Johnson, Lawrence A.
Year: 2005
Complete Citation:
Johnson, Lawrence A. “North America: Reviews - Ives: “Universe Symphony (Ed. Reinhard).”” Gramophone, Vol. 83 (2005): A7.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2010
Complete Citation:
Johnson, Lawrence A. “North America: Reviews - Ives: Symphony, “Holidays”; “The General Slocum”; Overture in G Minor; “Yale-Princeton Football Game”; Postlude in F Minor.” Gramophone, Vol. 87 (2010): A7-A8.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Johnson, Lawrence B.
Year: 1996
Complete Citation:
Johnson, Lawrence B. “Finding the Poetry Amid Ives’s Hurly-Burly.” The New York Times. August 25, 1996, sec 2: 21.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Johnson (Swafford), Jan
Year: 1968
Complete Citation:
Johnson (Swafford), Jan. “The Second Phase: Compositional Techniques and Form in Ives’ Fourth Symphony.” Senior Thesis, Harvard College, 1968.Source: Senior Thesis
IV. Individual Studies by Genre
A. Orchestral and Band Works
Johnson [Swafford], Jan L.
Year: 1968
Complete Citation:
Johnson [Swafford], Jan L. “The Second Phase Compositional Tech-niques and Form in Ives’ Fourth Symphony.” B.A. senior honors essay, Harvard College, Harvard University, 1968.Source: B.A. senior honors essay
IV. Individual Studies by Genre
A. Orchestral and Band Works
Johnson, Timothy A.
Year: 1996
Complete Citation:
Johnson, Timothy A. “Chromatic Quotations of Diatonic Tunes in Songs of Charles Ives.” Music Theory Spectrum 18 (1996): 236-2-61.Source: Journal
IV. Individual Studies by Genre
E. Songs
Jolas, Betsy
Year: 1970
Complete Citation:
Jolas, Betsy. “Sur Ives: ‘The Unanswered Question,’” Musique en Jeu, No. 1 (1970).Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1970
Complete Citation:
Jolas, Betsy. “Introduction a la Musique Americaine: Sur The Unanswered Question.” Musique en Jeu 1 (November 1970): 13-16.Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works
Jolly, James
Year: 1985
Complete Citation:
Jolly, James. “Encounters with Ives.” Gramophone 63/748 (September 1985): 311.Notes: Discussion of Ives’s Symphony No. 4 on the occasion of the re- issue of RCA recording on Chandos.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2004
Complete Citation:
Jolly, James. Interview: “Aimard Flies Free with Concord [Interview].” Gramophone 82/980 (June 2004): 30--31.Notes: A discussion of Pierre -Laurent Aimard's performances and recording of Sonata No. 2, “Concord, Mass., 1840--1860,” for piano.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
C. Interviews
Year: 2010
Complete Citation:
Jolly, James. “Soundwaves: Tune Surfing.” Gramophone, Vol. 88 (2010): 134-135.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Jones, Isabel M.
Year: 1932
Complete Citation:
Jones, Isabel M. “American Composers Featured in Concert.” Los Angeles Times 1932, A7.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Jones, Isabel Morse
Year: 1944
Complete Citation:
Jones, Isabel Morse. “All-American Program Set.” Los Angeles Times, May 14, 1944 III: 5.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Josephson, Nors S.
Year: 1974
Complete Citation:
Josephson, Nors S. “Besprechungen: Ulrich Maske: Charles Ives in seiner Kammermusik für drei bis sechs Instrumente.” Die Musikforschung, Vol. 27, No. 4 (1974): 490.Source: Journal (book review)
IV. Individual Studies by Genre
B. Chamber Works
Year: 1974
Complete Citation:
Josephson, Nors S. “Zur Formalen Struktur einiger später Orchester-werke von Charles Ives (1874-1954).” Die Musikforschung 27 (1974): 57-64.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1974
Complete Citation:
Josephson, Nors S. “Zur Formalen Struktur Einiger Später Orchesterwerke Von Charles Ives (1874-1954).” Die Musikforschung, vol. 27, no. 1 (1974): 57-64.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1984-1985
Complete Citation:
Josephson, Nors S. “The Initial Sketches for Ives’s ‘St. Gaudens in Boston Common’.” Soundings: A Music Journal 12 (1984-1985): 46-63.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Kagen, Sergius
Year: 1949
Complete Citation:
Kargen, Sergius. Music for the Voice: A Descriptive List of Concert and Teaching Material, 330. New York, NY: Rinehart & Company, 1949.Notes: Reprint adds brief annotations for August, Autumn, Charlie Rutlage, Evening, From "Lincoln, the Great Commoner," The Greatest Man, and Walking.
Source: Book
Reprints: Kargen, Sergius. <i>Music for the Voice: A Descriptive List of Concert and Teaching Material</i>.<i> </i>Bloomington, IN: Indiana University Press, 1968: 506- 507.
IV. Individual Studies by Genre
E. Songs
Kahn, Eve M.
Year: 2014
Complete Citation:
Kahn, Eve M. “Charles Ives’s Workroom, Pencil Shavings Preserved.” The New York Times, February 28, 2014, C26.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Kalish, Gilbert
Year: 1977
Complete Citation:
Kalish, Gilbert. Liner notes for “Charles Ives Piano Sonata No. 2.” Nonesuch Records H-71337, 1977, 33.3 RPM.Source: Liner notes
IV. Individual Studies by Genre
C. Keyboard Works