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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
(-) IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
(-) XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Tucker, Marilyn

Year: 2000
Complete Citation:
Tucker, Marilyn. “Concerts Everywhere: San Francisco-San Francisco Symphony: Thomas Song Cycle [Premiere].” American Record Guide, Vol. 63, No. 1, (2000): 42.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Tumelty, Michael

Year: 2016
Complete Citation:
Tumelty, Michael. “Heading here.” The Herald [Glasgow, Scotland], February 12, 2016, 15.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2016
Complete Citation:
Tumelty, Michael. “Melbourne SO/Davis, Charles Ives Orchestral Music (Chandos).” The Herald (Glasgow, Scotland), February 12, 2016.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Tuthill, Burnet C.

Year: 1949
Complete Citation:
Tuthill, Burnet C. “Recordings of Serious Music by American Com-posers.” Pan Pipes 42/2 (December 1949): 124-130.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Tyler, Charles Ives

Year: 1977
Complete Citation:
Tyler, Charles Ives. “Charles Ives.” Piano Today 17/3 (1977): 8, 10, 54.
Notes:

Part of a pair of articles entitled “American Transcendentalism: Two Compos-ers in the Pioneer Tradition.” Reminiscences by Charles Ives's grand- son about how Ives disliked milk. [The other article is “Ruth Crawford Seeger” by Judith Tick.]

Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works

Ulrich, Allan

Year: 2000
Complete Citation:
Ulrich, Allan. “An Ives Fourth for this Generation Tilson Thomas again Illuminates an American Classic: First Edition.” The San Francisco Examiner, 2000.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2003
Complete Citation:
Ulrich, Allan. “Concerts Everywhere: San Francisco - S.F. Sym: Adams “My Father Knew Charles Ives.”” American Record Guide, Vol. 66, No. 4 (2003): 46.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Ulrich, Homer

Year: 1952
Complete Citation:
Ulrich, Homer. Symphonic Music: Its Evolution since the Renaissance. New York, NY: Columbia University Press, 1952.
Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Unger, Clive

Year: 1983
Complete Citation:
Unger-Hamilton, Clive, ed. The Great Symphonies, edited by Clive, 137, 138, 141, 209. New York, NY: Facts on File, 1983.
Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Upton, William Treat

Year: 1930
Complete Citation:
Upton, William Treat. A Supplement to Art-Song in America, 1930-1938, 26-27, 38. Boston, MA: Oliver Ditson Company, 1938.
Source: Book
IV. Individual Studies by Genre
E. Songs
Year: 1938
Complete Citation:
Upton, William Treat. “Aspects of the Modern Art-Song.” The Musical Quarterly XXIV, 1 (January 1938): 11-30.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Valdes, Lesley

Year: 1969
Complete Citation:
Valdes, Lesley. “Dutch Troupe, Relache Offer Tribute to Charles Ives’ Music.” The Philadelphia Inquirer, May 31, 1997.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1990
Complete Citation:
Lesley Valdes. “Charles Ives Presents Pleasing Mix of Music: 3 Star Edition.” The Orlando Sentinel, November 18, 1990.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Van Hof, Chris

Year: 2011
Complete Citation:
Van Hof, Chris. “Audio/Video Reviews: “The Hunting of the Snark.”” ITA Journal, Vol. 39, No. 4 (2011): 54.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Vance, David

Year: 2000
Complete Citation:
Vance, David. “Gloves Come Off for a Lively Round with Ives and Co: Late Edition.” Sydney Morning Herald, August 11, 2000.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Velten, Klaus

Year: 1983
Complete Citation:
Velten, Klaus. “Ein Komponist zwischen den Zeiten: traditioneller Geist und fortschrittliche Gesteltungsweise in Klavierliedern von Charles Ives.” Musik und Bildung: Zeitschrift fur Musikerzeihung 15 (December 1983): 11-17.
Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 1999
Complete Citation:
Velten, Klaus. “Charles Ives: der Komponist und die Natur im Spiegel seiner Liedkomposition “Now came still evening on.”” In Musik über Worte: Studien zum lyrischen Gesang in Romantik und Moderne. Saarbrücken, Germany: Pfau, 1999.
Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs

Vermeulen, Ernst

Year: 1994
Complete Citation:
Vermeulen, Ernst. “Musikale torso’s (10): Ives’ Universe Symphony. Machtig en Mannelijk.” Mens en Mels 49 (October 1994): 586-594.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Verrall, John

Year: 1953
Complete Citation:
Verrall, John. “American Chamber Music: 1900-1950.” In Proceedings of the Music Teachers National Association (1950), 21-26. Pittsburgh, PA: Music Teachers National Association, 1953.
Source: Chapter in Book
IV. Individual Studies by Genre
B. Chamber Works

Vigil, Ryan

Year: 2013
Complete Citation:
Vigil, Ryan. IVES: Concord Sonata; BINKERD: Piano Essays IV, V, VI. American Record Guide, Vol. 76, No. 4 (2013): 107.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews