Whiting, Melinda
Year: 2004
Complete Citation:
Whiting, Melinda. “Celebrating Ives.” Symphony 55/3 (May--June 2004): 14.Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Willis, Thomas
Year: 1974
Complete Citation:
Willis, Thomas. “A Treasury of Ives, a Cause for Celebration: Ives’ Treasury, Cause for Celebration.” Chicago Tribune, July 7, 1974, E5.Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
E. Centenary
Williams, Thomas
Year: 1991
Complete Citation:
Williams, Thomas. “Songs of Ives.” Paper presented at Contemporary Music Festival: The Life and Works of Charles Ives. Longwood College, Department of Music, Farmville, Virginia, October 24-25, 1991.Source: Conference paper
IV. Individual Studies by Genre
E. Songs
Wohlfahrt, H.T.
Year: 1996
Complete Citation:
Wohlfahrt, H. T. “Unbeantwortete Frage und viele Auskünfte,” review of The Unanswered Question Festival; January 19 to 21: London. Neue Musikzeitschrift 45 (April/May): 51.Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Woodward, Angela
Year: 2016
Complete Citation:
Woodward, Angela. Liner notes to Charles Ives "Psalm 90.” In Origins and other stories. Ann Arbor, MI: Dzanc Books, 2016.Source: Book
IV. Individual Studies by Genre
D. Choral Works
Wright, Lisa
Year: 1974
Complete Citation:
Wright, Lisa. “Ives Centennial Draws 7,000 Fans.” The Hartford Courant, July 6, 1974, 28.Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
E. Centenary
Wuellner, Guy S.
Year: 1973
Complete Citation:
Wuellner, Guy S. “The Smaller Piano Works of Charles Ives.” American Music Teacher 22/5 (April-May 1973): 14-16.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Yellin, Victor F.
Year: 1974
Complete Citation:
Yellin, Victor F. “Rezension der Schallplatteneinspielung von “The Celestial Country.” Musical Quarterly 60 (1974): 500-508.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
Yellin, Victor Fell
Year: 1975
Complete Citation:
Yellin, Victor Fell. “Current Chronicle: Charles Ives Festival-Conference.” Musical Quarterly 61/2 (1975): 295-299.Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Year: 1975
Complete Citation:
Yellin, Victor Fell. “Charles Ives Festival-Conference.” The Musical Quarterly, Vol. LXI, Issue 2: 295-299.Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Zimmermann, Walter and Larry Austin
Year: 1981
Complete Citation:
Austin, Larry and Walter Zimmermann. “Gespräch fiber die Rekonstruktion von Ives’ «Universe Symphony.»” Insel Music, edited by Walter Zimmermann. Cologne, Germany: Beginners Press, 1981.Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Zobel, Mark
Year: 2006
Complete Citation:
Zobel, Mark. “Musical Borrowing and Religious Symbolism in Charles Ives’s Third Symphony.” Paper presented at the Thirty--second Conference of the Society for American Music. Chicago, Illinois, 2006.Source: Conference paper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2009
Complete Citation:
Zobel, Mark. The Third Symphony of Charles Ives. Hillsdale, NY: Pendragon Press, 2009.Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
no author listed
Complete Citation:
“Exploring Ives’s Formal Vocabulary through His String Quartets.” Paper presented at Ives the Commuter. Bloomfield Presbyterian Church, Bloomfield, NJ, February 1999.Notes: Performers include Jennifer Sacher-Wiley and Denise Huizenga, violins; Renee Moore Skerik, viola; Jonathan Chenoweth, cello
IV. Individual Studies by Genre
B. Chamber Works
Year: 1902
Complete Citation:
“Charles E. Ives’ Concert and New Cantata, ‘The Celestial Country.’” Musical Courier 44/17 (April 23, 1902): 34.Source: Journal
Reprints: “Charles E. Ives’ Concert and New Cantata, ‘The Celestial Country.’” In Charles Ives and His World, compiled by Geoffrey Block and edited by J. Peter Burkholder, 276-277. Princeton, NJ: Princeton University Press, 1996.
IV. Individual Studies by Genre
D. Choral Works
Year: 1902
Complete Citation:
“A New Cantata.” The New York Times, April 20, 1902, 14.Source: Newspaper
Reprints: “A New Cantata.” In <i>Charles Ives and His World</i>, compiled by Geoffrey Block and edited by J. Peter Burkholder, 275-276. Princeton, NJ: Princeton University Press, 1996.
IV. Individual Studies by Genre
D. Choral Works
Year: 1921
Complete Citation:
“A Futuristic Sonata.” Musical Advance, (April 1921): 16.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1921
Complete Citation:
“Concord Unconquered.” Musical Courier, April 28, 1921, 22.Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1922
Complete Citation:
“Music Club Hears Lecture Recital on Modern Sonata.” Atlantic Constitution, January 5, 1922, 10.Source: Newspaper
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1927
Complete Citation:
“Ives Composes Sonata in Modern Style.” Danbury Evening Times, November 19, 1927.Source: Newspaper
IV. Individual Studies by Genre
C. Keyboard Works