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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
(-) IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
(-) XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Gatens, William J.

Year: 2006
Complete Citation:
Gatens, William J. “Collections: “In the Old World and the New.”” American Record Guide, Vol. 69, No. 3 (2006): 195.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Gatito, El

Year: 2007
Complete Citation:
Gatito, El. “Art of Darkness.” Philadelphia Weekly, June 27, 2007.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Gaudibert, Eric

Year: 1991
Complete Citation:
Gaudibert, Eric. “A propos de From the steeples and the mountains d’lves.” Dissonanz/Dissonance 29 (August 1991): 14-15.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Gawthrop, Daniel E.

Year: 1988
Complete Citation:
Gawthrop, Daniel E. “Richard Bales’ Early Ives.” The Washington Post, May 30, 1988, C2.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Geoffrey Block and J. Peter Burkholder, compilers

Year: 1888-1951
Complete Citation:
Geoffrey Block and J. Peter Burkholder, compilers. “Selected Reviews 1888-1951.” In Ives and His World, edited by J. Peter Burkholder, 273-362. Princeton, NJ: Princeton University Press, 1996.
Source: Chapter in Book
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Geoffrey Block, compiler

Year: 1996
Complete Citation:
Geoffrey Block, compiler. “Selected Reviews 1888-1951.” In Charles Ives and His World, edited by J. Peter Burkholder, 273-360. Princeton, NJ: Princeton University Press, 1996.
Source: Chapter in Book
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

George, Phillip; Alburger, Mark

Year: 2003
Complete Citation:
George, Phillip and Mark Alburger. “Concert Reviews: Making the Most of Not Making the Most; Three (or Four) Great Orchestrators at San Francisco Symphony.” 21st Century Music, Vol. 10, No. 6, (2003): 3.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Gereben, Janos

Year: 2000
Complete Citation:
Gereben, Janos. “Concert Reviews: The Fourth of Faith.” 21st Century Music, Vol. 7, No. 8, (2000): 21.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2000
Complete Citation:
Gereben, Janos. “Views, Reviews, Previews: ‘Rake’ Progresses at SFO; Ives Rules at Symphony ‘Mavericks.’” Oakland Post, 2000.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Ghandar, Ann

Year: 1980
Complete Citation:
Ghander, Ann. “Charles Ives: Organisation in Emerson.” Musicology: The Journal of the Musicological Society of Australia 6 (1980): 111-127.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1980
Complete Citation:
Ghandar, Ann. “Charles Ives: Organization in Emerson.” Musicology: The Journal of the Musicological Society of Australia 6 (1980): 111-127.
Notes:

Part I, “The Allegation of Chaos,” presents several appraisals of Ives and his work, including “A Meterological Chart of the Climate of Opinion” about Ives. Part II, “Emerson,” contains an analysis of the first move-ment of Sonata No. 2, “Concord, Mass., 1840-1860” for piano.

Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1980
Complete Citation:
Ghandar, Ann. “Charles Ives: Organisation in EMERSON.” Musicology VI (1980): 111-127.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1980
Complete Citation:
Ghandar, Ann. “Charles Ives: Organisation in emerson.” Musicology Australia, Vol. 6, Issue 1 (1980): 111-127.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Giebisch, Thomas

Year: 2004
Complete Citation:
Giebisch, Thomas. “‘Take-Off’ als Kompositionsprinzip: Alltags- erfahrungen als Ausgangspunkt einer musikalischen Realisation.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 73-84. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works

Gilbert, Nina

Year: 1990
Complete Citation:
Gilbert, Nina. “Musica Practica.” The Choral Journal 31/2 (1990): 43-45.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works
Year: 1995
Complete Citation:
Gilbert, Nina. “Musica Practica.” The Choral Journal, vol. 36, no. 3 (1995): 49-52.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

Gilday, Edward F.

Year: 1962
Complete Citation:
Gilday, Edward F. “The Greatest Man.” Keyboard Jr. 20/7 (April 1962): 2, 4.
Notes:

A description of the song The Greatest Man to accompany the article. Included a recording.

Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Gillespie, John

Year: 1965
Complete Citation:
Gillespie, John. Five Centuries of Keyboard Music: An Historical Sur-vey of Music for Harpsichord and Piano. Belmont, CA: Wadsworth, 1965.
Notes:

One paragraph about Sonata No. 1; almost a page about Sonata No. 2, “Concord, Mass., 1840--1860,” for piano, that “is the best example of [Ives's] fully ripened style.”

Source: Sheet Music
IV. Individual Studies by Genre
C. Keyboard Works

Gilman, Lawrence

Year: 1927
Complete Citation:
Gilman, Lawrence. “Music: A New Opera (Milhaud), a New Sym-phony (Ives) and a Debussy Fragment.” The New York Herald Tribune. January 31, 1927.
Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1927
Complete Citation:
Gilman, Lawrence, “Music: A New Opera (Milhaud), a New Sym-phony (Ives) and a Debussy Fragment.” The New York Herald Tribune, January 31, 1927.
Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works