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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
(-) VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Semler, Isabella Parker

Year: 1942
Complete Citation:
Semler, Isabella Parker. Horatio Parker: A Memoir for His Grandchildren. New York, NY: G.P. Putnam & Sons.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Serebrier, Jose

Year: 1979
Complete Citation:
Serebrier, José. “Jose Serebrier on Ives.” In Conductors on Conducting. Frenchtown, NJ: Columbia Publishing Company, 1979.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Serio, John N.

Year: 1979
Complete Citation:
Serio, John N. “The ultimate music is abstract: Charles Ives and Wallace Stevens.” Lewisburg, PA: Bucknell University Press, 1979.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Sessions, Roger

Year: 1956
Complete Citation:
Sessions, Roger. Reflections on the Music Life in the United States. New York, NY: Merlin Press, 1956.
Source: Book
VI. Topical Studies
L. Ives and America

Shaffle, Michael R.

Year: 1989
Complete Citation:
Bulletin for the Council for Research in Music Education 100 (Spring 1989): 34-39.
Source: Bulletin
III. Book-Length Studies
C. Book Reviews

Sherman, R.

Year: 1981
Complete Citation:
Sherman, R. “Ives Center Draws Young Composers.” The New York Times, July 26, 1981, CN16.
Source: Newspaper
VI. Topical Studies
U. Institutions and Ives’ Legacy

Sherwood, Gayle

Year: 1993
Complete Citation:
Gayle Sherwood. “Chronology and Style of Ives’s Choral Works.” Paper presented at Ives-Copland Festival. University of Northern Colorado, Hensel-Phelps Auditorium and Theater, Greeley, Colorado, October 28-30, 1993.
Source: Conference paper
VI. Topical Studies
C. Chronology
Year: 2001
Complete Citation:
Sherwood, Gayle. “Ives and Neurasthenia: A Response to Stuart Feder.” Journal of the American Musicological Society 54, no.3 (Fall 2001): 641-643.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 2003
Complete Citation:
Sherwood, Gayle. “Vivian Perlis, Charles Ives Remembered: An Oral History.” The Journal of Musicological Research, Vol. 22, No. 3 (2003): 296-299.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Shirley, Wayne

Year: 1976
Complete Citation:
Shirley, Wayne. “Ives as an Innovator.” In South Florida's Historic Ives Festival, 1974-1976, 50-52. Coral Gables, FL: University of Miami, 1976.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Shreffler, Anne

Year: 1994
Complete Citation:
Shreffler, Anne. “Elliott Carter and His America.” Sonus 14/2 (Spring 1994): 38-66.
Notes:

See 51-58 regarding the influence of Ives that “looms largest in Carter's music.”

Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Shreffler, Anne Chatoney

Year: 1994
Complete Citation:
Shreffler, Anne Chatoney. “Elliott Carter and his America.” Sonus 14/2 (Spring 1994): 38-66.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Shultis, Christopher

Year: 1998
Complete Citation:
Shultis, Christopher. Silencing the Sounded Self: John Cage and the Ameri-can Experimental Tradition, 3-4. 14-28, and passim.. Boston, MA: Northeastern University Press, 1998.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2013
Complete Citation:
Shultis, Christopher. Silencing the sounded self: John Cage and the American experimental tradition. Lebanon, NH: University Press of New England, 2013.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2014
Complete Citation:
Christopher Shultis. “Robert Morris and the Missing Middle.” Perspectives of New Music 52/2 (2014): 316-324.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Siegmeister, Elie

Year: 1961
Complete Citation:
Siegmeister, Elie. “The Case of Mr. Ives.” Music Today 4/1 (June--August 1961): 1-2.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1973
Complete Citation:
Siegmeister, Elie. Review of Charles E. Ives: Memos, edited by John Kirkpatrick. High Fidelity/Musical America 23/3, March 1973, MA 29-31.
Source: Magazine
III. Book-Length Studies
C. Book Reviews
Year: 1974
Complete Citation:
Siegmeister, Elie. Review of From the Steeples and Mountains, by David Wooldridge. Notes 31 (1974): 291-293.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1976
Complete Citation:
Siegmeister, Elie. “Charles Ives: American Expressionist and Populist.” In South Florida's Historic Ives Festival, 1974-1976, 39-43. Coral Gables, FL: University of Miami, 1976.
Source: Chapter in Book
VI. Topical Studies
L. Ives and America

Silverberg, Ann L.

Year: 2001
Complete Citation:
Silverberg, Ann L. Review of Amy Beach and Charles Ives, by Nicholas E. Tawa. Notes 59/1 (September 2002): 85--87.
Source: Journal
III. Book-Length Studies
C. Book Reviews