Mortenson, Gary Curtis and Robert Frederick Schmalz
Year: 1989
Complete Citation:
Mortenson, Gary Curtis and Robert Frederick Schmalz. “Perspectives on Charles Ives’s From the Steeples and the Mountains (1901).” Inter-national Trumpet Guild Journal 13/3 (1989): 25-27.Source: Journal
IV. Individual Studies by Genre
B. Chamber Works
Morton, Lawrence
Year: 1944
Complete Citation:
Morton, Lawrence. “Los Angeles to Hear Resident Composer.” Modern Music (November--December 1944): 50--53.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1944
Complete Citation:
Morton, Lawrence. “Diminuendo in the West.” Modern Music 21, no. 4 (May-June 1944): 255-257.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1945
Complete Citation:
Morton, Lawrence. “Western Evenings with Ives.” Modern Music 22/3 (March-April 1945): 186-188.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1945
Complete Citation:
Morton, Lawrence. “Western Evenings with Ives.” Modern Music, Vol. 23, No. 5 (May-June 1945).Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
Mueller, John H.
Year: 1951
Complete Citation:
Mueller, John H. The American Symphony Orchestra: A Social History of Musical Taste. Bloomington, IN: Indiana University Press, 1951.Source: Book
Reprints: Mueller, John H. <i>Orchestras: A History and Analysis of Their Repertoires, Seasons 1842-43 through 1969-70</i>, 183-184. Bloomington, IN: Indiana University Press, 1973.
IV. Individual Studies by Genre
A. Orchestral and Band Works
Mumelter, Martin
Year: 1993
Complete Citation:
Mumelter, Martin. “Zu den Violinsonaten von Charles Ives.” Osterreichische Musikzeitschrift 48/3-4 (March-April 1993): 147-151.Source: Journal
IV. Individual Studies by Genre
B. Chamber Works
Muñoz Molina, Antonio
Year: 2013
Complete Citation:
Muñoz Molina, Antonio. “Opinión: El misterio Ives.” Scherzo: Revista de Música, Vol. 28 (2013): 3.Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Murphy, Scott
Year: 2008
Complete Citation:
Murphy, Scott. “A Composite Approach to Ives’ ‘Cage.’” Twentieth Century Music 5.2 (September 2008): 179-193.Source: Journal
IV. Individual Studies by Genre
E. Songs
Murray, Lucy Miller
Year: 2015
Complete Citation:
Murray, Lucy Miller. “Charles Ives (1874-1954).” In Chamber music: an extensive guide for listeners. Lanham, MD: Rowman & Littlefield, 2015.Source: Chapter in Book
IV. Individual Studies by Genre
B. Chamber Works
Mussulman, Joseph A.
Year: 1979
Complete Citation:
Mussulman, Joseph A. Dear People ... Robert Shaw: A Biography. Bloomington, IN: Indiana University Press, 1979.Notes: Relates the story of the per-formance of Harvest Home Chorales and Psalm 67 (1948 April), with Shaw's letter to the Collegiate Chorale members about the difficulty of the music and Mrs. Ives's letter to Shaw; lists Ives as a donor to the New Friends of Music, supporters of the Collegiate Chorale (76-78); tells of performing the middle section of Psalm 90: "Teach us to num-ber our days,"on the 1967 tour of the Robert Shaw Chorale, as an en- core in Chicago's Orchestra Hall (163). In Chapter 10, "The Second Battle of Atlanta," there is much discussion of Shaw's choosing to per- form contemporary music and the conflicts that caused with the [Atlan-ta] Symphony [Orchestra] Board of Sponsors. "Of the nearly one hund-red titles on the [orchestra's] combined Romantic and Subscription series, only thirty-four belonged chronologically to the twentieth- century. But fourteen of them, plus two dated before 1900, bore the one name that could itself evoke in timid ears an insufferable din, and in tightly closed minds a most delicious loathing: Charles Ives!" (223).
Source: Book
Reprints: Mussulman, Joseph A. <i>Dear People ... Robert Shaw: A Biography</i>. Chapel Hill, NC: Hinshaw Music, 1996.
IV. Individual Studies by Genre
D. Choral Works
Myers, Kurtz, comp.; Richard S. Hill, ed.
Year: 1956
Complete Citation:
Myers, Kurtz, comp. Record Ratings: The Music Library Association’s Index of Record Reviews, edited by Richard S. Hill, 154-155. New York, NY: Crown Publishing, 1956.Notes: Lists fourteen LPs
Source: Book
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Myler, Derek J.
Year: 2019
Complete Citation:
Myler, Derek J. “Charles Ives and Techniques of Choral Narrative: Exploring Three Harvest Home Chorales.” The Choral Journal, vol. 59, no. (2019): 8-29.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
Nardolillo, Jo
Year: 2011
Complete Citation:
Nardolillo, Jo. “Sonata No. 2 for Violin and Piano.” In The canon of violin literature: a performer's resource. Lanham, MD: Scarecrow Press, 2011.Source: Chapter in Book
IV. Individual Studies by Genre
B. Chamber Works
Year: 2011
Complete Citation:
Nardolillo, Jo. “Sonata No. 4 “Children's Day at Camp.”” In The canon of violin literature: a performer's resource. Lanham, MD: Scarecrow Press, 2011.Source: Chapter in Book
IV. Individual Studies by Genre
B. Chamber Works
Nathan, Hans
Year: 1960
Complete Citation:
Nathan, Hans. “The Modern Period—United States of America.” In A History of Song, edited by Denis Stevens, 431-437. New York, NY: W.W. Norton, 1960.Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
Nauck, Gisela
Year: 1985
Complete Citation:
Nauck, Gisela. “Weimar: Charles Ives’ Concord Sonata, DDR-erstauf-geführt.” Musik und Gesellschaft 35 (July 1985): 397-398.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Nelson, Catherine
Year: 2009
Complete Citation:
Nelson, Catherine. “CD Reviews: “Patriots” - Grieg: Violin Sonatas in G Major Op. 13 & in F Major Op. 8; Ives: Violin Sonatas No. 2 & 4.” The Strad, Vol. 120 (2009): 83, 85.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Nelson, Mark Douglas
Year: 1984
Complete Citation:
Nelson, Mark D. “Beyond Mimesis: Transcendentalism and Processes of Analogy in Charles Ives’ ‘The Fourth of July.’” Perspectives of New Music 22, Nos. 1-2 (1984): 353.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Newark, Cormac
Year: 2000
Complete Citation:
Newark, Cormac. “Knowing the Score.” The Guardian, April 28, 2000: B18.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances