Image
Complete Citation:
Cohn, Arthur. “Decca’s Nieuw Amsterdam Trio.” The American Record Guide 33, no. 2 (October 1966): 142-143.
Bibliography
Genres
Cohn, Arthur
Year: 1966
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1968
Complete Citation:
Cohn, Arthur. “Ten Records—Keeping Up with Charles Ives.” American Record Guide 34/5, January 1968, 376-81, 437.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1968
Complete Citation:
Cohn, Arthur. “New Music from Odyssey—Splitting Semitones.” American Record Guide 34, no. 12 (August 1968): 1086-1088.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1969
Complete Citation:
Cohn, Arthur. “Alan Mandel Plays All Twenty-Seven of the Piano Works of Ives.” The American Record Guide 35 no. 7 (March 1969): 548-549.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1970
Complete Citation:
Cohn, Arthur. “Playing and Conducting that Simply Could Not Be Bettered.” American Record Guide 37, no. 3 (November 1970): 148-151.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Cohn, Arthur B.
Year: 1964
Complete Citation:
Cohn, Arthur B. “Cambridge, CRI, and Vox, that Supremely Individual Cre-ative Genius Chas. E. Ives.” American Record Guide 30/9, May 1964, 760-64, 768-769.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Cole, Hugo
Year: 1979
Complete Citation:
Cole, Hugo. “The Musical Scene: Mountains and Sponge Cakes.” Country Life 165, no. 4256, (February 1, 1979): 278.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Coleman, Judy Bounds
Year: 1960
Complete Citation:
Coleman, Judy Bounds. “Charles Ives: The Man and His Songs.” Mid-west Quarterly (July 1960) 1/4: 295-320.Notes:
Includes a reprint of “The Things Our Fathers Loved,” No. 43 of 114 Songs, p. 312-313.
Source: Journal
IV. Individual Studies by Genre
E. Songs
E. Songs
Commanday, Robert
Year: 1989
Complete Citation:
Commanday, Robert. “Adventurous Night for San Jose.” San Francisco Chronicle. November 20, 1989, sec. F, 2.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Conen, Hermann
Year: 1981-1982
Complete Citation:
Cohen, Hermann. “All the wrong notes are right’ — Zu Ch. Ives’ 2. Klaviersonate.” Neuland 1 (1981-1982): 28-42.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Cook, Christopher
Year: 2004
Complete Citation:
Cook, Christopher. “‘I Was Always Taught to Dream Big’: Susan Graham.” BBC Music Magazine, Vol. 12, No. 11 (2004): 24-27.Source: Magazine
IV. Individual Studies by Genre
E. Songs
E. Songs
Cooney, Denise Van Glahn
Year: 1996
Complete Citation:
Cooney, Denise Van Glahn. “A Sense of Place: Charles Ives and ‘Putnam’s Camp, Redding, Connecticut.” American Music 14/3 (Fall 1996): 276-312.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Cooney, Denise Von Glahn
Year: 1997
Complete Citation:
Cooney, Denise Von Glahn. “New Sources for The ‘St. Gaudens’ in Boston Common (Colonel Robert Gould Shaw and His Colored Regiment).” Musical Quarterly 8 (Spring 1997): 13-50.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Cooper, Frank
Year: 1974
Complete Citation:
Cooper, Frank. “The Ives Revelation: Columbia's Contribution to the Ives Centennial.” Music/AGO-RCCO Magazine 8/10, October 1974, 30, 43.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Copland, Aaron
Year: 1934
Complete Citation:
Copland, Aaron. “One Hundred and Fourteen Songs.” Modern Music, 11/2 (January 1934): 59-64.Source: Journal
Reprints:
Copland, Aaron. “One Hundred and Fourteen Songs.” In <i>Charles Ives and His World</i>, edited by J. Peter Burkholder, 307-312. Princeton, NJ: Princeton University Press, 1996.
IV. Individual Studies by Genre
E. Songs
E. Songs
Year: 1934
Complete Citation:
Copland, Aaron. “One Hundred and Fourteen Songs.” Modern Music (January--February 1934) 11/2: 59--64.Notes:
Discussion of selected songs.
Source: Journal
IV. Individual Studies by Genre
E. Songs
E. Songs
Year: 1937
Complete Citation:
Copland, Aaron. “Scores and Records.” Modern Music XIV, 4 (May- June 1937): 232.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1939
Complete Citation:
Copland, Aaron. “Scores and Records.” Modern Music 16/2 (January-February 1939): 123.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Corbett, John
Year: 2009
Complete Citation:
Corbett, John. “Reviews - Theo Bleckmann/Kneebody: “Twelve Songs by Charles Ives.’” Down Beat: Jazz, Blues & Beyond, Vol. 76, No. 5 (2009): 74.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Cotton, Martin
Year: 2016
Complete Citation:
Cotton, Martin. “Orchestral Reviews: Carter - Symphonia - “Sum fluxae pretium spei”; Ives “Robert Browning Overture.”” BBC Music Magazine, Vol. 24, No. 4 (2016): 69.Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews