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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
(-) IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
(-) XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Barros, Paul de

Year: 2002
Complete Citation:
Barros, Paul de. “Reviews: Sideshow: “Songs of Charles Ives.”” Down Beat: Jazz, Blues & Beyond, Vol. 69, No. 5 (2002): 61-62.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Bärtschi, Werner

Year: 1986
Complete Citation:
Bärtschi, Werner. “‘Concord, Massachusetts, 1840-1860’: Ives’ zweite Klaviersonate.” Neue Zürcher Zeitung 207/112 (May 17-18, 1986): 89-102.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Bäßler, Hans

Year: 1992
Complete Citation:
Bäßler, Hans. “Die manipulierte Hymne: Didaktische anmerkung zu Charles Ives Variations on ’America.’” Deutsche Tonkünstler-Zeitung 24/5 (September-October 1992): 47-52.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Bassen, Denise

Year: 2013
Complete Citation:
Bassen, Denise. “Ives’ Fourth Symphony Term Paper.” Academia. December 15, 2003. www.academia.edu/31945715/Ives_Fourth_Symphony_Term_Paper_docx.
Source: Online article
IV. Individual Studies by Genre
A. Orchestral and Band Works

Battisti, Frank, and Donald Hunsberger

Year: 1973
Complete Citation:
Battisti, Frank, and Donald Hunsberger. “The Wind Music of Charles Ives.” The Instrumentalist Vol. 28, No. 1 (August 1973): 32-34.
Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works

Beal, A. C.

Year: 2013
Complete Citation:
Beal, A.C. “Why We Sing”: David Mahler’s Communities.” Journal of the Society for American Music, Vol. 7, No. 1 (2013): 1-28.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

Bellamann, Henry

Year: 1927
Complete Citation:
Bellamann, Henry. Program Notes to Ives's Fourth Symphony. Pro Musica Concert, January 29, 1927.
Source: Program Notes
IV. Individual Studies by Genre
A. Orchestral and Band Works

Bellison, L.

Year: 1954
Complete Citation:
Bellison, L. “2 Get the Right Pitch on the Jew’s-Harp: Professional Musicians, both from City, Win Chance to Play Under Stokowski.” The New York Times, February 17, 1954, 26.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Bender, William

Year: 1965
Complete Citation:
Bender, William. “‘New’ Ives Work: Bravo.” New York Herald Tribune. April 27, 1965, 15.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Bender, William and Todd Gorman

Year: 2011
Complete Citation:
Bender, William and Todd Gorman. “Guide to Records - IVES: Quartets.” American Record Guide, Vol. 74, No. 2 (2011): 151-152.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Berg, Gregory

Year: 2019
Complete Citation:
Berg, Gregory. “Charles Ives: A Portrait in Song. Bradley Robinson, Baritone; Stacy Rodgers, Piano.” Journal of Singing, vol. 75, no. 3 (2019): 379.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Berger, Arthur V.

Year: 1932
Complete Citation:
Berger, Arthur V. “Music.” New York Daily Mirror. May 3, 1932: 24.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1932
Complete Citation:
Berger, Arthur V. “Yaddo Musical Festival.” Daily Mirror, New York, Final Edition. May 3, 1932: 18.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1932
Complete Citation:
Berger, Arthur V. “Ruggles Work Performed.” Sunday Mirror (New York). January 24, 1932.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1932
Complete Citation:
Berger, Arthur V. “Pan-American Association.” Daily Mirror, New York, Extra Edition, February 17, 1932, 18.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1934
Complete Citation:
Berger, Arthur V. “The Songs of Charles Ives.” Musical Mercury 1 (October-November, 1934): 97-98.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1946
Complete Citation:
Berger, Arthur V. “Three New Sonatas.” New York Herald Tribune, November 12, 1946, 21.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Berger, Melvin

Year: 1991
Complete Citation:
Berger, Melvin. Ives, Charles: Piano sonatas; violin sonatas. In Guide to sonatas: music for one or two instruments. New York, NY: Anchor Books, 1991.
Source: Chapter in Book
IV. Individual Studies by Genre
B. Chamber Works
Year: 1995
Complete Citation:
Berger, Melvin. “Charles Ives.” In The Anchor guide to orchestral masterpieces. New York, NY: Anchor Books, 1995.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2001
Complete Citation:
Berger, Melvin. “Ives, Charles.” In Guide to chamber music. Mineola, New York: Dover Publications, 2001.
Source: Book
IV. Individual Studies by Genre
B. Chamber Works