Klein, Howard
Year: 1965
Complete Citation:
Klein, Howard. “Alan Mandell, Pianist, Plays ‘Concord’ Sonata at Town Hall.” The New York Times, December 19, 1965, 84.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1966
Complete Citation:
Klein, Howard. “Symphony no. 4 by Ives Recording is Extraordinary.” The Atlanta Constitution, January 1, 1966, 2G.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1967
Complete Citation:
Klein, Howard. “Ives: A White Heat of Conviction.” The New York Times. April 16, 1967, sec. 2, 26.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Knight, John Wesley
Year: 1979
Complete Citation:
Knight, John Wesley. “Graphic Analyses of the Conducting Techniques for Irregular Meters and Nonmetrical Organizations Found in Selected 20th- century Band Literature.” Ph.D. diss., Louisiana State University, 1979. Source: Ph.D. Dissertation
IV. Individual Studies by Genre
A. Orchestral and Band Works
Koch, Gerhard R.
Year: 1975
Complete Citation:
Koch, Gerhard R. “‘Das himmlische Land’ von Ives.” Musica 29, no. 3 (1975): 230-233.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
Kolodin, Irving
Year: 1939
Complete Citation:
Kolodin, Irving. “Pianist Plays Work by Ives.” New York Sun, January 21, 1939.Source: Newspaper/Book
Reprints: Kolodin, Irving. “Pianist Plays Work by Ives.” In <i>Charles Ives and His World</i>, 321-322. Edited by J. Peter Burkholder. Princeton, NJ: Princeton University Press, 1996.
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1965
Complete Citation:
Kolodin, Irving. “Music to My Ears.” The Saturday Review 48, no. 20 (May 15, 1965): 32.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1965
Complete Citation:
Kolodin, Irving. “A Dream of a Dream—New Ives Hence.” Saturday Review, May 15, 1965.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Konold, Wulf
Year: 1972
Complete Citation:
Konold, Wulf. “Schallplatten: Werke von Charles Ives.” Musica 26/3 (May-June 1972): 296-301.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1972
Complete Citation:
Konold, Wulf. “Charles Ives—eine Nachlese.” Musica 26/4 (July-August 1972): 410-411.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Koob, Lindsay
Year: 2004
Complete Citation:
Koob, Lindsay. “Guide to Records: Ives - “The Celestial Country; Silence Unaccompanied.” American Record Guide, Vol. 67, No. 2 (2004): 139-140.Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Kopetz, Barry E.
Year: 1991
Complete Citation:
Kopetz, Barry E. “Charles Ives's Variations on ‘America’: An Interpretive Analysis.” Instrumentalist 45/9 (April 1991): 20-28, 75-79. Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Kosman, Joshua
Year: 1991
Complete Citation:
Kosman, Joshua. “Conductor Thomas Juggles a Dazzling Ives Fourth.” San Francisco Chronicle, November 22, 1991: C4.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1999
Complete Citation:
Kosman, Joshua. “Symphony Traverses Ives’ Emotional Terrain.” San Fran-cisco Chronicle, October 2, 199,: B1.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Kostelanetz, André and Gloria Hammond
Year: 1981
Complete Citation:
Kostelanetz, André and Gloria Hammond. Echoes- Memoirs of Andre Kostelanetz, 181. New York, NY: Harcourt Brace Jovanovich, 1981.Notes: Credits Leopold Stokowski as being “the first to play Gustav Mahler in the U. S., to give the American composer Charles Ives a hearing, and to introduce Le sacre du printemps here.”
Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Kozinn, Allan
Year: 1989
Complete Citation:
Kozinn, Allan. “The Organ Works Charles Ives Wrote or Played.” The New York Times, October 26, 1989, sec. C, 18.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1990
Complete Citation:
Kozinn, Allan. “Choral Group And Ives’s Radicalism.” New York Times, November 14, 1990, sec. C, 25.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1996
Complete Citation:
Kozinn, Allan. “On Ives, the Arguments Continue.” The New York Times, February 28, 1996.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1998
Complete Citation:
Kozinn, Allan. “Honoring Bernstein and His American Roots.” The New York Times. 1998: E5.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1999
Complete Citation:
Kozinn, Allan. “American Music’s Coming of Age.” New York Times, October 10, 1999, sec. 2, 29.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews