumni Magazine (April 1968): 28-37.
Source: Journal
Reprints:

Price, Jonathan. “The Rough Way up the Mountain.” <i>Music Educator's Journal</i> 55/2 (October 1968): 38-45.

VI. Topical Studies
O. Ives and Yale

Principe, Quirino

Year: 1997
Complete Citation:
Principe, Quirino. “Geniale e «impuro»,” review of Prima della Sonata, by Charles Ives. II Sole (September 14, 1997): 37.
Source: Chapter in Book
III. Book-Length Studies
C. Book Reviews