Image
Complete Citation:
Bowden, Charles. “On the edge with Edward Abbey, Charles Ives, and the Outlaws.” In Abbey in America: a philosopher's legacy in a new century. Albuquerque, NM: University of New Mexico Press, 2015.
Bibliography
Genres
Bowden, Charles
Year: 2015
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Boziwick, George
Year: 2000
Complete Citation:
Boziwick, George. “Henry Cowell at the New York Public Library: A Whole World of Music.” Notes 57, no. 1 (September 2000): 46-58.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Brant, Henry
Year: 1957
Complete Citation:
Brant, Henry. “Henry Cowell—Musician and Citizen.” Etude (February 1957): 15, 47, 58-59; (March, 1957): 20, 60-61; (April 1957): 22, 60-61.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1967
Complete Citation:
Brant, Henry. “Space as an Essential Aspect of Musical Composition.” In Contemporary Composers on Contemporary Music, edited by Elliott Schwartz and Barney Childs, 221-242. New York, NY: Holt, Rinehart and Winston, 1967.Notes:
Cites <i>The Unanswered Question</i> as an example.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Braun, Doris
Year: 2006
Complete Citation:
Braun, Doris. “International Corner: [Keith Ford].” The Triangle of Mu Phi Epsilon, Vol. 99, No. 4 (2006): 5.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Brian, Crystal
Year: 1999
Complete Citation:
Crystal Brian. “‘To Be Quiet and Listen’: The Orphans’ Home Cycle and the Music of Charles Ives.” In Horton Forte: A Casebook, edited by Gerald C. Wood, 89-108. Garland Reference Library of the Humanities: Case- books on Modern Dramatists. New York, NY: Garland Press, 1999.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Brits, Hanneli
Year: 2000
Complete Citation:
Brits, Hanneli. Die invloede op Charles E. Ives se komposisiestyl. Potchefstroom, South Africa: North West University Library, 2000.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Brooks, Williams
Year: 1993
Complete Citation:
Brooks, Williams. Review of A Union of Diversities: Style in the Music of Charles Ives, by Larry Starr. American Music 11, no. 4 (Winter 1993): 488-491.Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Brooks, William
Year: 2018
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Brooks, William Fordyce
Year: 1993
Complete Citation:
Brooks, William Fordyce. Review of A Union of Diversities, by Larry Starr. American Music 11/4 (Winter 1993): 488-491.Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Browning, J. Robert
Year: 2001
Complete Citation:
Browning, J. Robert. “‘My God, What Has Sound Got to Do with Music?’ Interdisciplinarity in Eliot and Ives.” In T. S. Eliot’' Orchestra: Critical Essays on Poetry and Music, edited by John Xiros Cooper, 195-214. New York, NY: Garland Press, 2001.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Browning, James
Year: 1972
Complete Citation:
Browning, James. Review of Memos, by Charles Ives. Music Journal 30/10 (December 1972): 49.Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Brown, John Robert
Year: 2012
Complete Citation:
Brown, John Robert. “Book Review: “Moral Fire: Musical Portraits from America’s Fin de Siècle,” by Joseph Horowitz.” Classical Music (2012): 83.Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Brown, Stephen
Year: 1988
Complete Citation:
Brown, Stephen. “In America: Ives and Copland.” In The Sense of Music. San Diego, CA: Harcourt Brace Jovanovich, 1988.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Broyles, Michael
Year: 2004
Complete Citation:
Broyles, Michael. “Precursors: Charles Ives and Leo Ornstein.” In Mavericks and Other Traditions in American Music, 71-91. New Haven, CT: Yale University Press, 2004.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Bruhn, Christopher
Year: 2015
Complete Citation:
Bruhn, Christopher. Review of Breaking Time’s Arrow: Experiment and Expression in the Music of Charles Ives, by Matthew McDonald. Music & Letters, vol. 96, no. 2 (May 2015): 289-291.Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Year: 2015
Complete Citation:
Bruhn, Christopher. Review of Breaking Time’s Arrow: Experiment and Expression in the Music of Charles Ives, by Matthew McDonald. Music and Letters, vol. 96, no. 2 (2015): 289-291.Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Buchman, Andrew
Year: 1994
Complete Citation:
Buchman, Andrew. Review of Charles Ives: “My Father's Song” — A Psychoanalytic Biography, by Stuart Feder. Biography, Vol. 17, no. 2 (1994): 187-191.Source: Magazine
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Year: 1996
Complete Citation:
Buchman, Andrew. “Ives and Stravinsky: Two Angles on “the German Stem.” In Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder, 131-149. New Haven, CT: Yale University Press, 1996.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Buhles, Günter
Year: 2000
Complete Citation:
Buhles, Günter. “Amerikanische Komponisten: von Charles Ives and Charles Ruggles bis John Cage and Morton Feldman.” Das Orchester (September 2000): 2.Notes:
<a target="_blank" href="https://dasorchester.de/artikel/amerikanische-komponisten-von-charles-i… at https://dasorchester.de/artikel/amerikanische-komponisten-von-charles-i…;
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers