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Bibliography

Spackman, S. G. F.

Year: 1986
Complete Citation:
Spackman, S. G. F. “The American Musical Avant-Garde and Europe.” In European Contributions to American Studies 10 (1986): 189-202.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Specq, François

Year: 2008
Complete Citation:
Specq, François. “« God's Alphabet »: Le Transcendantalisme Musical De John Sullivan Dwight.” Revue Française D'études Américaines, no. 117, (2008): 6-25.
Source: Magazine
VI. Topical Studies
A. Transcendentalism or Philosophy

Spies, B., and W. Weyer

Year: 2007
Complete Citation:
Spies, B., and W. Weyer. “‘Music is Life’ - the Influence of Transcendentalist Philosophy on Ives’s Concord Sonata.” TD: The Journal for Transdisciplinary Research in Southern Africa, vol. 3, No. 2 (2007): 239-278.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy

Spiker, John D.

Year: 2012
Complete Citation:
Spilker, John D. “The Curious Afterlife of Dissonant Counterpoint: Jeanette B. Holland's Class Notes from Henry Cowell’s 1951 Advanced Music Theory Course.” American Music, vol. 30, no. 4 (2012): 405-425.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Spurling, Christina

Year: 2016
Complete Citation:
Spurling, Christina. “Spirituality, creativity and human progress in the work of Charles Ives.” Research & Materials, Longy School of Music, 2016.
Source: Academic paper
VI. Topical Studies
A. Transcendentalism or Philosophy

Stahura, R.

Year: 1996
Complete Citation:
Stahura, Raymond. Review of Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder. Choice 34, November 1996, 469.
Source: Magazine
III. Book-Length Studies
C. Book Reviews

Stahura, Raymond

Year: 1992
Complete Citation:
Raymond Stahura. Review of “My Father’s Song”: A Psychoanalytic Biography, by Stuart Feder. Choice 30/3, November 1992, 476.
Source: Magazine
III. Book-Length Studies
C. Book Reviews

Stambler, Bernard

Year: 1955
Complete Citation:
Stambler, Bernard. “Four American Composers.” Juilliard Review II (Winter 1955): 7-16.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Starr, Frederick S.

Year: 1996
Complete Citation:
Frederick, Starr, S. Review of Charles Ives: A Life with Music, by Jan Swafford. Wilson Quarterly 20/2 (Spring 1996): 83-84.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Starr, Larry

Year: 1977
Complete Citation:
Starr, Larry. “Charles Ives: The Next Hundred Years — Towards a Method of Analyzing the Music.” The Music Review, Vol. 38, No. 2 (May 1977): 101-111.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Year: 1983
Complete Citation:
Starr, Larry. “The Early Styles of Charles Ives.” 19th-Century Music Vol. 7 (Summer 1983): 71-80.
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
Year: 1991
Complete Citation:
Starr, Larry. Review of Decoration Day: Second Movement of a Symphony: New England Holidays by Charles Ives, edited by James B. Sinclair. Notes 47, no. 3 (March 1991): 959-961.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1994
Complete Citation:
Starr, Larry. “Ives, Gershwin, and Copland: Reflections on the Strange History of American Art Music.” American Music, vol. 12, no. 2 (1994): 167-187.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1994
Complete Citation:
Starr, Larry. “Ives, Gershwin, and Copland: Reflections on the Strange His- tory of American Art Music.” American Music 12 (Summer 1994): 167-187.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2002
Complete Citation:
Starr, Larry. Review of “To stretch our ears”: the music of Charles Ives, by Richard Crawford. Notes 58/3 (March 2002): 552-556.
Notes:

“The protean, uncategorizable Ives tends to spring out of every box or boxes into which he is pushed.”

Source: Journal
III. Book-Length Studies
C. Book Reviews

Starr, S. Frederick

Year: 1996
Complete Citation:
Starr, S. Frederick. Review of Charles Ives: A Life with Music, by Jan Swafford. Wilson Quarterly 20/2 (Spring 1996): 83-84.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Stefan, Paul

Year: 1932
Complete Citation:
Stefan, Paul. “Vienna Revisits the Depression.” Modern Music 9/3 (March-April 1932): 127-130.
Notes:

Mentions performance of some of Ives’s songs in a Vienna concert of the Pan American Association of Composers (February 21, 1932: Anton Webern, conductor). Also sponsored by the International Society for New Music.

Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives

Steinberg, Michael

Year: 2006
Complete Citation:
Steinberg, Michael. “My father knew Charles Ives (2003).” The John Adams reader: essential writings on an American composer, edited by Thomas May, 205-208. Pompton Plains, NJ: Amadeus, 2006.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Steiner, George

Year: 1984
Complete Citation:
Steiner, George. “Das totale Fragment.” In Fragment und Totalität, edited by L. Dällenbach and C.L. Hart Nibbrig, 18-29. Frankfurt am Main, Germany: Suhrkamp Verlag, 1984.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Sterne, Colin

Year: 1971
Complete Citation:
Sterne, Colin. “The Quotations in Charles Ives’s Second Symphony.” Music and Letters 52 (1971): 39-45.
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing