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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
(-) VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

no author listed

Year: 1991
Complete Citation:
Review of The Charles Ives Tunebook, by Clayton W. Henderson. Institute for the Study of American Music Newsletter 20/2 (1991): 7.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1991
Complete Citation:
Review of In Re Con Moto Et Al: Experimentalism in the Works of Charles Ives (1874-1954), by David Nicholls. The Musical Quarterly (1991).
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1991
Complete Citation:
Review of In Re Con Moto Et Al: Experimentalism in the Works of Charles Ives (1874-1954), by David Nicholls. Notes 48/1 (1991): 122-123.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1991
Complete Citation:
Review of The Charles Ives Tunebook, by Clayton W. Henderson. Sonneck Society for American Music Bulletin 17/2 (1991): 85-86.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1991
Complete Citation:
“Notes for Notes.” Notes 48/2 (1991): 449.
Notes:

Tells of a $99,619 grant to the Charles Ives Society from the National Endowment for the Humanities for a thematic catalogue.

Source: Journal
VI. Topical Studies
V. Awards
Year: 1991
Complete Citation:
“Up Front.” Musical America (1991).
Notes:

Regarding a bill in the Connecticut Legislature to name Charles Ives as State Composer of Connecticut. After debate, Ives was named Composer Laureate for the first year.

Source: Journal
VI. Topical Studies
V. Awards
Year: 1992
Complete Citation:
Review of “My Father’s Song”: A Psychoanalytic Biography, by Stuart Feder. Musical Times 133 (1992): 628.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1992
Complete Citation:
Review of The art of speaking extravagantly: eine vergleichende Studie der ‘Concord Sonata’ und der ‘Essays before a Sonata’ von Charles Ives, by Felix Meyer. Dissonanz/Dissonance 31 (February 1992): 35-36.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1992
Complete Citation:
Review of “My Father’s Song”: A Psychoanalytic Biography, by Stuart Feder. Institute for the Study of American Music Newsletter (1992) 22/1: 5.
Source: Newsletter
III. Book-Length Studies
C. Book Reviews
Year: 1992
Complete Citation:
Review of The Charles Ives Tunebook, by Clayton W. Henderson. Fontes Artis Musicae 39/2 (1992): 196-197.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1993
Complete Citation:
“Local Boy Makes Polyrhythms.” Village Voice 38/34, August 24, 1993, 85.
Source: Newspaper
VI. Topical Studies
N. Ives’ Childhood
Year: 1993
Complete Citation:
Review of A Union of Diversities, by Larry Starr. NATS Journal 49/4 (1993): 45.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1993
Complete Citation:
Review of “My Father’s Song”: A Psychoanalytic Biography, by Stuart Feder. Medical Problems of Performing Artists 8/1 (1993): iii.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1994
Complete Citation:
“Ives on Flatbush Avenue.” Institute for Studies in American Music Newsletter 23, no. 2 (Spring 1994): 11.
Source: Letter
VI. Topical Studies
M. Ives and Manhattan
Year: 1994
Complete Citation:
“Gay Composers; Behind Ives's Harmonic Clashes: Letter.” The New York Times, July 10, 1994.
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1994
Complete Citation:
“Celebrating American Music from Ives to the Dead.” Sonneck Society for American Music Bulletin 20/2: 15-16.
Notes:

“The Dead” refers to the Rock group, “The Grateful Dead.”

Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1995
Complete Citation:
Rhein, John von. “Charles Ives and Paul Creston, American Originals: Chicagoland Final Edition.” Chicago Tribune, October 22, 1995.
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1996
Complete Citation:
Review of Charles Ives: A Life with Music, by Jan Swafford. American Music Teacher 46/6 (1997): 88--89.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1996
Complete Citation:
Review of Charles Ives: A Life with Music, by Jan Swafford. The Economist 341 (December 7-, 1996): 12--14.
Notes:

“This is a splendid book. ... This is much more than a narrowly music biography; it should be on the shelves of anyone interested in the history of the past century.”

Source: Magazine
III. Book-Length Studies
C. Book Reviews
Year: 1996
Complete Citation:
Reviews: Music & Letters 78/4 (1997): 616-617.
Source: Journal
III. Book-Length Studies
C. Book Reviews