decorative banner image

Bibliography

Genres

Show all
I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Pouter, D. G.

Year: 1997
Complete Citation:
Pouter, D.G. “Definitely maybe: Definitive text of Charles Ives’s Memos.” The Musical Times, Vol. 138, No. 1853 (1997): 11-18.
Source: Journal (book review?)
III. Book-Length Studies
C. Book Reviews

Pouzzi, Raffaele, and Louise Forster

Year: 1988
Complete Citation:
Pozzi, Raffaele, and Louise Forster. “Elliott Carter Talking.” Tempo, no. 167 (1988): 14-17.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Prausnitz, Frederik

Year: 1975
Complete Citation:
Prausnitz, Frederik. “Reviews of — Charles Ives Remembered: An Oral History by Vivian Perlis. Charles Ives: A Portrait by David Wooldridge. Charles Ives and the American Band Tradition by Jonathan Elkus. L’America Musicale di Charles Ives by Gianfranco Vinay.” Tempo, no. 114, 1975, 28-33.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1975
Complete Citation:
Prausnitz, Frederik. Review of Charles E. Ives: Memos, edited by John Kirkpatrick. Tempo 114 (September 1975): 28-30.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Preiss, Robin

Year: 2015
Complete Citation:
Preiss, Robin. Modernism and Postmodernism: Review of Charles Ives in the Mirror: American Histories of an Iconic Composer, by David C. Paul. Notes, Vol. 71, No. 3 (2015): 507-508.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Principe, Quirino

Year: 1997
Complete Citation:
Principe, Quirino. “Geniale e impuro,” Review of Prima della Sonata, translated and edited by Aloma Bardi. Sole (September 14, 1997): 37.
III. Book-Length Studies
C. Book Reviews
Year: 1997
Complete Citation:
Principe, Quirino. “Geniale e «impuro»,” review of Prima della Sonata, by Charles Ives. II Sole (September 14, 1997): 37.
Source: Chapter in Book
III. Book-Length Studies
C. Book Reviews

Pütz, Werner, Peter Virnich, and Peter Winz-Luckei

Year: 1987
Complete Citation:
Putz, Werner, Peter Virnich, and Peter Winz-Luckei. “Neue Musik handelnd erfahren: Eine Unterrichtsreihe zu Charles Ives und John Cage.” Musik und Bildung 19/5 (1987): 350-358.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Ramey, Phillip

Year: 1978
Complete Citation:
Ramey, Phillip. “A Talk with Samuel Barber.” Liner notes for Songs of Samuel Barber and Ned Rorem. New World Records 229, 1978, 33.3 RPM.
Source: Liner notes
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Ramsey, Basil

Year: 1970
Complete Citation:
Ramsey, Basil. Review of Charles Ives and His Music, by Henry and Sidney Cowell. Musical Opinion (April 1970) 93/1111: 369.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1976
Complete Citation:
Ramsey, Basil. Review of Memos, by Charles Ives. Musical Opinion (February 1976) 99/1180: 239.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Rao, Nancy Yunhwa

Year: 2014
Complete Citation:
Rao, Nancy Yunhwa. “Allegro Scorrevole in Carter’s First String Quartet: Crawford and the Ultramodern Inheritance.” Music Theory Spectrum 36/2 (2014): 181-202.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Rathert, Wolfgang

Year: 1983
Complete Citation:
Rathert, Wolfgang. “Musik als Philosophie—Ives und Cage in der Nachfolge des Transzendentalismus.” In Der Hang zum Gesamtkunstwerk: Europäische Utopien seit 1800, 53-59. Berlin, Germany: Berliner Künstlerprogramm des DAAD, 1983.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1989
Complete Citation:
Rathert, Wolfgang. “Aspekte Asthethik Modernität bei Ives und Mahler.” In Das Gustav-Mahler-Fest: Bericht über der Internationalen Gustav Mahler Kongress, edited by Matthia Theodor Vogt, 333-444. Kassel, Germany: Bärenreiter, 1991.
Source: Chapter in Book/Conference Paper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1990
Complete Citation:
Rathert, Wolfgang. “Mahler und Ives: Gibt es eine 'geheime Zeitgenossen- schaff?” Neue Zeitschrift für Musik 151/10 (October 1990): 7-12.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1991
Complete Citation:
Rathert, Wolfgang. “Aspekte asthetischer Modernitat bei Mahler und Ives.” In Das Gustav-Mahler-Fest Hamburg 1989, edited by Matthias Theodor Vogt, 333-343. Kassel, Germany: Barenreiter, 1991.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Reed, Joseph W.

Year: 1984
Complete Citation:
Reed, Joseph W. Three American Originals: John Ford, William Faulkner, & Charles Ives. Middletown, CT: Wesleyan University Press, 1984.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Reis, Claire Raphel

Year: 1938
Complete Citation:
Reis, Claire Raphel. Composers in America: Biographical Sketches of Living Composers with a Record of Their Works, 1912--1937, 146-147. New York, NY: Macmillan. Third Edition, 1938.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Reich, Howard

Year: 1987
Complete Citation:
Reich, Howard. “Classical Secrets: Nicolas Slonimsky’s Highbrow Writings Raise Eyebrows.” Chicago Tribune 13, April 26, 1987, 16-17.
Notes:

In this article about Slonimsky there are several references to his associa-tion with Ives (among others) and his work with Ives and his composi-tions, including remarks about the chamber version of Orchestral Set No. 1: Three Places in New England.

Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Retallack, Joan, ed.

Year: 1995
Complete Citation:
Retallack, Joan, ed. Musicage: Cage Muses on Words, Art, Music, 283. Hanover, NH: University Press of New England, 1995.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers