Gaede, Annemarie
Year: 1986
Complete Citation:
Gaede, Annemarie. “Analyse der Concord Sonate von Charles. Hausarbeit zur Staatlichen Prüfung für Musikschullehrer und selbständige Musiklehrer.” Term paper, Staatliche Hochschule für Musik Rheinland, 1986.Notes: Betreut von Prof. Jecker und Prof. Löbner.
Source: Academic Paper
IV. Individual Studies by Genre
C. Keyboard Works
Gail, Dorothea
Year: 2004
Complete Citation:
Gail, Dorothea. “The Concord Sonata of Charles Ives: An Analysis of the Individuation of the Musical- Autonomous Logic of the Form.” Paper read at a The Congress of the German Society for Music Theory [Twentieth Century Session]. Cologne, Germany, October 16, 2004.Source: Conference Paper
IV. Individual Studies by Genre
C. Keyboard Works
Year: 2005
Complete Citation:
Gail, Dorothea. “The Second Movement of Charles Ives’s Fourth Symphony: An Analytical Approach to Form and Structure.” Paper presented at Twentieth Century Music Conference. Society for Music Analysis. University of Sussex, Falmer, Brighton, United Kingdom, August 28, 2005.Source: Conference paper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2009
Complete Citation:
Gail, Dorothea. Charles E. Ives’ Fourth Symphony. Hofheim, Germany: Wolke, 2009.Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2009
Complete Citation:
Gail, Dorothea. Charles E. Ives Fourth Symphony: Quellen - Analyse - Deutung. Bd. 3. Hofheim, Germany: Wolke-Verlag, 2009.Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Gann, Kyle
Year: 1996
Complete Citation:
Gann, Kyle. “Master of the Universe.” Village Voice 41/23, June 4, 1996, 58. Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1996
Complete Citation:
Gann, Kyle. “Now in Technicolor.” Village Voice 41/11, March 12, 1996, 66.Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1996
Complete Citation:
Gann, Kyle. “Heaven Enough.” Village Voice 41/26, June 25, 1996, 62.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2004
Complete Citation:
Gann, Kyle. “Conservative Praise: Saving Charles Ives’s Symphonies from His Fans.” Symphony 55/3 (May-June 2004): 13--17.Notes: Makes a strong case for performances of the first three symphonies.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2005
Complete Citation:
Gann, Kyle. “Music: Reconstructing The Universe.” The Village Voice, Vol. 50, No. 37. September 6, 2005: 90.Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2006
Complete Citation:
Gann, Kyle. Music Downtown: Writings from the Village Voice. Berke-ley, CA: University of California Press, 2006.Notes: Several citations, especially “Pulit-zer Hacks: Amateur Composers versus the Professionals” (p. 121--123) and “Composer’s Clearing House: The Pulitzer Prize” (p. 123--125).
Source: Book
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2017
Complete Citation:
Gann, Kyle. Charles Ives’s Concord Essays after a Sonata. Music in American Life Series. Champaign, IL: University of Illinois Press, 2017.Source: Book
IV. Individual Studies by Genre
C. Keyboard Works
Gantz, Jeffrey
Year: 2011
Complete Citation:
Gantz, Jeffrey. “Schuller and Alea III Perform Ives Works in all their Glory.” The Boston Globe, November 19, 2011.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Gardner, Kara Anne
Year: 2004
Complete Citation:
Gardner, Kara Anne. “Antimodernism, ‘The Celestial Railroad,’ and ‘The Comedy’ of Charles Ives.” Paper presented at The Society for American Music Conference [Session 8a]. Cleveland, Ohio, March 12, 2004.Source: Conference
IV. Individual Studies by Genre
C. Keyboard Works
Gatito, El
Year: 2007
Complete Citation:
Gatito, El. “Art of Darkness.” Philadelphia Weekly, June 27, 2007.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Gaudibert, Eric
Year: 1991
Complete Citation:
Gaudibert, Eric. “A propos de From the steeples and the mountains d’lves.” Dissonanz/Dissonance 29 (August 1991): 14-15.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Gawthrop, Daniel E.
Year: 1988
Complete Citation:
Gawthrop, Daniel E. “Richard Bales’ Early Ives.” The Washington Post, May 30, 1988, C2.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Geoffrey Block and J. Peter Burkholder, compilers
Year: 1888-1951
Complete Citation:
Geoffrey Block and J. Peter Burkholder, compilers. “Selected Reviews 1888-1951.” In Ives and His World, edited by J. Peter Burkholder, 273-362. Princeton, NJ: Princeton University Press, 1996.Source: Chapter in Book
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Geoffrey Block, compiler
Year: 1996
Complete Citation:
Geoffrey Block, compiler. “Selected Reviews 1888-1951.” In Charles Ives and His World, edited by J. Peter Burkholder, 273-360. Princeton, NJ: Princeton University Press, 1996.Source: Chapter in Book
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
George, Phillip; Alburger, Mark
Year: 2003
Complete Citation:
George, Phillip and Mark Alburger. “Concert Reviews: Making the Most of Not Making the Most; Three (or Four) Great Orchestrators at San Francisco Symphony.” 21st Century Music, Vol. 10, No. 6, (2003): 3.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
