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Bibliography

Cleary, David

Year: 2005
Complete Citation:
Cleary, David. “Concert Reviews: Just Intonations.” 21st Century Music, Vol. 12, No. 4 (2005): 6.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Clements, Andrew

Year: 1994
Complete Citation:
Clements, Andrew. “Arts: Proms: Short, Sharp Shock Copland Disappoints but Ives Thrills in Tilson-Thomas’s Varied LSO Programme.” The Guardian, July 19, 1994.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1996
Complete Citation:
Clements, Andrew. “Review: Ear-Opener from a Fertile Mind Charles Ives: The Unanswered Question, Barbican Centre/Radio 3.” The Guardian, January 22, 1996.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2003
Complete Citation:
Clements, Andrew. “Review: Classical: The Ives we should Never have Heard: CBSO/Sloane: Symphony Hall, Birmingham 2/5.” The Guardian, February 27, 2003, 20.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2004
Complete Citation:
Clements, Andrew. “Friday Review: Dissonant and Dizzying: Andrew Clements is Impressed by how Glorious Charles Ives can Sound in the Right Hands.” The Guardian, May 7, 2004: 19.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2004
Complete Citation:
Clements, Andrew. “Review: Ives’s Masterpiece Makes Rare Appearance: Classical: Pierre-Laurent Aimard: Aldeburgh Festival 5/5.” The Guardian, June 16, 2004, 26.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2008
Complete Citation:
Clements, Andrew. “Film & Music: Classical Reviews: Ives: Songs 1-6.” The Guardian, November 21, 2008, 14.
Source: Newspaper
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances

Coeuroy, Andre

Year: 1931
Complete Citation:
Coeuroy, Andre. “Revue.” Grinooire 19, VI (June 1931).
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Coffill, Brian

Year: 2019
Complete Citation:
Coffill, Brian. “Charles Ives’s Decoration Day: A Conductor’s Guide.” SAGE Open 9, no. 1 (January 2019).
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Cogan, Robert

Year: 1999
Complete Citation:
Cogan, Robert. The Sounds of Song: A Picture Book of Music for Voice. Cambridge, United Kingdom: Publication Contact International, 1999.
Source: Book
Reprints:

Cogan, Robert. “The Sounds of Song: A Picture Book of Music for Voice.” <i>Sonus</i> 22/1 (Spring 2002): 1-10.

IV. Individual Studies by Genre
E. Songs
Year: 2002
Complete Citation:
Cogan, Robert. “Ives’ Farewell.” Sonus: A Journal of Investigations into Global Musical Possibilities, Vol. 22, No. 2 (2002): 1-10.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Cohn, Arthur

Year: 1940
Complete Citation:
Cohn, Arthur. “Americans at Rochester.” Modern Music 17/4 (May-June 1940): 55-58.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1962
Complete Citation:
Cohn, Arthur. “Not once but twice—the ‘Concord’ Sonata.” The American Record Guide, Vol. 28, June 1962.
Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1969
Complete Citation:
Cohn, Arthur. “Alan Mandel Plays All Twenty-Seven of the Piano Works of Ives.” The American Record Guide 35 no. 7 (March 1969): 548-549.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1970
Complete Citation:
Cohn, Arthur. “Playing and Conducting that Simply Could Not Be Bettered.” American Record Guide 37, no. 3 (November 1970): 148-151.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Cole, Hugo

Year: 1979
Complete Citation:
Cole, Hugo. “The Musical Scene: Mountains and Sponge Cakes.” Country Life 165, no. 4256, (February 1, 1979): 278.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Coleman, Judy Bounds

Year: 1960
Complete Citation:
Coleman, Judy Bounds. “Charles Ives: The Man and His Songs.” Mid-west Quarterly (July 1960) 1/4: 295-320.
Notes:

Includes a reprint of “The Things Our Fathers Loved,” No. 43 of 114 Songs, p. 312-313.

Source: Journal
IV. Individual Studies by Genre
E. Songs

Commanday, Robert

Year: 1989
Complete Citation:
Commanday, Robert. “Adventurous Night for San Jose.” San Francisco Chronicle. November 20, 1989, sec. F, 2.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Conen, Hermann

Year: 1981-1982
Complete Citation:
Cohen, Hermann. “All the wrong notes are right’ — Zu Ch. Ives’ 2. Klaviersonate.” Neuland 1 (1981-1982): 28-42.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Cook, Christopher

Year: 2004
Complete Citation:
Cook, Christopher. “‘I Was Always Taught to Dream Big’: Susan Graham.” BBC Music Magazine, Vol. 12, No. 11 (2004): 24-27.
Source: Magazine
IV. Individual Studies by Genre
E. Songs