Feith, Michel
Year: 1999
Complete Citation:
Feith, Michel. “Commemoration: Translation or Betrayal? Saint Gaudens, Ives, Lowell (Shaw Memorial, ‘For the Union Dead,’ ‘Charles Ives’ ‘Three Places in New England’).” Revue Française d’Études Américaines
80 (March 1999): 69-81.VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Ferrari, Giordano
Year: 2002
Complete Citation:
Ferrari, Giordano. “Le «Populaire» Comme Matériau Pour L’innovation Musicale: Satie, Milhaud, Ives.” Musurgia, vol. 9, no. 1 (2002): 61-74.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Field, Corey
Year: 1984
Complete Citation:
Field, Corey. Review of Three American Originals: John Ford, William Faulkner, & Charles Ives, by Joseph W. Reed. Notes XLII/4 (June 1986): 783-785.Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1984
Complete Citation:
Corey Field. “Charles Ives, James Joyce, and the General Slocum.” Keynote: A Magazine for the Musical Arts 8/8 (October 1984): 8-13.Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1986
Complete Citation:
Field, Corey. Review of Three American Originals: John Ford, William Faulkner & Charles Ives by John Ford, William Faulkner, and Charles Ives, by Joseph W. Reed. Notes 42, no. 4 (June 1986): 783-785.Source: Journal
III. Book-Length Studies
C. Book Reviews
Finney, Ross Lee
Year: 1969
Complete Citation:
Finney, Ross Lee. Review of Music in the United States, by H. Wiley Hitchcock. Notes 26/2 (1969 December): 271--271.Source: Journal
III. Book-Length Studies
C. Book Reviews
Fischlin, Daniel
Year: 2011
Complete Citation:
Fischlin, Daniel. ““A Door to Other Doors”: Henry Threadgill Interview with Daniel Fischlin.” Critical Studies in Improvisation, Vol. 7, No. 2 (2011).Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Fisher, Fred
Year: 1975
Complete Citation:
Fred Fisher. “Ives and Schoenberg: The Impulse to Greatness.” Connecticut Review VIII/2 (April 1975): 82-88.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Fisk, Josiah
Year: 1996
Complete Citation:
Josiah Fisk. Review of Charles Ives: A Life with Music, by Jan Swafford. Hudson Review 50/1 (Spring 1997): 129--136.Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1996
Complete Citation:
Josiah Fisk. Review of Charles E. Ives, by Leo Schrade. Hudson Review 50/1 (Spring 1997): 129-136.Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1997
Complete Citation:
Fisk, Josiah. Review of All Made of Tunes: Charles Ives and the Uses of Musical Borrowing, by J. Peter Burkholder. Hudson Review 50/1 (Spring 1997): 129-136.Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1997
Complete Citation:
Fisk, Josiah. Review of Charles Ives and His World, edited by J. Peter Burkholder. Hudson Review (1997).Source: Magazine
III. Book-Length Studies
C. Book Reviews
Year: 1997
Complete Citation:
Fisk, Josiah. Review of Charles Ives: A Life with Music, by Jan Swafford. Hudson Review 50/1 (Spring 1997): 129-136.Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1997
Complete Citation:
Fisk, Josiah. Review of Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder. Hudson Review 50/1 (Spring 1997): 129-136.Source: Journal
III. Book-Length Studies
C. Book Reviews
Frankenstein, Alfred
Year: 1955
Complete Citation:
Frankenstein, Alfred. Review of Charles Ives and His Music, by Henry and Sidney Cowell. The Musical Quarterly 41, no. 2 (April 1955): 253-256.Source: Journal
III. Book-Length Studies
C. Book Reviews
Fricke, Stefan, and Hans G. Helms
Year: 2001
Complete Citation:
Fricke, Stefan, and Hans G. Helms. “Von Ives Lernen... Stefan Fricke Im Gespräch Mit Hans G. Helms.” Neue Zeitschrift Für Musik, vol. 162, no. 5 (2001): 22-25.Source: Magazine/Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Frogley, Alan
Year: 2001
Complete Citation:
Frogley, Alan. Review of T. S. Eliot’s Orchestra: Critical Essays on Poetry and Music, edited by John Xiros Cooper. Notes 58/2 (December 2001): 353-354.Source: Journal
III. Book-Length Studies
C. Book Reviews
Frosch, William A.
Year: 1992
Complete Citation:
Frosch, William A. Review of Charles Ives: “My Father's Song”: A Psychoanalytic Biography, by Stuart Feder. American Journal of Psychiatry 149, no. 12: 1741-1742.Source: Journal
III. Book-Length Studies
C. Book Reviews
Fürst-Heidtmann, Monika
Year: 2002
Complete Citation:
Fürst-Heidtmann, Monika. “Reflektierte Eigenständigkeit: Der Pianist, Musikschriftsteller Und -Forscher Herbert Henck.” Neue Zeitschrift Für Musik, vol. 163, no. 6 (2002): 30-33.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Gann, Kyle
Year: 2019
Complete Citation:
Gann, Kyle. “Interlude M: Some Quarter-Tone Impressions (Hába, Ives, Wyschnegradsky).” In The Arithmetic of Listening: Tuning Theory and History for the Impractical Musician, 218-225. Urbana, IL: University of Illinois Press, 2019.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
