Taruskin, Richard
Year: 2009
Complete Citation:
Taruskin, Richard. “Two Stabs at the Universe.” In The Danger of Music: And Other Anti-Utopian Essays, 1st ed., 51-59. Berkeley, CA: University of California Press, 2009.Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Tenney, James
Year: 1963
Complete Citation:
Tenney, James. “Some Notes on the Music of Charles Ives.” Liner notes for Songs by Charles Ives. Folkways Records, FM 3344,1966, LP.Source: Liner Notes
IV. Individual Studies by Genre
E. Songs
Terse, Paul
Year: 1987
Complete Citation:
Terse, Paul. Charles Ives und die amerikanische Musik bis zur Gegenwart: Begleitschr. zur Ausstellung Niederrheinisches Museum d. Stadt Duisburg, 13. September bis 1. November 1987. Duisburg, Germany: Stadt Duisburg, 1987.Source: Book
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences
Thompson, Howard
Year: 1980
Complete Citation:
Thompson, Howard. “Going Out Guide: Ives and Ivories Listening Rooms Learning, Staging, Playing.” The New York Times, April 16, 1980, C19.Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Thompson, William Curt
Year: 2004
Complete Citation:
Thompson, William Curt. “The Fourth Sonata for Violin and Piano (“Children’s Day at the Camp Meeting”) by Charles Ives: Contextual, Structural, and Stylistic Considerations." D.M.A. dissertation. Rice University, 2004.Source: D.M.A. Dissertation
IV. Individual Studies by Genre
B. Chamber Works
Thomson, Virgil
Year: 1949
Complete Citation:
Thomson, Virgil. “New Symphonies.” New York Herald Tribune. Feb-ruary 20, 1949, sec. 5, 5.Source: Newspaper
Reprints: Thomson, Virgil. “New Symphonies.” In <i>Music Right and Left</i>, 108-111. New York, NY: Henry Holt, 1951.
IV. Individual Studies by Genre
A. Orchestral and Band Works
Thurmaier, David
Year: 2006
Complete Citation:
Thurmaier, David. “Kaboom! The Development of Explosions in The Fourth of July by Charles Ives.” Paper presented at the Thirty--second Conference of the Society for American Music. Chicago, Illinois, 2006.Source: Conference paper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2013
Complete Citation:
Thurmaier, David. “Charles Ives and the Horn.” The Horn Call: Journal of the International Horn Society, Vol. 43, No. 2 (2013): 59-63.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Tipton, Julius R.
Year: 1970
Complete Citation:
Tipton, Julius R. “Some Observations of the Choral Style of Charles Ives.” American Choral Review 12/3 (July 1970): 99-105.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
Year: 1970
Complete Citation:
Tipton, Julius R. “Some Observations on the Choral Style of Charles Ives.” American Choral Review, Vol. 12, No. 3 (1970): 99.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
Tischer, Matthias
Year: 2004
Complete Citation:
Tischer, Matthias. “Vielheit und Einheit im Dialog: Stichworte zu Charles Ives’ Musik für Theaterorchester.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 157--162. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Toncitch, Vonya
Year: 1972
Complete Citation:
Toncitch, Voya. “‘Three Page Sonata’ by Charles Ives.” Melos 5 (Septem-ber-October 1972): 277-279.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Treat, William Upton
Year: 1933
Complete Citation:
Treat, William Upton. “Aspects of the Modern Art-Song.” The Musical Quarterly XXIV, 1 (January 1933): 11-30.Source: Journal
IV. Individual Studies by Genre
E. Songs
Treybig, Joel
Year: 2007
Complete Citation:
Treybig, Joel. “Understanding “The Unanswered Question.”” ITG Journal: The International Trumpet Guild, Vol. 31, No. 3 (2007): 32-35, 46.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Trott, Donald
Year: 1991
Complete Citation:
Trott, Donald. “The Choral Music of Charles Ives.” Paper presented at Contemporary Music Festival: The Life and Works of Charles Ives. Longwood College, Department of Music, Farmville, Virginia, October 24-25, 1991.Source: Conference paper
IV. Individual Studies by Genre
D. Choral Works
Tryon, Winthrop P.
Complete Citation:
Tryon, Winthrop P. “New Yorker Writing Music for Quarter-Tone Piano.” Christian Science Monitor, January 13, 1925, 10.Source: Newspaper
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1924
Complete Citation:
Winthrop P. Tryon. “Folksong and Hymn Tunes of America.” Christian Science Monitor (November 29, 1924): 18.Source: Newspaper
IV. Individual Studies by Genre
E. Songs
Year: 1925
Complete Citation:
Tryon, Winthrop P. “Quarter-Tone Experiments.” Christian Science Monitor, February 7, 1925, 8.Source: Newspaper
IV. Individual Studies by Genre
C. Keyboard Works
Tuvelle, Howard
Year: 1974
Complete Citation:
Tuvelle, Howard. “Festival in Ives Country—Year-Long, Complete Festival in Miami.” Clavier 13/7 (1974): 12-13.Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Tyler, Charles Ives
Year: 1977
Complete Citation:
Tyler, Charles Ives. “Charles Ives.” Piano Today 17/3 (1977): 8, 10, 54.Notes: Part of a pair of articles entitled “American Transcendentalism: Two Compos-ers in the Pioneer Tradition.” Reminiscences by Charles Ives's grand- son about how Ives disliked milk. [The other article is “Ruth Crawford Seeger” by Judith Tick.]
Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works