Babko, Jeff
Year: 2014
Complete Citation:
Babko, Jeff. “5 Ways to Play Like Bruce Hornsby.” Keyboard, Vol. 40, No. 10 (2014): 30-32.Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works
Bach, Eleanor and Robert Offergeld
Year: 1969
Complete Citation:
Bach, Eleanor and Robert Offergeld. “An Experiment in Astromusi-cology.” Stereo Review 23/1 (July 1969): 73--74.Notes: Using astrological tech-niques, the authors describe personal characteristics of several musicians, including Ives.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Bader, Yvette
Year: 1972
Complete Citation:
Bader, Yvette. The Music Review 33, Vol. 1, No. 4. (November 1972): 292-299.Source: Journal
IV. Individual Studies by Genre
B. Chamber Works
Bailey, James Montgomery
Year: 1890
Complete Citation:
Bailey, James Montgomery. “Last Evening’s Concert: The Greatest Artistic Success of the Season.” Danbury Evening News, June 12, 1890: 4.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Baldwin, Philip
Year: 1996
Complete Citation:
Baldwin, Philip. “An Analysis of three violin sonatas by William Bolcom.” Ph.D. diss., Ohio State University, 1996.Source: Ph.D. Dissertation
IV. Individual Studies by Genre
B. Chamber Works
Balshaw, Paul A.
Year: 1975
Complete Citation:
Balshaw, Paul A. “Charles Ives: The Man and His Music: The Celestial Country: An Introduction.” The Choral Journal, vol. 15, no. 7 (1975): 16-20.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
Bambarger, Bradley
Year: 1999
Complete Citation:
Bambarger, Bradley. "Classical Music: Jazzical Gas." Billboard 111/36 (September 4, 1999): 46.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2000
Complete Citation:
Bambarger, Bradley. “Classical: Keeping Score.” Billboard: The International Newsweekly of Music, Video and Home Entertainment, Vol. 112, No. 26 (2000): 74.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Bardi, Aloma
Year: 2004
Complete Citation:
Bardi, Aloma. “Transformazione e identita nella Concord Sonata.” Musica 160 (October 2004): 36--38.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Barela, Margaret M.
Year: 2003
Complete Citation:
Barela, Margaret M. “Copland: Piano Sonata; Ives: Piano Sonata 1.” American Record Guide, Vol. 66, No. 1 (2003): 120-121.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2005
Complete Citation:
Barela, Margaret M. Guide to Records: Ives - Unknown Piano Pieces. American Record Guide, Vol. 68, No. 1 (2005): 123-124.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2005
Complete Citation:
Barela, Margaret M. “Guide to Record: Ives - “Concord Sonata”; with Barber - “Sonata.” American Record Guide, Vol. 68, No. 1 (2005): 124-125.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Barnes, C.
Year: 1967
Complete Citation:
Barnes, C. “Charles Ives’ Salute to the Fourth of July: Violently Original.” The Christian Science Monitor, 1967, 10.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Barns, Greg
Year: 2003
Complete Citation:
Barns, Greg. “SOUNDS: 1 Edition.” Mercury, August 30, 2003.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Barnick, Jens
Year: 2004
Complete Citation:
Barnick, Jens. “Charles Ives: Durch das Leben mit 114 Liedern.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 35-72. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
Baron, Carol K.
Year: 1996
Complete Citation:
Baron, Carol K. “Analysis and Manuscript Study of Ives's Symphony No. 1 as Biographical Tools: Parker's Lessons.” Paper presented at Sonneck Society for American Music Meeting, Washington, D.C., March, 1996.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2002
Complete Citation:
Baron, Carol K. “Biography and Compositional Process in Charles Ives's First Symphony: Lessons Learned; Mastery Gained.” Paper presented at the meeting of the Greater New York Chapter of the American Musi-cological Society. Rutgers University, Brunswick, New Jersey, February 2002.Source: Conference paper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2002
Complete Citation:
Baron, Carol K. “Tonal Systems in Crisis: Composition and Autog-raphy in Charles Ives's First Symphony.” Paper presented at Fifth Eu-ropean Music Analysis Conference. University of Bristol, Bristol, England, April 2002.Source: Conference paper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Baron, Carol Kitzes
Year: 1987
Complete Citation:
Baron, Carol Kitzes. “Ives on His Own Terms: An Explanation, a Theory of Pitch Organization, and a New Critical Edition for the Three Page Sonata.” Ph.D. diss., City University of New York, 1987.Source: Ph.D. Dissertation
IV. Individual Studies by Genre
C. Keyboard Works
Barry, Malcolm
Year: 1979
Complete Citation:
Barry, Malcolm. “Modern.” Concert Reviews. Music and Musicians 27, no. 12 (August 1979): 47.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances