Abott, Reverend Jacob
Year: 1834-1858
Complete Citation:
Reverend Abbott, Jacob. Rollo at Play, Rollo at School; Rollo at Work', Rollo Learning to Read; Rollo Learning to Talk; Rollo's Correspondence; Rollo's Experiments', Rollo's Museums', Rollo's Philosophy, Rollo's Vacations', and Rollo's Travels. Another group was devoted to Rollo's tours of Europe: Rollo on the Atlantic, Rollo in Holland', Rollo in London', Rollo in Naples; Rollo in Paris', Rollo in Scot-land', Rollo in Switzerland', Rollo on the Rhine', and Rollo in Genoa.Source: Literary References
Reprints: "Rollo," the name Ives called musicians unwilling to listen to advanced dissonances and other techniques found in modern music, was derived from a character in books (1834--1858) by Reverend Jacob Abbott. Rollo could understand only the simplest of situations that had been taught or had been explained to him in great detail. Original publishers include Boston, MA: Weeks, Jordan, and Company; Philadelphia, PA: Hogan & Thompson; Boston, MA: Gould, Kendall & Lincoln.
XIII. Ives in Literature
B. Fiction
Addiego, J.
Year: 1982
Complete Citation:
Addiego, J. “Charles Ives.” Epoch 31/2 (1982): 127.Source: Journal
XIII. Ives in Literature
A. Poetry
Addiego, John
Year: 1982
Complete Citation:
Addiego, John. “Charles Ives.” Epoch 31/2 (Spring 1982): 127.Source: Poem
XIII. Ives in Literature
A. Poetry
Ahlstrom, David
Year: 1991
Complete Citation:
Ahlstrom, David. “The Problem of the Unfinished: A Cart, a Deity, and Ives's Universe Symphony.” Sonus 11/2 (Spring 1991): 65-76.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Ahn, Eun G. [안은지]
Complete Citation:
Ahn, Eun G. “논문 : 아이브스의 바이올린 소나타 2번과 4번에 나타난 음악적 특징.” 음악과 민족, vol. 49 (2015): 201.Notes: Translates to “Thesis: Musical Characteristics of Ives’ Violin Sonata Nos. 2 and 4”<br>
IV. Individual Studies by Genre
B. Chamber Works
Ahn, Eunji
Year: 2015
Complete Citation:
Ahn, Eunji. “아이브스의 바이올린 소나타 2번과 4번에 나타난 음악적 특징.” 음악과 민족, no. 49 (2015): 201-225.Notes: Translates to “Distinctive Features in the Second and Fourth Violin Sonatas of Charles Ives”
Source: Journal
IV. Individual Studies by Genre
B. Chamber Works
Albrecht, Philipp
Year: 2010
Complete Citation:
Albrecht, Philipp. “Besprechungen: Dorothea Gail “Charles Ives’ Fourth Symphony: Quellen-Analyse-Deutung.”” Musiktheorie, Vol. 25, No. 3 (2010): 272-274.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Alexander, Michael John
Year: 1986
Complete Citation:
Alexander, Michael John. “Bad Resolutions or Good? Ives’s Piano ‘Take-Offs.’” Tempo, New Series 158 (1986): 8-14.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1989
Complete Citation:
Alexander, Michael J. The Evolving Keyboard Style of Charles Ives. Outstanding Dissertations in Music From British Universities. New York, NY: Garland, 1989.IV. Individual Studies by Genre
C. Keyboard Works
Alms, Anthony
Year: 2005
Complete Citation:
Alms, Anthony. “The Inner World of Charles Ives: A Hermeneutic Approach to Central Park in the Dark.” Paper presented at Twentieth Century Music Conference. Society for Music Analysis. University of Sussex, Falmer, Brighton, United Kingdom, August 28, 2005.Source: Conference paper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Alwes, Chester L.
Year: 1985
Complete Citation:
Alwes, Chester L. “Formal Structure as a Guide to Rehearsal Strategy in Psalm 90 by Charles E. Ives.” Choral Journal 25/8 (April 1985): 21-25.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
Anderson, William
Year: 1975
Complete Citation:
Anderson, William. “Editorially Speaking: Composer Charles Ives Enters History.” Stereo Review 34/3 (March 1975): 4.Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Andraschke, Peter
Year: 2008
Complete Citation:
Andraschke, Peter. “Aufbruch in die Zukunft: Charles Ives und seine Lieder.” In Multikulturelle und internationale Konzepte in der Neuen Musik. Vienna, Austria: Böhlau Verlag, 2008.Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
Archibald, Bruce
Year: 1966
Complete Citation:
Archibald, Bruce. “Reviewed Works: The Orchestra Song by William Schuman; Variations on “America” (Charles Ives, for organ, 1891; William Schuman, for orch., 1963) by Charles Ives.” Notes, vol. 23, no. 1 (September 1966): 157.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Argento, Dominick
Year: 1975-1976
Complete Citation:
Argento, Dominick. “A Digest Analysis of Ives’ ‘On the Antipodes.’” Student Musicologists at Minnesota Vol. 6 (1975-1976): 192-200.Source: Journal
IV. Individual Studies by Genre
E. Songs
Arlton, Dean Luther
Complete Citation:
Arlton, Dean Luther. “American piano sonatas of the twentieth century: selective analyses and annotated index.” Thesis, Columbia University, 1968.IV. Individual Studies by Genre
C. Keyboard Works
Arnold, Jermie S.
Year: 2016
Complete Citation:
Arnold, Jermie S. ““Country Band” March - Pioneering the Ivesian Sound.” Journal of Band Research 52, no. 1 (Fall 2016): 44-67.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Auner, Joseph Henry
Year: 2013
Complete Citation:
Auner, Joseph Henry. “Symphony no. 1. Movement 1 / Charles Ives.” In Musicology: A Book Series, 15. Basel, Switzerland: Gordon and Breach
Publishing Group, 1994: 37-50.Source: Chapter in Book
Reprints: Auner, Joseph Henry. “Symphony no. 1. Movement 1 / Charles Ives.” In <i>Anthology for music in the twentieth and twenty-first centuries</i>. New York: W.W. Norton & Company, 2013.
IV. Individual Studies by Genre
A. Orchestral and Band Works
Austin, Larry
Year: 1976
Complete Citation:
Austin, Larry. “Reconstruction of Ives’ Universe Symphony.” In Desert Plants: Conversations with 23 American Musicians, interviewed by Walter Zimmermann, 207-220. Vancouver, BC: A.R.C. Publications, 1976.Source: Chapter in Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 1985
Complete Citation:
Austin, Larry. “Charles Ives’s Life Pulse Prelude for Percussion Orchestra: A Realization for Modem Performance from Sketches for His Universe Symphony.” Percussionist 23, no. 6 (1985): 58-84.Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
