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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
(-) IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Rescigno, Eduardo

Year: 1967
Complete Citation:
Rescigno, Eduardo. “Ascoltando il disco: [Charles Edward Ives] Holi-days Symphony.” La Musica Moderna 1/26 (1967): 158--160.
Notes:

Discussion of “A Symphony: New England Holidays” for the inserted recording.

Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Reti, Rudolph

Year: 1958
Complete Citation:
Reti, Rudolph. Tonality, Atonality, Pantonality: A Study of Some Trends in Twentieth Century Music, 43, 63-65, 89, 149-151. New York, NY: Macmillan, 1958.
Notes:

Discusses Con-cord Sonata and Symphony No. 4.

Source: Book
Reprints:

Reti, Rudolph. <i>Tonality in Modern Music</i>, 61, 82-84, 107, 171, 173. New York, NY: Collier Books, 1962. * Reti, Rudolph. <i>Tonalidad, Atonalidad, Pantonalidad</i>. Translated to Spanish by Joaquín Homs. Madrid, Spain: Rialp, 1965.

IV. Individual Studies by Genre
C. Keyboard Works

Rexroth, Dieter

Year: 1979
Complete Citation:
Rexroth, Dieter. “Ein amerikanischer Denkstil in der Concord-Sonate. Zu einem Aspekt des Transzendentalisten Charles E. Ives.” In Zwischen den Grenzen: Zum Aspekt des Nationalen in der Neuen Musik, 54-61. Frankfurter Studien, Vol. 3. Mainz, Germany: Schott, 1979.
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works

Ribakove, Seymour L.

Year: 1962
Complete Citation:
Ribakove, Seymour L.. “A Prophet without Honor.” Keyboard Jr. 20/7 (April 1962): 1, 4.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Richardson, Paul Akers

Year: 1979
Complete Citation:
Richardson, Paul Akers. “A Guide for the Study of Solo Song Literature in the English Language by Selected Composers of the Twentieth Century.” Ph.D. diss., The Southern Baptist Theological Seminary, 1979.
Source: Ph.D. Dissertation
IV. Individual Studies by Genre
E. Songs

Riis, Thomas L.

Year: 2004
Complete Citation:
Riis, Thomas L. “Memory, Form, and Invention in Charles Ives's Fourth Violin Sonata.” Paper presented at The Society for American Music Conference [Session 8a]. Cleveland, Ohio, March 12, 2004.
Source: Conference
IV. Individual Studies by Genre
B. Chamber Works

Rinehart, John McLain

Year: 1970
Complete Citation:
Rinehart, John McLain. “Ives’ Compositional Idioms: An Investigation of Selected Short Compositions as Microcosms of His Musical Language.” Ph.D. diss., Ohio State University, 1970.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Robinson, Bradley C.

Year: 2020
Complete Citation:
Robinson, Bradley C. “The Songs of Charles Ives: A Closer Look at Undiscovered Pedagogic Treasures for the Collegiate Voice.” Journal of Singing, vol. 76, no. 4 (2020): 403-421.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Robinson, Bradley Craig

Year: 1999
Complete Citation:
Robinson, Bradley Craig. “A study of Charles Ives's use of self-borrowing in the composition of selected songs for solo voice and piano.” D.M.A. diss., University of Illinois at Urbana-Champaign, 1999.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Robinson, Edward

Year: 1930
Complete Citation:
Edward Robinson. “Fourth Symphony, Second Movement.” American Mercury XXI, 83 (November 1930): 378.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Robinson, Suzanne

Year: 2011
Complete Citation:
Robinson, Suzanne. “Percy Grainger and Henry Cowell: Concurrences Between Two ‘Hyper-Moderns.’” The Musical Quarterly 94/3 (2011): 278-324.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

Robison, Richard William

Year: 1969
Complete Citation:
Robison, Richard William. “Reading contemporary choral literature : an analytical study of selected contemporary choral compositions with recommendations for the improvement of choral reading skills.” Ph.D. diss., Brigham Young University, 1969.
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Roedel, Astrid

Year: 1995
Complete Citation:
Roedel, Astrid. “Fragen und Antworten in der Musik Charles Ives ‘The Unanswered Question’: Annäherung an das Werk sowie Überlegungen zur Behandlung in der Mittel und Oberstufe.” Musik in der Schule 4 (July/August): 192-198.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Roeder, Matthew James

Year: 2005
Complete Citation:
Roeder, Matthew James. “Select ragtime music of Scott Joplin, Charles Ives, and Igor Stravinsky: a set of analyses.” D.M.A. Thesis, University of Colorado, 2005.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Roggenkamp, P.

Year: 1986
Complete Citation:
Roggenkamp, P. “Der Fluegel: gestreichelt, gezupft, geslagen: Studie fur ‘praepariertes’ Klavier—auch im paedagogischen Einsatz geeinget.” Neue Musikzeitung 135 (December 1986): 19.
Notes:

Discusses the Concord Sonata.

Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works

Roller, Jonathan Brian

Year: 1995
Complete Citation:
Roller, Jonathan Brian. “An analysis of selected movements from the symphonies of Charles Ives using linear and set theoretical analytical models.” Ph.D. diss., University of Kentucky, 1995.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Romine, Thomas Howard

Year: 1984
Complete Citation:
Romine, Thomas Howard. “Double String Quartet: Musical Score and Analysis.” D.M.A. diss., Ohio State University, 1984.
Source: D.M.A. Dissertation
IV. Individual Studies by Genre
B. Chamber Works

Rorem, Ned

Year: 1968
Complete Citation:
Rorem, Ned. Music and People, 14, 137, 141, 144. New York, NY: George Brazillerj, 1968.
Notes:

([Ives’s]” Epilogue from Essays Before a Sonata {All} is a model of spirited English, depicting the creative process once and for all."), 161, 173 (compares Ezra Pound to "utterances' of Ives), 21.

Source: Book
IV. Individual Studies by Genre
C. Keyboard Works

Rosenfeld, Paul

Year: 1939
Complete Citation:
Rosenfeld, Paul. “Ives’ Concord Sonata.” Modern Music, Vol. 16, No. 2 (January-February 1939): 109-112.
Source: Journal
Reprints:

Rosenfeld, Paul. “Ives’ Concord Sonata.” In <i>Charles Ives and his World, </i>edited by J. Peter Burkholder, 314-316. Princeton, NJ: Princeton University Press, 1996.

IV. Individual Studies by Genre
C. Keyboard Works

Rossiter, Frank R.

Year: 1970
Complete Citation:
Rossiter, Frank R. “Charles Ives and American Culture: The Process of Development, 1874-1921.” Ph.D. diss., Princeton University, 1970.
Source: Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations