Image
Complete Citation:
Burkholder, J. Peter. “The Critique of Tonality in the Early Experimental Music of Charles Ives.” Music Theory Spectrum 12/2 (Fall 1990): 203-223.
Bibliography
Genres
Burkholder, J. Peter
Year: 1990
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Year: 1995
Complete Citation:
Burkholder, J. Peter. “Rule-Breaking as a Rhetorical Sign.” In Festa Musicologica: Essays in Honor of George J. Buelow, edited by Thomas J. Mathiesen and Benito V. Rivera. Stuyvesant, NY: Pendragon, 1995.Source: Chapter in Book
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Year: 2002
Complete Citation:
Burkholder, J. Peter. “The Organist in Ives.” Journal of the American Musicological Society 55/2 (2002): 255-310.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 2012
Complete Citation:
Burkholder, J. Peter. “Stylistic Heterogeneity and Topics in the Music of Charles Ives.” Journal of Musicological Research 31 (2012): 166-199.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Burr, Raymond A.
Year: 1976
Complete Citation:
Burr, Raymond A. “The Art Songs of Charles Ives.” In South Florida's Historic Ives Festival, 1974-1976, 53-56. Coral Gables, FL: University of Miami, 1976.Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
E. Songs
Butterworth, Neil
Year: 1999
Complete Citation:
Neil Butterworth. “Charles Ives.” In The American Symphony, 36-44. Brookfield, VT: Ashgate Publishing, 1999.Notes:
Discusses the four numbered sym-phonies and the Universe Symphony. States that the four movements of the Holidays Symphony “form separate patriotic pieces” that can “in no way...collectively constitute a symphony.”
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Calvert Bean, Jr.
Year: 1969
Complete Citation:
Calvert Bean, Jr. “Re: Variations on ‘America.’” Instru-mentalist 24/2 (September 1969): 14.IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Carr, Cassandra Irene
Year: 1989
Complete Citation:
Carr, Cassandra I. “Charles Ives's Humor as Reflected in His Songs.” Amer-ican Music 7/2 (Summer 1989): 123-139.Source: Journal
IV. Individual Studies by Genre
E. Songs
E. Songs
Carson, Gerald
Year: 1965
Complete Citation:
Carson, Gerald. “The Piano in the Parlor.” American Heritage, December 1965.Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Carter, Chandler
Year: 2001
Complete Citation:
Carter, Chandler. “‘Coke Cans and Chain Mail’: Contemplating Diver-sity and Unity in Charles Ives’s Tom Sails Away.” Paper presented at Annual Meeting of the Music Theory Society of New York State. New York University, New York, New York, April 8, 2001.Source: Conference Paper
IV. Individual Studies by Genre
E. Songs
E. Songs
Charles, Sydney Robinson
Year: 1967
Complete Citation:
Charles, Sydney Robinson. “The Use of Borrowed Materials in Ives’ Second Symphony.” The Music Review, 28/2 (May, 1967): 102-111.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Chasins, Abram
Year: 1979
Complete Citation:
Chasins, Abram. Leopold Stokowski: A Profile, 219, 236-237, 242. New York, NY: Hawthorne Books, 1979.Notes:
Discusses Stokowski’s performance of Ives Symphony No. 4, and Stokowski’s list which includes the Robert Browning Overture and Symphony No. 4.
Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Childs, Andrew S.
Year: 2004
Complete Citation:
Childs, Andrew S. “The Children’s Hour: The Thematic Voice of Childhood in the Songs of Charles Ives.” D.M.A. diss., Univer-sity of Washington, 2004.Source: D.M.A. Dissertation
IV. Individual Studies by Genre
E. Songs
E. Songs
Chmaj, Betty E.
Year: 1989
Complete Citation:
Chmaj, Betty E. "Charles Ives and the Concord Sonata.” In Poetry and the fine arts: papers from the poetry sessions of the European Association for American Studies Biennial Conference, Rome 1984, edited by Hagenbüchle, Roland and Jacqueline Saunier-Ollier.Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Christy, Van A.
Year: 1979
Complete Citation:
Christy, Van A. Foundations in Singing, 56-60. 4th ed. Dubuque, IA: Wm. C. Brown Company, 1979.Notes:
Includes examples from At Sea, At the River, Evening, The Indians, and Remembrance.
Source: Book
IV. Individual Studies by Genre
E. Songs
E. Songs
Christiansen, Erik
Year: 1996
Complete Citation:
Christensen, Erik. The Musical Timespace: A Theory of Music Listening. Alborg, Denmark: Alborg University Press, 1996.Source: Book
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Year: 1996
Complete Citation:
Christensen, Erik. “Nota-tion Examples and Graphs.” In The Music Timespace: A Theory of Music Listening. Volume 2. Alborg, Denmark: Alborg University Press, 1996.Notes:
<i>The Unan-swered Question </i>and <i>Central Park in the Dark </i>are chosen for consider-ation. Each is analyzed by five basic listening dimensions: timbre, pulse, pitch height space, movement, and intensity.
Source: Book
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Christiansen, Larry A.
Year: 1969
Complete Citation:
Christiansen, Larry A. “Charles E. Ives and the Sixty-Seventh Psalm.” Music: The AGO & RCCO Magazine III, February 1969, 20-21.Source: Magazine
IV. Individual Studies by Genre
D. Choral Works
D. Choral Works
Year: 1969
Complete Citation:
Christiansen, Larry A. “Charles E. Ives and the Sixty--Seventh Psalm.” Music/AGO-RCCO Magazine 3/2 (February 1969): 20-21.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
D. Choral Works
Clark, Sondra Rae
Complete Citation:
Clark, Sondra Rae. “Ives and the Assistant Soloist.” Clavier 13/7 (1974): 17-20, 30.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works