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Bibliography

McDonald, Matthew

Year: 2004
Complete Citation:
McDonald, Matthew. “Silent Narration? Elements of Narrative in Ives's The Un-answered Question.” 19th-Century Music 27/3 (2004): 263-286.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

McDonaugh, Michael

Year: 2000
Complete Citation:
McDonaugh, Michael. “Concert Reviews: Outsiders in the House.” 21st Century Music, Vol. 7, No. 9 (2000): 24-25.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

McGregor, Andrew

Year: 2002
Complete Citation:
McGregor, Andrew. “Andrew McGregor's Discs of the Month.” BBC Music Magazine, Vol. 10, No. 10 (2002): 57.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

McLellan, J.

Year: 1974
Complete Citation:
McLellan, John. “Focusing on Charles Ives.” The Washington Post, September 8, 1974, E6.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

McLellan, Joseph

Year: 1993
Complete Citation:
McLellan, Joseph. “Classical Recordings: A Courier for Ives: The Albany Records Compilation.” The Washington Post, January 3, 1993, G4.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1995
Complete Citation:
McLellan, Joseph. “Sharon Mabry’s Revamped Verse: Final Edition.” The Washington Post, June 20, 1995.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1998
Complete Citation:
McLellan, Joseph. “Classical Music News: In Cleveland, All Ears on Ives.” The Washington Post. 1998: G2.
Source: Newspaper (concert review)
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

McNally, Owen

Year: 1999
Complete Citation:
McNally, Owen. “A State of Nurture and Chaos: Statewide Edition.” The Hartford Courant, December 12, 1999.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

McPhee, Colin

Year: 1939
Complete Citation:
McPhee, Colin. “Scores and Records.” Modern Music 16/4 (May--June 1939): 264--267.
Notes:

An announcement of the establishment of the Arrow Music Press that will now issue Cos Cob Press publications.

Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1941
Complete Citation:
McPhee, Colin. “Records and Scores.” Modern Music 18/4 (May--June 1941): 267--269.
Notes:

Lists contemporary Americans whose works arc recorded by Columbia and RCA. "Why no Ives, no Copland, no Harris—to mention a few who have done something significant in piano music.

Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1943
Complete Citation:
McPhee, Colin. “Scores and Records.” Modern Music 20/2 (January-February): 126-129.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Meine, Sabine

Year: 1992
Complete Citation:
Meine, Sabine. “Scenes from My Childhood Are with Me...Biographische Momente in den 114 Songs von Charles E. Ives.” Musik und Bildung: Praxis Musikerzeitung 24/3 (May-June 1992): 9-13.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Meister, Barbara

Year: 1980
Complete Citation:
Meister, Barbara. An Introduction to the Art Song, 189-191. New York, NY: Taplinger Publishing Company, 1980.
Notes:

Discusses When General William Booth Enters into Heaven, “probably the most representative of the lot” (i.e., the songs], 190 (considers The Chil-dren's Hour, The Circus Band, The Greatest Man, The Housatonic at Stockbridge (“One of Ives's most evocative songs...an atmospheric, moody piece of simple serenity. One senses reverie, time suspended, peace.”), In Flanders Fields, The Last Reader, Maple Leaves, The Side- Show, They Are There!,The Things Our Fathers Loved, Tom Sails Away, Two Little Flowers), 191 (“He was the first major thoroughly American composer”).

Source: Book
IV. Individual Studies by Genre
E. Songs

Melick, Jennifer

Year: 2013
Complete Citation:
Melick, Jennifer. “To Market, To Market.” Symphony, Vol. 64, No. 1 (2013): 53.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Mercado, Mario

Year: 2004
Complete Citation:
Mercado, Mario. “Ives: The View from the Podium.” In Charles Ives: An American Original in Context, 28, 30. Program booklet [Playbill]. New York, NY: Avery Fischer Hall, May 11-29, 2004.
Source: Program Booklet
IV. Individual Studies by Genre
A. Orchestral and Band Works

Meredith, Austin

Year: 1997
Complete Citation:
Meredith, Austin. “Brant’s Adaptation of Ives's ‘Concord, Mass., 1840-1860.’” The Thoreau Society Bulletin, no. 220 (1997): 3.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Metcalf, Steve

Year: 1983
Complete Citation:
Metcalf, Steve. “Chamber Group Outgrows Pickup Status: Thriving Ensemble to make City Debut in ‘Colonial Concert’ at Center Church.” The Hartford Courant, November 25, 1983, B1.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1999
Complete Citation:
Metcalf, Steve. “Ives’ Sounds of Independence: Statewide Edition.” The Hartford Courant, July 2, 1999.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1999
Complete Citation:
Metcalf, Steve. “Ives’ Sounds of Independence: Statewide Edition.” The Hartford Courant, July 2, 1999.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2000
Complete Citation:
Metcalf, Steve. “From Neely Bruce: A Collision of Sounds.” Hartford Courant, 16 June 2000, D3.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances