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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
(-) IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
(-) XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

no author listed

Year: 1902
Complete Citation:
“A New Cantata.” The New York Times, April 20, 1902, 14.
Source: Newspaper
Reprints:

“A New Cantata.” In <i>Charles Ives and His World</i>, compiled by Geoffrey Block and edited by J. Peter Burkholder, 275-276. Princeton, NJ: Princeton University Press, 1996.

IV. Individual Studies by Genre
D. Choral Works
Year: 1912
Complete Citation:
“Columns 1-3.” Sun (New York), March 15, 1912, 9.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1921
Complete Citation:
“Concord Unconquered.” Musical Courier, April 28, 1921, 22.
Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1921
Complete Citation:
“A Futuristic Sonata.” Musical Advance, (April 1921): 16.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1922
Complete Citation:
“Music Club Hears Lecture Recital on Modern Sonata.” Atlantic Constitution, January 5, 1922, 10.
Source: Newspaper
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1923
Complete Citation:
“From Everywhere.” The Cologne Post, Issue 1303, July 1923.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1924
Complete Citation:
“Goldstein Completes ‘Modernist’ Recital at Aeolian Hall.” New York Herald Tribune, March 19, 1924, 15.
Source: Newspaper
Reprints:

“Goldstein Completes ‘Modernist’ Recital at Aeolian Hall.” In <i>Charles Ives and His World</i>, 290-291. Edited by J. Peter Burkholder. Princeton, NJ: Princeton University Press, 1996.

XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1924
Complete Citation:
“Concerts for the Month: Jerome Goldstein.” Musical Advance (April 1924): 17-18.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1925
Complete Citation:
“Quarter-Tone Feature At Referendum Concert: Is Played Purposely on Pianos at Franco American.” The New York Herald, February 15, 1925, 8.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1927
Complete Citation:
“Ives Composes Sonata in Modern Style.” Danbury Evening Times, November 19, 1927.
Source: Newspaper
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1927
Complete Citation:
“Concord.” Birmingham Age-Herald (October 14, 1927).
Source: Newspaper
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1929
Complete Citation:
“Review.” Chattanooga Times (April 2, 1929).
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1929
Complete Citation:
“Review.” Morning Tribute [New Orleans], March 25, 1929.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1930
Complete Citation:
“Old and New.” Danbury Times, June 30, 1930.
Notes:

An editorial quoting a re-sponse to what the difference is between the “old” and “new” schools of music by a “well--known composer of this vicinity.”

Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1931
Complete Citation:
“The Genius of American Original Production.” The Phonograph Monthly Review (July 1931).
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1932
Complete Citation:
“U.S. Concert Cheered and Jeered in Berlin.” The Washington Post. March 6, 1932, 11.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1932
Complete Citation:
“Modern Philharmonic’ Gets Applause, Hisses.” The Hartford Courant, March 6, 1932, 8.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1932
Complete Citation:
“Becker Returns from Eastern Lecture Tour; Speaks Before Associa-tion of University Women in Milwaukee.” The Purple & Gray (March 4, 1932): 1.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1932
Complete Citation:
“Critics and American Music; Suggestions from Mr. Copland.” New York Herald Tribune. May 8, 1932, sec. 7: 6.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1932
Complete Citation:
“Ives.” Musical Leader [New York] (May 12, 1932): 41.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances