Mangan, Timothy
Year: 2016
Complete Citation:
Mangan, Timothy. “St. Clair and the Pacific Symphony Revive Charles Ives' Symphony no. 2.” TCA Regional News, April 8, 2016.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Marcinik, Laurent
Year: 2015
Complete Citation:
Marcinik, Laurent. “Les disques de A à Z: Charles Ives.” Diapason: le magazine du disque et de la musique vivante (2015): 106-107.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Marks, Adam
Year: 2008
Complete Citation:
Marks, Adam. “American Piano Music. Program Notes.” Revue Française D'études Américaines, no. 117 (2008): 126-127.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 2008
Complete Citation:
Marks, Adam. “American Piano Music. Program Notes.” Revue Française D'études Américaines, no. 117 (2008): 126-127.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 2008
Complete Citation:
Marks, Adam. “American Piano Music. Program Notes.” Revue Française D'études Américaines, no. 117 (2008): 126-127.Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works
Mark, Michael
Year: 2004
Complete Citation:
Mark, Michael. “Collections: “James Levine Tribute.”” American Record Guide, Vol. 67, No. 5 (2004): 225-226.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Marsh, Robert C.
Year: 1967
Complete Citation:
Marsh, Robert C. The Cleveland Orchestra. Cleveland, OH: World Pub-lishing, 1967.Notes: Cites performances of From the Steeples and the Mountains, Scherzo: Over the Pavements,Symphony No. 2, The Unanswered Question, and Variations on “America” (orchestrated by William Schuman). Numerous passing remarks about Ives, especially the re-pertoire performed by the Cleveland Orchestra.
Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Martin, John
Year: 1954
Complete Citation:
Martin, John. “Ballet Presents ‘Ivesiana’ Suite.” The New York Times. September 15, 1954: 38.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Maske, Ulrich
Year: 1971
Complete Citation:
Maske, Ulrich. “Charles Ives in seiner Kammermusik für drei bis sechs Instrumente.” In Kölner Beiträge zur Musikforschung, Vol. 64. Regensburg, Germany: G. Bosse, 1971.Source: Book
IV. Individual Studies by Genre
B. Chamber Works
Mason, Redfern
Year: 1933
Complete Citation:
Mason, Redfern. “Recital Made Up of Moderns.” San Francisco Examiner. April 26, 1933, 17.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Masselos, William
Year: 1954
Complete Citation:
Masselos, William. “Preface.” In Charles E. Ives, Sonata no. 1 for Piano, edited by Paul C. Echols with additional corrections by John A. Buchanan and Jerry E. Bramblett. New York, NY: Peer International, 1954, 1979.Source: Preface to Score
IV. Individual Studies by Genre
C. Keyboard Works
Masterson, David Joseph
Year: 2001
Complete Citation:
Masterson, David Joseph. “An Analytic of Experimental Time in Charles Ives's Concord Sonata.” D.M.A. research project, University of Illinois, 2001.Source: D.M.A. Research Project
IV. Individual Studies by Genre
C. Keyboard Works
Matthew-Walker, Robert
Year: 1997
Complete Citation:
Matthew-Walker, Robert. “Reviews: Concerts: Andrew Ball at the Wigmore.” Musical Opinion Supplement (1997): 9-10.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Mauldin, Walt
Year: 1991
Complete Citation:
Mauldin, Walt. “The Influence of Gregg Smith on Twentieth-Century Choral Literature as a Composer and Conductor.” The Bulletin of Historical Research in Music Education 12/2 (1991): 83-99.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
McCalla, James
Complete Citation:
McCalla, James. “Time Present and Time Past: Two Sonatas for Violin and Piano by Charles Ives.” In Twentieth-Century Chamber Music. New York, NY: Routledge, 2003.IV. Individual Studies by Genre
B. Chamber Works
McClure, John
Year: 1967
Complete Citation:
McClure, John. “Charles Ives—Lonely American Giant.” Gramophone 44/527, April 1967, 516-517.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
McColley, Robert
Year: 2002
Complete Citation:
McColley, Robert. “Classics in America.” Fanfare: The Magazine for Serious Record Collectors, Vol. 25, No. 3 (2002): 264.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
McCrae, Elizabeth
Year: 1974
Complete Citation:
McCrae, Elizabeth. “The Piano Music.” Music Educators Journal 61/2 (1974): 53-57.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
McCray, James
Year: 1996
Complete Citation:
McCray, James. “Music for Voices and Organ: Psalm 14.” The Diapason, Vol. 87, No. 1 (1996): 8.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
McCutchan, Ann
Year: 1990
Complete Citation:
McCutchan, Ann. “Composer’s Stage Manner Overshadows Music: Final Edition.” Austin American-Statesman, February 6, 1990.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances