Image
Complete Citation:
Sherwood, Gayle. “Vivian Perlis, Charles Ives Remembered: An Oral History.” The Journal of Musicological Research, Vol. 22, No. 3 (2003): 296-299.
Bibliography
Genres
Sherwood, Gayle
Year: 2003
Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Shreffler, Anne
Year: 1994
Complete Citation:
Shreffler, Anne. “Elliott Carter and His America.” Sonus 14/2 (Spring 1994): 38-66.Notes:
See 51-58 regarding the influence of Ives that “looms largest in Carter's music.”
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Shreffler, Anne Chatoney
Year: 1994
Complete Citation:
Shreffler, Anne Chatoney. “Elliott Carter and his America.” Sonus 14/2 (Spring 1994): 38-66.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Shultis, Christopher
Year: 1998
Complete Citation:
Shultis, Christopher. Silencing the Sounded Self: John Cage and the Ameri-can Experimental Tradition, 3-4. 14-28, and passim.. Boston, MA: Northeastern University Press, 1998.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2013
Complete Citation:
Shultis, Christopher. Silencing the sounded self: John Cage and the American experimental tradition. Lebanon, NH: University Press of New England, 2013.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2014
Complete Citation:
Christopher Shultis. “Robert Morris and the Missing Middle.” Perspectives of New Music 52/2 (2014): 316-324.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Siegmeister, Elie
Year: 1973
Complete Citation:
Siegmeister, Elie. Review of Charles E. Ives: Memos, edited by John Kirkpatrick. High Fidelity/Musical America 23/3, March 1973, MA 29-31.Source: Magazine
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Year: 1974
Complete Citation:
Siegmeister, Elie. Review of From the Steeples and Mountains, by David Wooldridge. Notes 31 (1974): 291-293.Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Silverberg, Ann L.
Year: 2001
Complete Citation:
Silverberg, Ann L. Review of Amy Beach and Charles Ives, by Nicholas E. Tawa. Notes 59/1 (September 2002): 85--87.Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Simms, Bryan R.
Year: 2011
Complete Citation:
Simms, Bryan R. “The German Apprenticeship of Charles Ives.” American Music 29 (2011): 139-167.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Simms, L. M.
Year: 1975
Complete Citation:
Simms, L.M. Review of Charles Ives and the American Mind, by Rosalie Sandra Perry. History: Reviews of New Books, vol. 3, no. 4 (1975): 87.Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Sinclair, James B.
Year: 2004
Complete Citation:
Sinclair, James B. “Riordinare il genio.” Translated by Aloma Bardi. Il Giornale della Musica 20/204 (May 2004): 25-26.Notes:
Part of “Ives, un Padre del Novecento,” for the fiftieth anni-versary of Ives’s death.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Sinclair, James, James Tocco, and Kenneth Singleton
Year: 1993
Complete Citation:
Sinclair, James, James Tocco, and Kenneth Singleton. “Panel Discussions: Evolving Performance Practice in the Music of Ives and Copland.” Paper presented at Ives-Copland Festival. University of Northern Colorado, Hensel-Phelps Auditorium and Theater, Greeley, Colorado, October 28-30, 1993.Source: Conference paper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Singleton, Kenneth
Year: 1996
Complete Citation:
Kenneth Singleton. “Making Music Was His Best Policy,” review of Charles Ives: A Life with Music, by Jan SwaffordWashington Post Book World 26/30 (July 28): 4-5.Source: Newspaper
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Year: 1996
Complete Citation:
Singleton, Kenneth. “Making Music Was His Best Policy.” Washington Post Book World 26/30, July 28, 1996, 4-5.Source: Newspaper
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Slominsky, Nicholas
Year: 1994
Complete Citation:
Slominsky, Nicolas. “Charles Ives.” In Perfect Pitch, edited by Richard Kostelanetz. New York: Schirmer Books, 1994.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Slonimsky, Nicolas
Year: 1948
Complete Citation:
Slonimsky, Nicolas. “A Thing or Two about Music.” In Prophet of Music to Come, 207-210. New York, NY: Allen, Towne & Heath.Source: Chapter in Book
Reprints:
Slonimsky, Nicolas. “A Thing or Two about Music.” In <i>Slonimsky's Book of Musical Anecdotes</i>, edited by Electra Slonimsky Yourke, 207-210. New York, NY: Routledge, 2002.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1976
Complete Citation:
Slonimsky, Nicolas. “Working with Ives.” Program booklet of the South Florida Ives Festival, 1974-76.Source: Program Booklet
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1988
Complete Citation:
Slonimsky, Nicolas. Perfect Pitch: A Life Story. Oxford, United Kingdom: Oxford Uni-versity Press, 1988.Notes:
Expanded edition adds a letter to Slonimsky’s wife of March 17, 1932 (247) and “Ives” (279-280). Original proposed title was Failed Wunderkind: A Rueful Autopsy. Recalls meeting Ives and working with him on Three Places in New England for con-certs in Boston, New York, Havana, Paris, and Berlin.
Source: Book
Reprints:
Slonimsky, Nicolas. <i>Perfect Pitch: A Life Story</i>, edited by Electra Slonimsky Yourke. Expanded edition. New York, NY: Schirmer Trade Books, 2002.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Slottow, Stephen
Year: 2003
Complete Citation:
Slottow, Stephen. “Wayward Compositional Procedure in the Music of Carl Ruggles.” Newsletter - Institute for Studies in American Music XXXIII, no. 1 (October 2003).Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers