Tyler, Charles Ives
Year: 1977
Complete Citation:
Tyler, Charles Ives. “Charles Ives.” Piano Today 17/3 (1977): 8, 10, 54.Notes: Part of a pair of articles entitled “American Transcendentalism: Two Compos-ers in the Pioneer Tradition.” Reminiscences by Charles Ives's grand- son about how Ives disliked milk. [The other article is “Ruth Crawford Seeger” by Judith Tick.]
Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works
Ulrich, Homer
Year: 1952
Complete Citation:
Ulrich, Homer. Symphonic Music: Its Evolution since the Renaissance. New York, NY: Columbia University Press, 1952.Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Unger, Clive
Year: 1983
Complete Citation:
Unger-Hamilton, Clive, ed. The Great Symphonies, edited by Clive, 137, 138, 141, 209. New York, NY: Facts on File, 1983.Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Upton, William Treat
Year: 1930
Complete Citation:
Upton, William Treat. A Supplement to Art-Song in America, 1930-1938, 26-27, 38. Boston, MA: Oliver Ditson Company, 1938.Source: Book
IV. Individual Studies by Genre
E. Songs
Year: 1938
Complete Citation:
Upton, William Treat. “Aspects of the Modern Art-Song.” The Musical Quarterly XXIV, 1 (January 1938): 11-30.Source: Journal
IV. Individual Studies by Genre
E. Songs
Velten, Klaus
Year: 1981
Complete Citation:
Velten, Klaus. “Der Kunstler und die Natur-ein Interpretationsbeitrag zum Liebschaffen von Charles Ives.” Musik und Bildung: Zeitschrift 13 (September 1981): 544-546.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 1981
Complete Citation:
Velten, Klaus. “Der Künstler und die Natur. Ein Interpretationsbeitrag zum Liebschaften von Charles Ives.” Musik und Bildung 13 (1981): 544-546.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 1983
Complete Citation:
Velten, Klaus. “Ein Komponist zwischen den Zeiten: traditioneller Geist und fortschrittliche Gesteltungsweise in Klavierliedern von Charles Ives.” Musik und Bildung: Zeitschrift fur Musikerzeihung 15 (December 1983): 11-17.Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 1999
Complete Citation:
Velten, Klaus. “Charles Ives: der Komponist und die Natur im Spiegel seiner Liedkomposition “Now came still evening on.”” In Musik über Worte: Studien zum lyrischen Gesang in Romantik und Moderne. Saarbrücken, Germany: Pfau, 1999.Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
Vermeulen, Ernst
Year: 1994
Complete Citation:
Vermeulen, Ernst. “Musikale torso’s (10): Ives’ Universe Symphony. Machtig en Mannelijk.” Mens en Mels 49 (October 1994): 586-594.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Verrall, John
Year: 1953
Complete Citation:
Verrall, John. “American Chamber Music: 1900-1950.” In Proceedings of the Music Teachers National Association (1950), 21-26. Pittsburgh, PA: Music Teachers National Association, 1953.Source: Chapter in Book
IV. Individual Studies by Genre
B. Chamber Works
Vinquist, Mary Ann
Year: 1965
Complete Citation:
Vinquist, Mary Ann. “The Psalm-Settings of Charles Ives.” M.A. thesis, Indiana University, 1965.Source: M.A. Thesis
IV. Individual Studies by Genre
D. Choral Works
Von Glahn [Cooney], Denise
Year: 1996
Complete Citation:
Von Glahn [Cooney], Denise. “Narration and Landscape.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 33-37. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.Source: [Chapter in] Festival Publication
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Von Glahn, Denise
Year: 2001
Complete Citation:
Von Glahn, Denise. “Charles Ives, Cowboys and Indians: Aspects of the Other Side of Pioneering.” American Music 19/3 (Fall 2001): 291-314.Notes: De-tailed discussion of two songs: The Indians and Charlie Rutlage.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 2001
Complete Citation:
Von Glahn, Denise. “Charles Ives, Cowboys, and Indians: Aspects of the ‘Other Side of Pioneering.’” American Music, vol. 19, no. 3 (2001): 291-314.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 2004
Complete Citation:
von Glahn, Denise. “The Sylvan in the City: Central Park in the Dark.” In Musik-Konzepte 123 — Charles Ives, edited by Ulrich Tadday. Munich, Germany: Edition Text und Kritik, 2004.Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2004
Complete Citation:
Denise Von Glahn. “Sylvan in the City: Everyday Eternal in ‘Central Park in the Dark.’” Paper presented at The Society for American Music Conference [Session 8a]. Cleveland, Ohio, March 12, 2004.Source: Conference
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2019
Complete Citation:
Von Glahn, Denise. “The New River Updated: Charles Ives and the Disappearing River Gods.” Cultural Sustainabilities: Music, Media, Language, Advocacy, edited by Timothy J. Cooley, 113-128. Urbana, IL: University of Illinois Press, 2019.Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
Walker, Donald R.
Year: 1975
Complete Citation:
Walker, Donald R. “The Vocal Music of Charles Ives.” Parnassus: Poetry in Review 3 (1975): 329-344.Notes: Part of “A Garland for Charles Ives”
Source: Journal
IV. Individual Studies by Genre
E. Songs
Warburton, Thomas
Year: 1972
Complete Citation:
Warburton, Thomas. “Historical Perspective of the String Quartet in the United States.” American Music Teacher 21/3 (1972): 20-37.Source: Journal
IV. Individual Studies by Genre
B. Chamber Works