Ura, Yuichi
Year: 2008
Complete Citation:
Ura, Yuichi. “A composer/conductor's insights into creative processes in composing and conducting original and core repertoire.” M.M. thesis, St. Cloud State University, 2008.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Urban, Marshall Linwood
Year: 1988
Complete Citation:
Urban, Marshall Linwood. “An investigation into elements of abstract compositional language, program, and philosophical expression in Charles Ives' "General William Booth Enters into Heaven”.” M.M. thesis, Boston University, 1988.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Velten, Klaus
Year: 1983
Complete Citation:
Velten, Klaus. “Ein Komponist zwischen den Zeiten: traditioneller Geist und fortschrittliche Gesteltungsweise in Klavierliedern von Charles Ives.” Musik und Bildung: Zeitschrift fur Musikerzeihung 15 (December 1983): 11-17.Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 1999
Complete Citation:
Velten, Klaus. “Charles Ives: der Komponist und die Natur im Spiegel seiner Liedkomposition “Now came still evening on.”” In Musik über Worte: Studien zum lyrischen Gesang in Romantik und Moderne. Saarbrücken, Germany: Pfau, 1999.Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
Vermeulen, Ernst
Year: 1994
Complete Citation:
Vermeulen, Ernst. “Musikale torso’s (10): Ives’ Universe Symphony. Machtig en Mannelijk.” Mens en Mels 49 (October 1994): 586-594.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Verrall, John
Year: 1953
Complete Citation:
Verrall, John. “American Chamber Music: 1900-1950.” In Proceedings of the Music Teachers National Association (1950), 21-26. Pittsburgh, PA: Music Teachers National Association, 1953.Source: Chapter in Book
IV. Individual Studies by Genre
B. Chamber Works
Vinquist, Mary Ann
Year: 1965
Complete Citation:
Vinquist, Mary Ann. “The Psalm-Settings of Charles Ives.” M.A. thesis, Indiana University, 1965.Source: M.A. Thesis
IV. Individual Studies by Genre
D. Choral Works
Von Glahn, Denise
Year: 2004
Complete Citation:
Denise Von Glahn. “Sylvan in the City: Everyday Eternal in ‘Central Park in the Dark.’” Paper presented at The Society for American Music Conference [Session 8a]. Cleveland, Ohio, March 12, 2004.Source: Conference
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2004
Complete Citation:
von Glahn, Denise. “The Sylvan in the City: Central Park in the Dark.” In Musik-Konzepte 123 — Charles Ives, edited by Ulrich Tadday. Munich, Germany: Edition Text und Kritik, 2004.Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2019
Complete Citation:
Von Glahn, Denise. “The New River Updated: Charles Ives and the Disappearing River Gods.” Cultural Sustainabilities: Music, Media, Language, Advocacy, edited by Timothy J. Cooley, 113-128. Urbana, IL: University of Illinois Press, 2019.Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
Vulpi, Frank
Year: 1982
Complete Citation:
Vulpi, Frank. “Charles Ives’ Concord Sonata: transcendental unity and mechanic form.” M.A. thesis, Ohio State University, 1982.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Wagner, Jeanine F.
Year: 1981
Complete Citation:
Wagner, Jeanine F. “A comparison of Charles Ives’ “The Children's hour” and Carl Ruggles’ “Toys”.” M.M. thesis, Southern Illinois University at Carbondale, 1981.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Walker, Donald R.
Year: 1975
Complete Citation:
Walker, Donald R. “The Vocal Music of Charles Ives.” Parnassus: Poetry in Review 3 (1975): 329-344.Notes: Part of “A Garland for Charles Ives”
Source: Journal
IV. Individual Studies by Genre
E. Songs
Warburton, Thomas
Year: 1972
Complete Citation:
Warburton, Thomas. “Historical Perspective of the String Quartet in the United States.” American Music Teacher 21/3 (1972): 20-37.Source: Journal
IV. Individual Studies by Genre
B. Chamber Works
Ward, Jennifer A.
Year: 2014
Complete Citation:
Ward, Jennifer A. “American Musical Settings of “In Flanders Fields” and the Great War.” Journal of Musicological Research, vol. 33 (2014): 96-129.Source: Journal
IV. Individual Studies by Genre
E. Songs
Wasson, Jeffrey
Year: 1975-76
Complete Citation:
Wasson, Jeffrey. “The Organ Works of Charles Ives: A Research Summary.” Student Musicologists at Minnesota 6 (1975-76): 280-89.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Weaver, Michael Alan
Year: 2006
Complete Citation:
Weaver, Michael Alan. “Ives, Charles.” In Works for the viola by Pulitzer Prize winning composers: an annotated bibliography. Lewiston, NY: E. Mellen Press, 2006.Source: Chapter in Book
IV. Individual Studies by Genre
B. Chamber Works
Weber, Paul D.
Year: 1979
Complete Citation:
Weber, Paul D. “Charles Ives and nineteenth century American church music.” M.A. Thesis, Yale University, 1979.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Webster, David
Year: 1967
Complete Citation:
Webster, David. “He Found the Lost Symphony.” Philadelphia Inquirer. February 19, 1967.Notes: Regarding Theodore A. Seder of the Fleisher Music Collection and his editorial work on the score to Symphony No. 4.
Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Wendt, Rudolph
Year: 1946
Complete Citation:
Wendt, Rudolph. “A study of Charles Ives' second pianoforte sonata "Concord, Mass., 1840-60.” M.M. Thesis, University of Rochester, 1946.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses