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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
(-) IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Henahan, Donal

Year: 1974
Complete Citation:
Henahan, Donal. “In Vienna they Neglect Schoenberg, at Tanglewood they Overlook Ives: Music.” The New York Times, June 23, 1974, 121.
Source: Newspaper
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1975
Complete Citation:
Henahan, Donal. “Music: Brass Quintet.” The New York Times, March 26, 1975, 51.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1987
Complete Citation:
Henahan, Donal. “Bernstein and the Philharmonic.” The New York Times. April 10, 1987, sec. C: 3.
Notes:

In re-evaluating the work, the writer points out that some have criticized Ives for not handling his material musically, but this work shows “artistic unity.” Symphony No. 4 was to have been performed on the program also. A favorable review of performance of Symphony No. 2 (April 9, 1987: New York Philharmonic; Leonard Bernstein, conduc-tor).

Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1987
Complete Citation:
Henahan, Donal. “Ives and Brahms by Cleveland Orchestra.” The New York Times, May 16, 1987, 15.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Henck, Herbert

Year: 1980
Complete Citation:
Henck, Herbert. ““Waltz-Rondo” und andere Klavierstücke von Charles Ives.” Neuland - Ansätze zur Musik der Gegenwart 1 (1980): 44-46.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1980
Complete Citation:
Henk, Herbert. “Randbemerkung. Zu Ives’ ‘Gesamtem Klavierwerk.’” In Neuland: Ansatze zur Musik der Gegenwart, 43. Vol. 1. Cologne, Germany: Neuland Musikverlag Herbert Henck, 1980.
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1982
Complete Citation:
Henck, Herbert. “Versehen - Versehren. 2. Lanze. Zur Neuausgabe von Charles E. Ives’ Erster Klaviersonate.” Neuland - Ansätze zur Musik der Gegenwart 2 (1982): 206-207.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1983
Complete Citation:
Henck, Herbert. “Aus zweiter Hand: Charles E. Ives’ “Study No. 20.”” In Neuland: Ansätze zur Musik der Gegenwart: Jahrbuch. Band 3. Cologne, Germany: Neuland Musikverlag, 1983.
Source: Chapter in Book
Reprints:

Henck, Herbert. "Aus zweiter Hand: Charles E. Ives' 'Study No. 20.' Review of Study No. 20 by Charles Ives.]"Neuland 3 (1982-83): 242.

IV. Individual Studies by Genre
C. Keyboard Works
Year: 1988
Complete Citation:
Henck, Herbert. “Charles Ives Piano Sonata No. 2: ‘Concord, Mass., 1840-1960’.” In Charles Ives und die amerikanische Musik. International Symposium, February 24-27, 1988. Cologne, Germany.
Source: Festival Booklet
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1992
Complete Citation:
Henck, Herbert. “Klavierwerke von Charles Ives: Werkkommentare.” In Experimentelle Pianistik: Improvisation, Interpreta-tion, Komposition: Schriften zur Klaviermusik (1982 bis 1992), 167-183. Mainz, Germany: Schott, 1992.
Notes:

Contents: Einfuhrung (167-168), Biographisches (168-169), Piano Sonata No. 1 (170-172), Piano Sonata No. 2: "Concord, Mass., 1840- 1860" (172-177), Ausgewählte Klavierstucke (177-183).

Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
Year: 2004
Complete Citation:
Henck, Herbert. “‘Do whatever seems natural or best to you’: Noten- text und Interpretation von Charles Ives’ Concord Sonata.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 116-122. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works

Henderson, W. J.

Year: 1928
Complete Citation:
W. J. Henderson. “Pro Musica Opens Its Season.” New York Sun (November 15, 1928): 25.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Henderson, William J.

Year: 1925
Complete Citation:
William J. Henderson. “Music.” New York Sun (February 16, 1925).
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Henerson, William J.

Year: 1927
Complete Citation:
William J. Henderson. “Composers Guild Gives Concert.” New York Evening Run (January 31, 1927): 25.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Henson, Chris

Year: 1997
Complete Citation:
Henson, Chris. “An American Original - the Music of Charles Ives Provides More Questions than Answers.” Roanoke Times, March 17, 1997, 1.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Hermann, Bernard

Year: 1945
Complete Citation:
Hermann, Bernard. “Four Symphonies by Charles Ives.” Modern Music, vol. 22, no. 6 (November-December 1945).
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Herrmann, Bernard

Year: 1945
Complete Citation:
Herrmann, Bernard. “Four Symphonies of Charles Ives.” Modern Music 22 (1945): 215-222.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Hertz, David Michael

Year: 1996
Complete Citation:
Hertz, David Michael. “European Influences: Ives and the Piano.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 43-46. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.
Source: [Chapter in] Festival Publication
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1997
Complete Citation:
Hertz, David Michael. “Ives's Concord Sonata and the Texture of Music.” In Charles Ives and His World, edited by J. Peter Burkholder, 75-117. Princeton, NJ: Princeton University Press, 1996.
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works

Hewett, Ivan

Year: 2013
Complete Citation:
Hewett, Ivan. “The Latest in our Series on Short Works by the World’s Greatest Composers; Ivan Hewett’s Classic 50; no 21 Charles Ives - the Housatonic at Stockbridge.” Daily Telegraph, May 9, 2013, 27.
Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works