Raven, Seymour
Year: 1959
Complete Citation:
Raven, Seymour. “Music of Ives Ends Ravinia’s Concert Phase: Hendl Conductor for a Crowd Pleaser.” Chicago Daily Tribune, August 9, 1959, 16.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Raynor, Henry
Year: 1966
Complete Citation:
Raynor, Henry. “Miscellany.” Music Review 27/4 (1966): 331.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Recchi, Ray
Year: 1993
Complete Citation:
Recchi, Ray. “Shh! Sit Down and Mind Your Manners: Sports Final Edition.” Sun-Sentinel, 1993.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Reed, Alice S.
Year: 2005
Complete Citation:
Reed, Alice S. Charles Edward Ives and his Piano sonata no. 2 "Concord, Mass. 1840-1860.” Victoria, BC: Trafford Publishing, 2005.Source: Book
IV. Individual Studies by Genre
C. Keyboard Works
Reed, James
Year: 2005
Complete Citation:
Reed, James. “Get Wrecked: Third Edition.” The Boston Globe, March 16, 2005.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Reel, James
Complete Citation:
Reel, James. “Majoros’ Portrayal Brings Ives to Life.” The Arizona Daily Star, April 26, 1991.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1993
Complete Citation:
Reel, James. “CD Offers Exquisite Takes on Ives, Barber Works.” The Arizona Daily Star, February 26, 1993.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1999
Complete Citation:
Reel, James. “A Trio of Duos: the Gemini Piano Trio.” Fanfare: The Magazine for Serious Record Collectors, Vol. 22, No. 4 (1999): 128-131.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2005
Complete Citation:
Reel, James. “Collections: Choral - “Heaven To Earth.”” Fanfare: The Magazine for Serious Record Collectors, Vol. 28, No. 3 (2005): 237-238.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2007
Complete Citation:
Reel, James. “Reviews: On Record: “A Century of American Music.”” Strings, Vol. 21, No. 9 (2007): 89.Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Reinhard, Johnny
Year: 2004
Source: Online article
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2005
Notes: An article explaining some of the decisions the author/conductor made in preparing a "realization" of the Universe Symphony for performance.
Source: Online article
IV. Individual Studies by Genre
A. Orchestral and Band Works
Reinthaler, Joan
Year: 1974
Complete Citation:
Reinthaler, Joan. “Ives Concert.” The Washington Post, September 30, 1974, B11.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1987
Complete Citation:
Reinthaler, Joan. “Alan Mandel: FINAL Edition.” The Washington Post, November 16, 1987.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Repertoire & Standards National Committee, and Barbara Tagg
Year: 2003
Complete Citation:
Repertoire & Standards National Committee and Barbara Tagg. “Resources: Books, Articles, Organizations and Web Sites Related to American Choral Music.” The Choral Journal 43/8 (2003): 57-71.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
Repertoire & Standards National Committee Chairs
Year: 2003
Complete Citation:
Repertoire & Standards National Committee Chairs. “Selected American Choral Repertoire.” The Choral Journal, vol. 43, no. 8 (2003): 49-54.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
Rescigno, Eduardo
Year: 1967
Complete Citation:
Rescigno, Eduardo. “Ascoltando il disco: [Charles Edward Ives] Holi-days Symphony.” La Musica Moderna 1/26 (1967): 158--160.Notes: Discussion of “A Symphony: New England Holidays” for the inserted recording.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Reti, Rudolph
Year: 1958
Complete Citation:
Reti, Rudolph. Tonality, Atonality, Pantonality: A Study of Some Trends in Twentieth Century Music, 43, 63-65, 89, 149-151. New York, NY: Macmillan, 1958.Notes: Discusses Con-cord Sonata and Symphony No. 4.
Source: Book
Reprints: Reti, Rudolph. <i>Tonality in Modern Music</i>, 61, 82-84, 107, 171, 173. New York, NY: Collier Books, 1962. * Reti, Rudolph. <i>Tonalidad, Atonalidad, Pantonalidad</i>. Translated to Spanish by Joaquín Homs. Madrid, Spain: Rialp, 1965.
IV. Individual Studies by Genre
C. Keyboard Works
Rexroth, Dieter
Year: 1979
Complete Citation:
Rexroth, Dieter. “Ein amerikanischer Denkstil in der Concord-Sonate. Zu einem Aspekt des Transzendentalisten Charles E. Ives.” In Zwischen den Grenzen: Zum Aspekt des Nationalen in der Neuen Musik, 54-61. Frankfurter Studien, Vol. 3. Mainz, Germany: Schott, 1979.Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
Rhein, J. von
Year: 1984
Complete Citation:
Rhein, J. von. “Chicago: the CSO's Adventurous Autumn.” Ovation 4 (March 1984): 26.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances