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Bibliography

Melick, Jennifer

Year: 2013
Complete Citation:
Melick, Jennifer. “To Market, To Market.” Symphony, Vol. 64, No. 1 (2013): 53.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Mercado, Mario

Year: 2004
Complete Citation:
Mercado, Mario. “Ives: The View from the Podium.” In Charles Ives: An American Original in Context, 28, 30. Program booklet [Playbill]. New York, NY: Avery Fischer Hall, May 11-29, 2004.
Source: Program Booklet
IV. Individual Studies by Genre
A. Orchestral and Band Works

Meredith, Austin

Year: 1997
Complete Citation:
Meredith, Austin. “Brant’s Adaptation of Ives's ‘Concord, Mass., 1840-1860.’” The Thoreau Society Bulletin, no. 220 (1997): 3.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Meyer, Felix

Year: 1991
Complete Citation:
Source: Book
Reprints:

Meyer, Felix. <i>The art of speaking extravagantly: eine vergleichende Studie der ‘Concord Sonata’ und der ‘Essays before a Sonata’ von Charles Ives</i>. Publikationen Der Schweizerischen Musikforschenden Gesellschaft, vol. 34. Bern, Switzerland: Haupt, 1991.

IV. Individual Studies by Genre
C. Keyboard Works
Year: 2000
Complete Citation:
Meyer, Felix. “Transformation and adaptation: the evolution of Charles Ives's song “From ‘Paracelsus.’” In The Rosaleen Moldenhauer memorial: music history from primary sources: a guide to the Moldenhauer Archives. Washington, D.C.: Library of Congress, 2000.
Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
Year: 2003
Complete Citation:
Meyer, Felix. Adaptation - Transformation - Rekomposition: zu einigen Liedbearbeitungen von Charles Ives. Stuttgart, Germany: Franz Steiner Verlag, 2003.
Source: Book
IV. Individual Studies by Genre
E. Songs
Year: 2003
Complete Citation:
Meyer, Felix. “Adaption - Transformation - Rekomposition. Zu Einigen Liedbearbeitungen Von Charles Ives.” Archiv Für Musikwissenschaft, vol. 60, no. 2 (2003): 115-135.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Mihura, Brian L.

Year: 1982
Complete Citation:
Mihura, Brian L. “The Great Jew's Harp Hunt of 1954.” Verundzwanzigsteljahrsschrift der Internationalen Maultrommelvirtuosengenossenschaft 1 (1982): 44-48.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Mikhashoff, Yvar

Complete Citation:
Mikhashoff, Yvar. A thematic survey of the first movement (Emerson) of the Sonata no. 2, “Concord, Mass. 1840-1860” of Charles Ives. Unpublished manuscript. Yvar Mikhashoff Papers. Mss. 10, Folder 6. Music Library, University at Buffalo. 198?.
IV. Individual Studies by Genre
C. Keyboard Works

Miller, Edward Oehler

Year: 1970
Complete Citation:
Miller, Edward Oehler. “The Dilemma of Charles Ives.” A.B. honors thesis, Harvard University, 1970.
Source: A.B. Honors Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays

Miller, Kenneth E.

Year: 1983
Complete Citation:
Miller, Kenneth E. Principles of Singing, 198. Englewood Cliffs, NJ: Pren-tice-Hall, 1983.
Notes:

Discusses When Stars Are in the Quiet Skies.

Source: Book
IV. Individual Studies by Genre
E. Songs

Milligan, Terry Gilbert

Year: 1982
Complete Citation:
Milligan, Terry Gilbert. “Charles Ives: A Survey of the Works for Chamber Ensemble Which Utilize Wind Instruments.” Journal of Band Research 18, no. 1 (Fall 1982): 60-68.
Source: Journal
IV. Individual Studies by Genre
B. Chamber Works

Moomaw, Charles J.

Year: 1971
Complete Citation:
Moomaw, Charles J. “A PL/1 Program for the Harmonic Analysis of Music by the Theories of Paul Hindemith and Howard Hanson.” Master’s thesis, University of Cincinnati, 1971.
Source: Master's Thesis
IV. Individual Studies by Genre
A. Orchestral and Band Works

Morris, Harold

Year: 1932
Complete Citation:
Morris, Harold. “Fourth of July.” Contemporary American Music [Rice Institute, Houston] (April 1932): 5.
Source: Conference Publication
IV. Individual Studies by Genre
A. Orchestral and Band Works

Mortenson, Gary Curtis and Robert Frederick Schmalz

Year: 1989
Complete Citation:
Mortenson, Gary Curtis and Robert Frederick Schmalz. “Perspectives on Charles Ives’s From the Steeples and the Mountains (1901).” Inter-national Trumpet Guild Journal 13/3 (1989): 25-27.
Source: Journal
IV. Individual Studies by Genre
B. Chamber Works

Mueller, John H.

Year: 1951
Complete Citation:
Mueller, John H. The American Symphony Orchestra: A Social History of Musical Taste. Bloomington, IN: Indiana University Press, 1951.
Source: Book
Reprints:

Mueller, John H. <i>Orchestras: A History and Analysis of Their Repertoires, Seasons 1842-43 through 1969-70</i>, 183-184. Bloomington, IN: Indiana University Press, 1973.

IV. Individual Studies by Genre
A. Orchestral and Band Works

Muennich, Rose Marie

Year: 1976
Complete Citation:
Muennich, Rose Marie. “The music of Ives, borrowed or not.” M.M. thesis, Michigan State University, 1976.
Source: M.M. Thesis
C. Baccalaureate Essays
B. Theses

Mumelter, Martin

Year: 1993
Complete Citation:
Mumelter, Martin. “Zu den Violinsonaten von Charles Ives.” Osterreichische Musikzeitschrift 48/3-4 (March-April 1993): 147-151.
Source: Journal
IV. Individual Studies by Genre
B. Chamber Works

Murphy, Scott

Year: 2008
Complete Citation:
Murphy, Scott. “A Composite Approach to Ives’ ‘Cage.’” Twentieth Century Music 5.2 (September 2008): 179-193.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Murray, Lucy Miller

Year: 2015
Complete Citation:
Murray, Lucy Miller. “Charles Ives (1874-1954).” In Chamber music: an extensive guide for listeners. Lanham, MD: Rowman & Littlefield, 2015.
Source: Chapter in Book
IV. Individual Studies by Genre
B. Chamber Works