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Bibliography

Pohly, Linda

Year: 1995
Complete Citation:
Pohly, Linda. “Alleluia! Sacred Choral Music in New England.” American Music 13, no. 1 (Spring 1995): 124-126.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

Porter, Cecelia

Year: 1998
Complete Citation:
Porter, Cecelia. “Classical Music: Organist Gregory D’Agostino.” The Washington Post (1998): C4.
Source: Newspaper
IV. Individual Studies by Genre
C. Keyboard Works

Porter, David

Year: 1998
Complete Citation:
Porter, David. “Reconstructing the Emerson Concerto.” Paper presented at Ives & Yale: A Celebration of the Centenary of Charles Ives’s Gradua-tion from Yale. Yale University, New Haven, Connecticut, April 3-5, 1998.
Source: Conference paper
Reprints:

“Reconstructing the Emerson Concerto.” College Music Symposium (1999) 39: 27--42.

IV. Individual Studies by Genre
A. Orchestral and Band Works

Porter, David G.

Year: 1998
Complete Citation:
Porter, David G. “On the Reconstruction of Charles Ives’s ‘Emerson’ Piano Concerto.” Unpublished commentary, 1998.
Source: Unpublished commentary.
IV. Individual Studies by Genre
A. Orchestral and Band Works

Porter, David Gray

Year: 1980
Complete Citation:
Porter, David Gray. “The Third Orchestral Set of Charles Edward Ives.” M.A. thesis, California State University, Fullerton, 1980.
Source: M.A. Thesis
IV. Individual Studies by Genre
A. Orchestral and Band Works

Porter, David H.

Complete Citation:
Porter, David H. “From Plato to piano strings: An ‘Outward Bound’ for the mind.” The Chronicle of Higher Education 42, no. 28 (March 22, 1996): A52.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Potter, Hugh

Year: 1970
Complete Citation:
Potter, Hugh. “Paul Rosenfeld: Criticism and Prophesy.” American Quarterly 22/1 (Spring 1970): 82-94.
Notes:

Quotes from Rosenfeld's review of the Concord Sonata. Adds that “Rosenfeld's great enthusiasm for the music of Charles Ives was partly attributed to Ives’ interest in American subject matter and his use of native themes.”

Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Pozzi, Raffaele

Year: 1985
Complete Citation:
Pozzi, Raffaele. “Polemica antiurbana ed isolamento ideologico in ‘Central Park in the Dark’ di Charles Ives.” Nuova Rivista Musicale Italiana 19 (1985): 471-481.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Quinn, Ian

Year: 2006
Complete Citation:
Quinn, Ian. “Collections: “Microtonal Chamber Music.”” American Record Guide, Vol. 69, No. 2 (2006): 201-202.
Source: Magazine (recording review)
IV. Individual Studies by Genre
B. Chamber Works

R&S National Committee, and Barbara Tagg

Year: 2003
Complete Citation:
Repertoire & Standards National Committee and Barbara Tagg. “American Composers and Arrangers: A List.” The Choral Journal, vol. 43, no. 8 (2003): 43-46.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

Rabinowitz, Peter J.

Year: 1981
Complete Citation:
Rabinowitz, Peter J. “Fictional Music: Toward a Theory of Listening.” In Theories of Reading, Looking, and Listening, edited by Harry R. Garvin, 193-208. Bucknell Review, vol. 26, no. 1. Lewisburg, PA: Bucknell University Press, 1981.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Rasmussen, Jane E.

Year: 1975-1976
Complete Citation:
Rasmussen, Jane E. “Charles Ives’s Music for the Piano.” Student Musicologists at Minnesota 6 (1975-1976): 201-217.
IV. Individual Studies by Genre
C. Keyboard Works

Rasmussen, Karl Aage

Year: 1977
Complete Citation:
Rasmussen, Karl Aage. “Thoughts on Ives.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchock and Vivan Perlis, 251-252. Urbana, IL: University of Illinois Press, 1977.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Rathert, Wolfgang

Complete Citation:
Rathert, Wolfgang. “Between the “Self” and the “World.” Remarks on the Development of the Art Song in the 20th Century: With a Commentary on the Art Songs by Sang-Geun Lee.” 이상근 연구, vol. 1 (2015): 7.
Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 1982-1983
Complete Citation:
Rathert, Wolfgang. “Charles Ives: Symphonie Nr. 4, 1911-1916.” Neuland 3 (1982-83): 226-241.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1983
Complete Citation:
Rathert, Wolfgang. “Charles Ives, Symphonie Nr. 4 (1910-1916).” In Neuland: Ansätze zur Musik der Gegenwart: Jahrbuch. Band 3. Cologne, Germany: Neuland Musikverlag, 1983.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1986
Complete Citation:
Rathert, Wolfgang. “Paysage imaginaire et perception totale: L’idée et la forme de la symphonie Universe.” Contrechamps 7 (1986): 129-154.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1987
Complete Citation:
Rathert, Wolfgang. “Charles Ives: ‘Robert Browning Overture’.” Neue Zeitschrift für Musik 148/4 (1987): 28-31.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1988
Complete Citation:
Rathert, Wolfgang. “Zur Entwicklung des symphonischen Werks von Charles Ives.” In Bericht über das Internationale Symposion “Charles Ives und die amerikanische Musiktradition bis zur Gegenwart”: Kongreßbericht Köln, 1988, edited by Klaus Wolfgang Niemöller. Regensburg, Germany: Gustav Bosse, 1990.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1988
Complete Citation:
Rathert, Wolfgang. “Zum symphonischen Werk von Charles Ives.” In Charles Ives und die amerikanische Musiktradition bis zur Gegenwart, 53-72. Cologne, Germany: University of Cologne, 1988.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works