Cyr, Gordon
Year: 1972
Complete Citation:
Cyr, Gordon. "Orchestral Music: by Charles Ives.” Notes, Vol. 29, Issue 2 (December 1972): 319.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Decroupet, Pascal
Year: 1991
Source: Online article
IV. Individual Studies by Genre
A. Orchestral and Band Works
Denk, Jeremy
Year: 2012
Complete Citation:
Denk, Jeremy. “Flight of the Concord; Personal History.” The New Yorker, Vol. 87, No. 47 (2012): 24-29.Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works
Dennison, Sam, ed.
Year: 1992
Complete Citation:
Dennison, Sam, ed. American Orchestral Music: Nationalists and Traditionalists in Early Twentieth-Century America. Boston, MA: G.K. Hall, 1992.Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
DeVenney, David P.
Year: 1999
Complete Citation:
DeVenney, David P. “The End of the Century: Impressionism and the Flowering of Roman-ticism.” In Varied Carols: A Survey of American Choral Literature, 105-109. Westport, CT: Greenwood Press, 1999.Notes: In Chapter 5, “The End of the Century: Impressionism and the Flowering of Roman-ticism,” some details are given about General William Booth Enters into Heaven, Psalm 90, Psalm 24, Psalm 54, Psalm 135, The Celestial Country, and Three Harvest Home Chorales.
Source: Chapter in Book
VI. Topical Studies
K. Stylistic Influences on Ives
Downes, Edward
Year: 1981
Complete Citation:
Downes, Edward. “Charles Ives.” In Guide to symphonic music. New York, NY: Walker, 1981.IV. Individual Studies by Genre
A. Orchestral and Band Works
Downes, Olin
Year: 1940
Complete Citation:
Downes, Olin. “American Music Sung by Thomas.” The New York Times. March 25, 1940, 10.Source: Newspaper
IV. Individual Studies by Genre
E. Songs
Duane, Ben
Year: 2013
Complete Citation:
Duane, Ben. “Auditory Streaming Cues in Eighteenth- and Early Nineteenth-Century String Quartets: A Corpus-Based Study.” Music Perception: An Interdisciplinary Journal 31/1 (2013): 46-58.Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives
Duckworth, William
Year: 1999
Complete Citation:
Duckworth, William. “The Concord Sonata.” In 20/20: 20 new sounds of the 20th century. New York, NY: Schirmer Books, 1999.Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
Duke, John
Year: 1950
Complete Citation:
Duke, John. “American Song: 1900-1950.” Proceedings of the Music Teachers National Association 44 (1950): 31-34.IV. Individual Studies by Genre
E. Songs
Duke, Vernon
Year: 1937
Complete Citation:
Duke, Vernon. “Musicalantics and Antiques.” Stage (March 1937): 78.Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives
Dumm, Robert
Year: 1974
Complete Citation:
Dumm, Robert. “Performer’s Analysis of an Ives Piano Piece.” Clavier 13/7 (1974): 21-25.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Echols, Paul
Year: 1974
Complete Citation:
Echols, Paul. Liner notes for Sonatas for Violin and Piano. Paul Zukofsky and Gilbert Kalish. Nonesuch HB-73025, 1974, 33.3 RPM.Source: Liner notes
IV. Individual Studies by Genre
B. Chamber Works
Year: 1974
Complete Citation:
Echols, Paul. “The Music for Orchestra.” Music Educator's Journal 61/2 (October 1974): 29-41.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Echols, Paul C.
Year: 1954
Complete Citation:
Echols, Paul C. “Editorial Note: 1979.” In Charles E. Ives, Sonata No. 1 for Piano, iv. New York, NY: Peer International, 1954.Reprints: Echols, Paul C. “Editorial Note: 1979.” In <i>Charles E. Ives, Sonata No. 1 for Piano</i>, iv. New York, NY: Peer International, 1990.
IV. Individual Studies by Genre
C. Keyboard Works
Eger, Joseph
Year: 2005
Complete Citation:
Eger, Joseph. Einstein's Violin: A Conductor's Notes on Music, 45-46, 144, 223, 372, 374. New York, NY: Jeremy P. Tarcher/Penguin, 2005.Notes: Tells of being an assistant conductor to Stokowski for Symphony No. 4 in Carnegie Hall. Also tells about a script to The Unanswered Question by Nancy Shear for Eleanor Roosevelt's one- hundredth birthday program (New York; Avery Fischer Hall).
Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Eidenbenz, Michael; Muggler, Fritz
Year: 2002
Complete Citation:
Eidenbenz, Michael and Fritz Muggler. ““Berichte: 88 Tasten Und Mehr: Piano,” Das 102. Tonkünstlerfest in Biel, 20-22.” Dissonanz (September 2002): 35-36.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Elkus, Jonathan
Year: 1974
Complete Citation:
Elkus, Jonathan. “Charles Ives and the American Band Tradition: A Centennial Tribute.” Vol. 4 of American Arts Pamphlet, American Arts Documentation Centre. Exeter, England: University of Exeter, 1974.Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1991
Complete Citation:
Elkus, Jonathan. “Preface.” In Charles E. Ives, Thanksgiving and Forefathers’ Day, edited by Jonathan Elkus, iii-iv. New York, NY: Peer International, 1991.Source: Chapter in Score
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2005
Complete Citation:
Elkus, Jonathan. “Charles Ives's Manhattan.” In The wind band in and around New York ca. 1830-1950: essays presented at the 26th biennial conference of the College Band Directors National Association, New York, NY, Feb., 2005, edited by Frank J. Cipolla and Donald Hunsberger. Van Nuys, CA: Alfred Press, 2007.Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works