Image
Complete Citation:
Vinquist, Mary Ann. “The Psalm-Settings of Charles Ives.” M.A. thesis, Indiana University, 1965.
Bibliography
Genres
Vinquist, Mary Ann
Year: 1965
Source: M.A. Thesis
IV. Individual Studies by Genre
D. Choral Works
D. Choral Works
Von Glahn, Denise
Year: 2004
Complete Citation:
von Glahn, Denise. “The Sylvan in the City: Central Park in the Dark.” In Musik-Konzepte 123 — Charles Ives, edited by Ulrich Tadday. Munich, Germany: Edition Text und Kritik, 2004.Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Year: 2004
Complete Citation:
Denise Von Glahn. “Sylvan in the City: Everyday Eternal in ‘Central Park in the Dark.’” Paper presented at The Society for American Music Conference [Session 8a]. Cleveland, Ohio, March 12, 2004.Source: Conference
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Year: 2019
Complete Citation:
Von Glahn, Denise. “The New River Updated: Charles Ives and the Disappearing River Gods.” Cultural Sustainabilities: Music, Media, Language, Advocacy, edited by Timothy J. Cooley, 113-128. Urbana, IL: University of Illinois Press, 2019.Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
E. Songs
von Rhein, John
Year: 1991
Complete Citation:
von Rhein, John. “The Whole Range of Charles Ives.” Chicago Tribune 4 August 1991, 132.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Vroon, Donald R.
Year: 2006
Complete Citation:
Vroon, Donald R. “Guide to Records - Ives: Violin Sonatas.” American Record Guide, Vol. 69, No. 6 (2006): 123.Source: Journal (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Vuillermoz, Émile
Year: 1931
Complete Citation:
Vuillermoz, Émile. “La Musique.” Translated by Frank R. Rossiter. La Musique, Excelsior (Paris), June 8, 1931, 3.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Wächter, Roland and Michael Tilson Thomas
Year: 1991
Complete Citation:
Wächter, Roland, and Michael Tilson Thomas. “Der Musikalische Photograph: Ein Gespräch Mit Dem Dirigenten Michael Tilson Thomas Über Seine Neuen Ives-Aufnahmen.” Neue Zeitschrift Für Musik, vol. 152, no. 7/8 (1991): 22-26.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Walker, Donald R.
Year: 1975
Complete Citation:
Walker, Donald R. “The Vocal Music of Charles Ives.” Parnassus: Poetry in Review 3 (1975): 329-344.Notes:
Part of “A Garland for Charles Ives”
Source: Journal
IV. Individual Studies by Genre
E. Songs
E. Songs
Wallace, Weldon
Year: 1962
Complete Citation:
Wallace, Weldon. “Music Notes: Baltimore Symphony.” The Sun, January 3, 1962, 11.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Walsh, Stephen
Year: 1966
Complete Citation:
Walsh, Stephen. “Folk Songs in Counterpoint.” Music and Musicians 14, no. 12 (August 1966): 28.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1968
Complete Citation:
Walsh, Stephen. “Ives’ Violin Sonatas.” Music and Musicians 16, no. 10 (June 1968): 45.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Warburton, Thomas
Year: 1972
Complete Citation:
Warburton, Thomas. “Historical Perspective of the String Quartet in the United States.” American Music Teacher 21/3 (1972): 20-37.Source: Journal
IV. Individual Studies by Genre
B. Chamber Works
B. Chamber Works
Year: 1998
Complete Citation:
Warburton, Thomas. “Charles Ives and Ragtime.” Studi Musicali, Vol. 27, No. 1 (1998): 209-238.Source: Journal (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Ward, Charles
Year: 1999
Complete Citation:
Ward, Charles. “Recordings.” Houston Chronicle, November 28, 1999, 14.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 2000
Complete Citation:
Ward, Charles. “Recordings.” Houston Chronicle, October 29, 2000: 14.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 2001
Complete Citation:
Ward, Charles. “Sound Thinking. Da Camera Explores Musical ‘Land-scapes.’” Houston Chronicle, March 1, 2001, sec. D, 1.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Ward, Jennifer A.
Year: 2014
Complete Citation:
Ward, Jennifer A. “American Musical Settings of “In Flanders Fields” and the Great War.” Journal of Musicological Research, vol. 33 (2014): 96-129.Source: Journal
IV. Individual Studies by Genre
E. Songs
E. Songs
Wasson, Jeffrey
Year: 1975-76
Complete Citation:
Wasson, Jeffrey. “The Organ Works of Charles Ives: A Research Summary.” Student Musicologists at Minnesota 6 (1975-76): 280-89.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Watt, Douglas
Year: 1951
Complete Citation:
Watt, Douglas. “Musical Events: Concert Records.” The New Yorker 27, no. 1 (February 17, 1951): 97-99.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances