Image
Complete Citation:
Woodward, Henry. “Processional: Let There Be Light.” Notes 13, no. 2 (March 1956): 349.
Bibliography
Genres
Woodward, Henry
Year: 1956
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
B. Reviews and Announcements of Published Editions
Wuellner, Guy S.
Year: 1973
Complete Citation:
Wuellner, Guy S. “The Smaller Piano Works of Charles Ives.” American Music Teacher 22/5 (April-May 1973): 14-16.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Yellin, Victor F.
Year: 1974
Complete Citation:
Yellin, Victor F. “Rezension der Schallplatteneinspielung von “The Celestial Country.” Musical Quarterly 60 (1974): 500-508.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
D. Choral Works
Yellin, Victor Fell
Year: 1974
Complete Citation:
Yellin, Victor Fell. “Review of The Celestial Country by Charles Ives.” Musical Quarterly LX, (July 3, 1974): 500-508.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
B. Reviews and Announcements of Published Editions
Zimmermann, Walter and Larry Austin
Year: 1981
Complete Citation:
Austin, Larry and Walter Zimmermann. “Gespräch fiber die Rekonstruktion von Ives’ «Universe Symphony.»” Insel Music, edited by Walter Zimmermann. Cologne, Germany: Beginners Press, 1981.Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Zobel, Mark
Year: 2006
Complete Citation:
Zobel, Mark. “Musical Borrowing and Religious Symbolism in Charles Ives’s Third Symphony.” Paper presented at the Thirty--second Conference of the Society for American Music. Chicago, Illinois, 2006.Source: Conference paper
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Year: 2009
Complete Citation:
Zobel, Mark. The Third Symphony of Charles Ives. Hillsdale, NY: Pendragon Press, 2009.Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Year: 2009
Complete Citation:
Zobel, Mark. “The Third Symphony of Charles Ives.” In CMS Sourcebook in American Music. Hillsdale, NY: Pendragon Press, 2009.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
B. Reviews and Announcements of Published Editions
no author listed
Complete Citation:
“Exploring Ives’s Formal Vocabulary through His String Quartets.” Paper presented at Ives the Commuter. Bloomfield Presbyterian Church, Bloomfield, NJ, February 1999.Notes:
Performers include Jennifer Sacher-Wiley and Denise Huizenga, violins; Renee Moore Skerik, viola; Jonathan Chenoweth, cello
IV. Individual Studies by Genre
B. Chamber Works
B. Chamber Works
Year: 1902
Complete Citation:
“A New Cantata.” The New York Times, April 20, 1902, 14.Source: Newspaper
Reprints:
“A New Cantata.” In <i>Charles Ives and His World</i>, compiled by Geoffrey Block and edited by J. Peter Burkholder, 275-276. Princeton, NJ: Princeton University Press, 1996.
IV. Individual Studies by Genre
D. Choral Works
D. Choral Works
Year: 1902
Complete Citation:
“Charles E. Ives’ Concert and New Cantata, ‘The Celestial Country.’” Musical Courier 44/17 (April 23, 1902): 34.Source: Journal
Reprints:
“Charles E. Ives’ Concert and New Cantata, ‘The Celestial Country.’” In Charles Ives and His World, compiled by Geoffrey Block and edited by J. Peter Burkholder, 276-277. Princeton, NJ: Princeton University Press, 1996.
IV. Individual Studies by Genre
D. Choral Works
D. Choral Works
Year: 1921
Complete Citation:
“Concord Unconquered.” Musical Courier, April 28, 1921, 22.Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 1921
Complete Citation:
“A Futuristic Sonata.” Musical Advance, (April 1921): 16.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 1922
Complete Citation:
“Here’s a Chance to Get a Nice Songs Book Free.” The Sun (New York), August 29, 1922, 19.Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
B. Reviews and Announcements of Published Editions
Year: 1922
Complete Citation:
“Music Club Hears Lecture Recital on Modern Sonata.” Atlantic Constitution, January 5, 1922, 10.Source: Newspaper
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 1927
Complete Citation:
“Concord.” Birmingham Age-Herald (October 14, 1927).Source: Newspaper
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 1927
Complete Citation:
“Ives Composes Sonata in Modern Style.” Danbury Evening Times, November 19, 1927.Source: Newspaper
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 1929
Complete Citation:
“Publicaciones recibidas.” Musicalia [Havana] 1/5 (March-April 1929): 230.Notes:
Citations for Ives’s publications received: <i>114 Songs; 50 Songs; </i>a “Pot Pourri” from Scherzo (from Sonata No. 1 for piano); Four Transcrip-tions from "Emerson" (from Sonata No. 2, "Concord, Mass., 1840- 1860" for piano); Sonata No. 1 for violin and piano, and <i>Essays Before </i>a Sonata.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
B. Reviews and Announcements of Published Editions
Year: 1929
Complete Citation:
“Recent Publications. New Music (January 1929).” Musical Courier 98, no. 10 (March 7, 1929): 46.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
B. Reviews and Announcements of Published Editions
Year: 1932
Complete Citation:
“Contemporary American Music Heard.” New York Herald Tribune. May 2, 1932: 8.Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works