Image
Complete Citation:
Arnold, Jerome Steven. ““Country Band” March: Historical Perspectives, Stylistic Considerations and Rehearsal Strategies.” D.M.A. diss., George Mason University.
Bibliography
Genres
Arnold, Jerome Steven
Year: 2014
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Auner, Joseph Henry
Year: 2013
Complete Citation:
Auner, Joseph Henry. “Symphony no. 1. Movement 1 / Charles Ives.” In Musicology: A Book Series, 15. Basel, Switzerland: Gordon and Breach Publishing Group, 1994: 37-50.
Source: Chapter in Book
Reprints:
Auner, Joseph Henry. “Symphony no. 1. Movement 1 / Charles Ives.” In <i>Anthology for music in the twentieth and twenty-first centuries</i>. New York: W.W. Norton & Company, 2013.
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Austin, Larry
Year: 1985
Complete Citation:
Austin, Larry. “Charles Ives’s Life Pulse Prelude for Percussion Orchestra: A Realization for Modern Performance from Sketches from his ‘Universe’-Symphony.” Perc Notes 23 (1985): 58-84.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Year: 1997
Complete Citation:
Austin, Larry. “The Realization and First Complete Performances of Ives's Universe Symphony.” In Ives Studies, edited by Philip Lambert, 179-232. Cambridge, United Kingdom: Cambridge University Press, 1997.Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Ausubel, Hillel
Year: 1953
Complete Citation:
Ausubel, Hillel. “The Effect of Chromaticism on Tonality: As Found in Selected Compositions from the Period between 1890 and 1910.” Ph.D. diss., Columbia University, 1953.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Avery T. Sharp and James Michael Floyd
Complete Citation:
Sharp, Avery T. and James Michael Floyd. “Charles Ives (1874-1954).” In Choral music: a research and information guide. New York, NY: Routledge, 2002.Source: Chapter in Book
IV. Individual Studies by Genre
D. Choral Works
D. Choral Works
Averill, Ron
Year: 1995
Complete Citation:
Averill, Ron. “The use of quotation in 20th-century works by Ron Averill, Charles Dodge, and Charles Ives.” D. Mus. Thesis, University of Washington, 1995.Source: D. Mus. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Babb, Timothy Martin
Year: 1994
Complete Citation:
Babb, Timothy Martin. “Text painting in the songs of Charles Ives.” D.M.A. Dissertation, University of South Carolina, 1994.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Babcock, Michael J.
Year: 1974-1975
Complete Citation:
Babcock, Michael J. “Ives’ ‘Thoreau’: A Point of Order.” American Society of University Composers (Proceedings) IX/X (1974/75): 91-102.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Babko, Jeff
Year: 2014
Complete Citation:
Babko, Jeff. “5 Ways to Play Like Bruce Hornsby.” Keyboard, Vol. 40, No. 10 (2014): 30-32.Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Bader, Yvette
Year: 1972
Complete Citation:
Bader, Yvette. The Music Review 33, Vol. 1, No. 4. (November 1972): 292-299.Source: Journal
IV. Individual Studies by Genre
B. Chamber Works
B. Chamber Works
Badolato, James Vincent
Year: 1978
Complete Citation:
Badolato, James Vincent. “The Four Symphonies of Charles Ives: A Critical, Analytical Study of the Musical Style of Charles Ives.” Ph.D. diss., Catholic University, 1978.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Bagwell, James
Year: 1999
Complete Citation:
Bagwell, James. “Innovation and synthesis: the Psalm settings of Charles Ives.” D. Mus. Thesis, Indiana University, 1999.Source: D. Mus. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Baker, John Wesley
Year: 1968
Complete Citation:
Baker, John Wesley. “Borrowed hymn tunes in the sonatas and quartets of Charles Ives.” M.A. thesis, University of California, Davis, 1968.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
B. Theses
Baldwin, Philip
Year: 1996
Complete Citation:
Baldwin, Philip. “An Analysis of three violin sonatas by William Bolcom.” Ph.D. diss., Ohio State University, 1996.Source: Ph.D. Dissertation
IV. Individual Studies by Genre
B. Chamber Works
B. Chamber Works
Ballard, Lincoln M.
Year: 2001
Complete Citation:
Ballard, Lincoln M. “Similar directions, possible influences: parallels between the music of Alexander Scriabin and Charles Ives.” M.M. Thesis, Florida State University, 2001.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
B. Theses
Balshaw, Paul A.
Year: 1975
Complete Citation:
Balshaw, Paul A. “Charles Ives: The Man and His Music: The Celestial Country: An Introduction.” The Choral Journal, vol. 15, no. 7 (1975): 16-20.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
D. Choral Works
Banks, Timothy Paul
Year: 1985
Complete Citation:
Banks, Timothy Paul. “Psalm 90 and Harvest home chorales by Charles Ives: a history and performance analysis.” D.M.A. Dissertation, University of Colorado, 1985.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Bardi, Aloma
Year: 2004
Complete Citation:
Bardi, Aloma. “Transformazione e identita nella Concord Sonata.” Musica 160 (October 2004): 36--38.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Barnettt, Christina Powers
Year: 1986
Complete Citation:
Barnettt, Christina Powers. “Charles Ives: 114 Songs and Transcendental Philosophy.” D.M.A. Dissertation, University of Texas at Austin, 1986.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations