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Bibliography

Abdul, Raoul

Year: 1998
Complete Citation:
Abdul, Raoul. “Cleveland premieres Ives’ Emerson Concerto.” Amsterdam News. October 15, 1998, 20.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Ahlstrom, David

Year: 1991
Complete Citation:
Ahlstrom, David. “The Problem of the Unfinished: A Cart, a Deity, and Ives's Universe Symphony.” Sonus 11/2 (Spring 1991): 65-76.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Ahn, Eun G. [안은지]

Complete Citation:
Ahn, Eun G. “논문 : 아이브스의 바이올린 소나타 2번과 4번에 나타난 음악적 특징.” 음악과 민족, vol. 49 (2015): 201.
Notes:

Translates to “Thesis: Musical Characteristics of Ives’ Violin Sonata Nos. 2 and 4”<br>

IV. Individual Studies by Genre
B. Chamber Works

Ahn, Eunji

Year: 2015
Complete Citation:
Ahn, Eunji. “아이브스의 바이올린 소나타 2번과 4번에 나타난 음악적 특징.” 음악과 민족, no. 49 (2015): 201-225.
Notes:

Translates to “Distinctive Features in the Second and Fourth Violin Sonatas of Charles Ives”

Source: Journal
IV. Individual Studies by Genre
B. Chamber Works

Albrecht, Philipp

Year: 2010
Complete Citation:
Albrecht, Philipp. “Besprechungen: Dorothea Gail “Charles Ives’ Fourth Symphony: Quellen-Analyse-Deutung.”” Musiktheorie, Vol. 25, No. 3 (2010): 272-274.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Alburger, Mark

Year: 2000
Complete Citation:
Alburger, Mark. “Concert Reviews: Marin Symphony Goes All-American.” 21st Century Music, Vol. 7, No. 6 (2000): 25.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2002
Complete Citation:
Alburger, Mark. “Two Visionaries in Two Centuries [Concert Review].” 21st Century Music, Vol. 9, No. 4 (2002): 6-7.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2003
Complete Citation:
Alburger, Mark. “Concert Reviews: Three (or Four) Great Orchestrators; Symphonies from Symphony.” 21st Century Music, Vol. 10, No. 10 (2003): 6.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Alexander, Michael John

Year: 1986
Complete Citation:
Alexander, Michael John. “Bad Resolutions or Good? Ives’s Piano ‘Take-Offs.’” Tempo, New Series 158 (1986): 8-14.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1989
Complete Citation:
Alexander, Michael J. The Evolving Keyboard Style of Charles Ives. Outstanding Dissertations in Music From British Universities. New York, NY: Garland, 1989.
IV. Individual Studies by Genre
C. Keyboard Works

Allison, John

Year: 2003
Complete Citation:
Allison, John. “CBSO/Wolff: Final 5 Edition.” Times (London, England), January 17, 2003.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Alms, Anthony

Year: 2005
Complete Citation:
Alms, Anthony. “The Inner World of Charles Ives: A Hermeneutic Approach to Central Park in the Dark.” Paper presented at Twentieth Century Music Conference. Society for Music Analysis. University of Sussex, Falmer, Brighton, United Kingdom, August 28, 2005.
Source: Conference paper
IV. Individual Studies by Genre
A. Orchestral and Band Works

Alwes, Chester L.

Year: 1985
Complete Citation:
Alwes, Chester L. “Formal Structure as a Guide to Rehearsal Strategy in Psalm 90 by Charles E. Ives.” Choral Journal 25/8 (April 1985): 21-25.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

Amarante, Joe

Year: 2014
Complete Citation:
Amarante, Joe. “James Sinclair and ONE Mark 40 Years with Birthday Bash of Ives.” McClatchy - Tribune Business News, March 6, 2014.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Anderson, Martin

Year: 2000
Complete Citation:
Anderson, Martin. “First Performances: Proms-The Rest of the Premières.” Tempo (2000): 32-35.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Andrade Malde, Julio

Year: 2014
Complete Citation:
Andrade Malde, Julio. “Actualidad nacional: Final breve con algunos extras.” Scherzo: Revista de Música, Vol. 29 (2014): 19.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Andraschke, Peter

Year: 2008
Complete Citation:
Andraschke, Peter. “Aufbruch in die Zukunft: Charles Ives und seine Lieder.” In Multikulturelle und internationale Konzepte in der Neuen Musik. Vienna, Austria: Böhlau Verlag, 2008.
Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs

Andreyeva, Victoria

Year: 2000
Complete Citation:
Andreyeva, Victoria. “Concert Reviews: Microtonal Music on Prechistenka Street.” 21st Century Music, Vol. 7, No. 9 (2000): 20-21.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Anthony, Michael

Year: 2004
Complete Citation:
Anthony, Michael. “SPCO Delves into Mysteries of Universe; Beethoven Paired Nicely with Ives’ ‘Unanswered Question’: Metro Edition.” Star Tribune, February 8, 2004.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Argento, Dominick

Year: 1975-1976
Complete Citation:
Argento, Dominick. “A Digest Analysis of Ives’ ‘On the Antipodes.’” Student Musicologists at Minnesota Vol. 6 (1975-1976): 192-200.
Source: Journal
IV. Individual Studies by Genre
E. Songs