Image
Complete Citation:
Coffill, Brian. “Charles Ives’s Decoration Day: A Conductor’s Guide.” SAGE Open 9, no. 1 (January 2019).
Bibliography
Genres
Coffill, Brian
Year: 2019
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Cogan, Robert
Year: 1999
Complete Citation:
Cogan, Robert. The Sounds of Song: A Picture Book of Music for Voice. Cambridge, United Kingdom: Publication Contact International, 1999.Source: Book
Reprints:
Cogan, Robert. “The Sounds of Song: A Picture Book of Music for Voice.” <i>Sonus</i> 22/1 (Spring 2002): 1-10.
IV. Individual Studies by Genre
E. Songs
E. Songs
Year: 2002
Complete Citation:
Cogan, Robert. “Ives’ Farewell.” Sonus: A Journal of Investigations into Global Musical Possibilities, Vol. 22, No. 2 (2002): 1-10.Source: Journal
IV. Individual Studies by Genre
E. Songs
E. Songs
Cohn, Arthur
Year: 1939
Complete Citation:
Cohn, Arthur. “Americana in the Fleisher Collection.” Modern Music 16/2 (January-February 1939): 116-119.Source: Journal
VI. Topical Studies
L. Ives and America
L. Ives and America
Year: 1962
Complete Citation:
Cohn, Arthur. “Not once but twice—the ‘Concord’ Sonata.” The American Record Guide, Vol. 28, June 1962.Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Coleman, Judy Bounds
Year: 1960
Complete Citation:
Coleman, Judy Bounds. “Charles Ives: The Man and His Songs.” Mid-west Quarterly (July 1960) 1/4: 295-320.Notes:
Includes a reprint of “The Things Our Fathers Loved,” No. 43 of 114 Songs, p. 312-313.
Source: Journal
IV. Individual Studies by Genre
E. Songs
E. Songs
Conen, Hermann
Year: 1981-1982
Complete Citation:
Cohen, Hermann. “All the wrong notes are right’ — Zu Ch. Ives’ 2. Klaviersonate.” Neuland 1 (1981-1982): 28-42.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Conn, Peter J.
Year: 1988
Complete Citation:
Conn, Peter J. “Innovation and nostalgia: Charles Ives.” In The divided mind: ideology and imagination in America 1898-1917. Cambridge, United Kingdom: Cambridge University Press, 1988.Source: Chapter in Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Cook, Christopher
Year: 2004
Complete Citation:
Cook, Christopher. “‘I Was Always Taught to Dream Big’: Susan Graham.” BBC Music Magazine, Vol. 12, No. 11 (2004): 24-27.Source: Magazine
IV. Individual Studies by Genre
E. Songs
E. Songs
Cooney, Denise Van Glahn
Year: 1996
Complete Citation:
Cooney, Denise Van Glahn. “A Sense of Place: Charles Ives and ‘Putnam’s Camp, Redding, Connecticut.” American Music 14/3 (Fall 1996): 276-312.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Cooney, Denise Von Glahn
Year: 1997
Complete Citation:
Cooney, Denise Von Glahn. “New Sources for The ‘St. Gaudens’ in Boston Common (Colonel Robert Gould Shaw and His Colored Regiment).” Musical Quarterly 8 (Spring 1997): 13-50.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Copland, Aaron
Year: 1932
Complete Citation:
Copland, Aaron. “The American Composer and His Critic.” Modern Music IX, 4 (May-June 1932): 143-147.Source: Journal
VI. Topical Studies
L. Ives and America
L. Ives and America
Year: 1934
Complete Citation:
Copland, Aaron. “One Hundred and Fourteen Songs.” Modern Music, 11/2 (January 1934): 59-64.Source: Journal
Reprints:
Copland, Aaron. “One Hundred and Fourteen Songs.” In <i>Charles Ives and His World</i>, edited by J. Peter Burkholder, 307-312. Princeton, NJ: Princeton University Press, 1996.
IV. Individual Studies by Genre
E. Songs
E. Songs
Year: 1934
Complete Citation:
Copland, Aaron. “One Hundred and Fourteen Songs.” Modern Music (January--February 1934) 11/2: 59--64.Notes:
Discussion of selected songs.
Source: Journal
IV. Individual Studies by Genre
E. Songs
E. Songs
Year: 1952
Complete Citation:
Copland, Aaron. “The Composer in Industrial America.” In Music and Imagination: The Charles Elliott Norton Lectures, 1951--1952, 96--111. Cambridge, United Kingdom: Harvard University Press, 1952.Source: Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Cowell, Henry
Year: 1933
Complete Citation:
Cowell, Henry. “Trends in American Music.” In American Composers on American Music, edited by Henry Cowell, 3-13. Stanford, CA: Stanford University Press, 1933.Source: Chapter in Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Cowell, Henry.
Year: 1949
Complete Citation:
Cowell, Henry. “Review of Three-Page Sonata.” The Musical Quarterly vol. 35 (1949).Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Cowell, Henry Dixon
Year: 1941
Complete Citation:
Cowell, Henry Dixon. “Dos Estudios: (1) La musica entre los pueblos primitivos; (2) La creacíon musical en los Estados Unidos.” Spanish translation by Francisco Curt Lange. Boletín Latino--Americano de Música 5/5 (October 1941): 105--113.Notes:
The second essay gives attention to Ives, Ruggles, Crawford, and others.
Source: Journal
VI. Topical Studies
L. Ives and America
L. Ives and America
Cox, David
Year: 1965
Complete Citation:
Cox, David. “Charles Ives, the First Truly American Composer.” Lis-tener 73 (March 11, 1965): 384.Notes:
A general article as background for broad- cast of the four violin sonatas. Cites the infamous misquotation of Schoenberg.
Source: Journal
VI. Topical Studies
L. Ives and America
L. Ives and America
Crane, Frederick
Year: 1982
Complete Citation:
Crane, Frederick. “How Should the Jew’s Harp Part of ‘Washington’s Birth-day' be played?” Verundzwanzigsteljahrsschrift der Internationalen Maultrommelvirtuosengenossenschaft 1 (1982): 49-57.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works