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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
(-) IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
(-) XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Yellin, Victor F.

Year: 1974
Complete Citation:
Yellin, Victor F. “Rezension der Schallplatteneinspielung von “The Celestial Country.” Musical Quarterly 60 (1974): 500-508.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

Yellin, Victor Fell

Year: 1974
Complete Citation:
Yellin, Victor Fell. “Review of the First Recording of The Celestial Country, by Charles Ives.” The Musical Quarterly 60, No. 3 (July 1974): 500-508.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1974
Complete Citation:
Yellin, Victor Fell. “Review of The Celestial Country.” Musical Quarterly 60/3 (July 1974): 500-508.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Young, Jerry

Year: 1990
Complete Citation:
Young, Jerry. “UT Pianist Prefers the Unusual: FINAL Edition.” Austin American-Statesman, October 20, 1990.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Z., Pamela

Year: 2000
Complete Citation:
Z., Pamela. “Concert Reviews: Talking Music at Davies Hall.” 21st Century Music, Vol. 7, No. 8 (2000): 21-22.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Zimmermann, Walter and Larry Austin

Year: 1981
Complete Citation:
Austin, Larry and Walter Zimmermann. “Gespräch fiber die Rekonstruktion von Ives’ «Universe Symphony.»” Insel Music, edited by Walter Zimmermann. Cologne, Germany: Beginners Press, 1981.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Zobel, Mark

Year: 2006
Complete Citation:
Zobel, Mark. “Musical Borrowing and Religious Symbolism in Charles Ives’s Third Symphony.” Paper presented at the Thirty--second Conference of the Society for American Music. Chicago, Illinois, 2006.
Source: Conference paper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2009
Complete Citation:
Zobel, Mark. The Third Symphony of Charles Ives. Hillsdale, NY: Pendragon Press, 2009.
Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

no author listed

Complete Citation:
“Exploring Ives’s Formal Vocabulary through His String Quartets.” Paper presented at Ives the Commuter. Bloomfield Presbyterian Church, Bloomfield, NJ, February 1999.
Notes:

Performers include Jennifer Sacher-Wiley and Denise Huizenga, violins; Renee Moore Skerik, viola; Jonathan Chenoweth, cello

IV. Individual Studies by Genre
B. Chamber Works
Complete Citation:
“Latest in low-cost records: From time to time, the editors report on the best among the new records you can buy at budget prices.” Changing Times, Vol. 21, Iss. 11 (November 1967): 19.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Complete Citation:
“Advice to an Astonished Audience: Don’t Cough.” Globe and Mail, May 28, 1993.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Complete Citation:
Chinen, Nate. “Tinges of Electro-Pop and some Ives, Too.” The New York Times, February 19, 2010, C15.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Complete Citation:
“Composers’ Group Has Final Concert: Fifth of League's Programs is Divided between Native and European Works. Harris Concerto Played Novelty of Yaddo Festival is Warmly Received - Songs by Charles Ives Presented.” The New York Times. April 9, 1934: 21.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1888
Complete Citation:
Concert program. “Kinder Concert,” March 7, 1887, Danbury, CT: City Hall. Davis Library, College of Insurance, New York City.
Notes:

The first printed concert program with Ives’s name on it. Indicates that the thirteen- year old Ives played drum and musical glasses for “Kindersymphonie” by Joseph Haydn and for “The Happy Sleighing Party” by Franz Xavier Chwatal in a concert at City Hall in Danbury, CT. An original printed program is in the Davis Library, College of Insurance, New York City.

Source: Concert Program
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1888
Complete Citation:
“Amusements. The German Dramatic Association.” Danbury Evening News. January 17, 1888, 3.
Source: Newspaper/Book
Reprints:

“Amusements. The German Dramatic Association.” In <i>Charles Ives and His World</i>, 274-275. Edited by J. Peter Burkholder. Princeton, NJ: Princeton University Press, 1996.

XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1889
Complete Citation:
“Announcement.” Danbury Evening News, October 21, 1889: 3.
Notes:

Erroneously dated 1888 in Ives's compiled references.

Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1892
Complete Citation:
“Reviews and notices of George and Charles Ives’s performances in Brewster, NY.” Brewster Standard. February 5, 1892: 3; February 12, 1892; February 19, 1892: 3.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1902
Complete Citation:
“The Four O’Clock Concert.” Journal and Courier (New Haven), May 8, 1902.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1902
Complete Citation:
“Charles E. Ives’ Concert and New Cantata, ‘The Celestial Country.’” Musical Courier 44/17 (April 23, 1902): 34.
Source: Journal
Reprints:

“Charles E. Ives’ Concert and New Cantata, ‘The Celestial Country.’” In Charles Ives and His World, compiled by Geoffrey Block and edited by J. Peter Burkholder, 276-277. Princeton, NJ: Princeton University Press, 1996.

IV. Individual Studies by Genre
D. Choral Works
Year: 1902
Complete Citation:
“A New Cantata.” The New York Times, April 20, 1902, 14.
Source: Newspaper
Reprints:

“A New Cantata.” In <i>Charles Ives and His World</i>, compiled by Geoffrey Block and edited by J. Peter Burkholder, 275-276. Princeton, NJ: Princeton University Press, 1996.

IV. Individual Studies by Genre
D. Choral Works