Image
decorative banner image

Bibliography

Wilson, Peter Niklas

Year: 2001
Complete Citation:
Wilson, Peter Niklas. “«Sound Come into Its Own»: Vond Der Selbstfindung Amerikanischer Musik.” Neue Zeitschrift Für Musik 162/5 (2001): 12-17.
Source: Magazine
VI. Topical Studies
L. Ives and America

Wilson, Richard

Year: 1996
Complete Citation:
Wilson, Richard. “Ives: American Experimentalism and Modernism.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 37-38. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.
Source: [Chapter in] Festival Publication
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Winters, Thomas D.

Complete Citation:
Winters, Thomas D. Review of Charles Ives: A Bio-Bibliography, by Geoffrey Block. Notes, vol. 49, no. 1 (September 1992): 133-134.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Winters, Thomas Dyer

Year: 1992
Complete Citation:
Winters, Thomas Dyer. Notes 49/1 (1992): 133-134.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Wintle, Christopher, and Kate Hopkins, eds.

Year: 2010
Complete Citation:
Black, Leo. “Harry Croft-Jackson with a Note on Charles Ives.” In BBC Music in the Glock Era and After: A Memoir, edited by Christopher Wintle and Kate Hopkins. Woodbridge, Suffolk; Rochester, NY: Boydell & Brewer, 2010.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Wise, Brian

Year: 2005
Complete Citation:
Wise, Brian. “The Flip Side of American Music.” The New York Times, November 13, 2005, 1.
Source: Newspaper
VI. Topical Studies
D. Other

Wolfgang Rathert, Hans G. Helms, Christian Wolff, Malcolm Goldstein, and Frederic Rzewski

Year: 2004
Complete Citation:
Wolfgang Rathert, Hans G. Helms, Christian Wolff, Malcolm Goldstein, and Frederic Rzewski. “Politics and Aesthetics.” Panel presented at Symposium at MarzMusik Festival: Festival fur aktuelle Musik. Berlin, Germany, March 18-28, 2004.
Source: Festival
VI. Topical Studies
A. Transcendentalism or Philosophy

Wood, Hugh

Year: 1999
Complete Citation:
Wood, Hugh. Times Literary Supplement 5045, December 10, 1999, 32.
Source: Newspaper Supplement
III. Book-Length Studies
C. Book Reviews

Wood, James

Year: 1986
Complete Citation:
Wood, James. “Microtonality: Aesthetics and Practicality.” Musical Times 127/1720 (June 1986): 328-330.
Notes:

Quotes Ives regarding his father’s quarter-tone machine. Also cites Three Quarter-Tone Pieces for two pianos, Chorale for Strings, Symphony No. 4, and “Some Quarter-Tone Impressions.”

Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Woodham, Ronald

Year: 1969
Complete Citation:
Woodham, Ronald. Review of Essays Before a Sonata and Other Writings, by Charles Ives, edited by Howard Boatwright. Music and Letters 50/4 (1969): 526-527
Source: Journal
III. Book-Length Studies
C. Book Reviews

Woodson, Susan Carol

Year: 1991
Complete Citation:
Woodson, Susan Carol. “The Spirit of Charles Ives—Emersonian Thought Revisited.” In American Literature and the Arts, edited by Johan Callens, 23-40. Brussels, Belgium: VUB Press, 1991.
Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy

Wooldridge, David

Year: 1976
Complete Citation:
Wooldridge, David. “Charles Ives and the American National Character: ‘Musical Spirit of ’76.’” In South Florida's Historic Ives Festival 1974-1976, edited by F. Warren O’Reilly, 27--29. Coral Gables, FL: University of Miami at Coral Gables, 1976.
Source: Chapter in Book
VI. Topical Studies
L. Ives and America

Wright, David

Year: 1992
Complete Citation:
Wright, David. Review of Charles Ives: “My Father's Song” — A Psychoanalytic Biography, by Stuart Feder. The Musical Times, 133 (1992): 628.
Source: Magazine
III. Book-Length Studies
C. Book Reviews

Wright, James K. And Allyson Wright

Year: 2019
Complete Citation:
Wright, James K. and Allyson Wright. “‘Name Dropping’: Encounters with Schoenberg, Varèse, Ives, Thomson, Sorabji, and Havergal Brian.” In They Shot, He Scored: The Life and Music of Eldon Rathburn, 127-149. Montreal, Canada: McGill-Queen’s University Press, 2019.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Wuorinen, Charles

Year: 1967
Complete Citation:
Charles Wuorinen. “An Interview with Barney Childs, 1962” (368--375). In Contemporary Composers on Contemporary Music, edited by Elliott Schwartz and Barney Childs, 221-242. New York, NY: Holt, Rinehart and Winston, 1967.
Notes:

Includes several acerbic remarks about Ives and his music.

Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Yates, Peter

Year: 1954
Complete Citation:
Yates, Peter. “Music.” Arts and Architecture 71/10 (October 1954): 6-8, 10, 32-34.
Source: Journal
VI. Topical Studies
W. Obituaries
Year: 1960
Complete Citation:
Yates, Peter. “Lou Harrison.” American Composers Alliance Bulletin 9/2: 2-6.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1961
Complete Citation:
Yates, Peter. 1961. “Charles Ives: The Transcendental American Venture.” Parts 1--3. Arts and Architecture 78, no.2 (February): 6-8; no.3 (March): 4, 8, 10--1; no.5 (May): 6--8, 30-31.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy

Yellin, Victor

Year: 1964
Complete Citation:
Yellin, Victor. Review of Essays Before a Sonata, and Other Writings, by Howard Boatwright. Journal of the American Musicological Society, Vol. 17, No. 2 (1964).
Source: Journal
III. Book-Length Studies
C. Book Reviews

Yellin, Victor Fell

Year: 1964
Complete Citation:
Yellin, Victor Fell. Review of Essays Before a Sonata and Other Writings, by Charles Ivesedited by Howard Boatwright. Journal of the American Musicological Society 17 (1964): 229-231.
Source: Journal
III. Book-Length Studies
C. Book Reviews