Image
Complete Citation:
Keats, Sheila. “American Music on LP Records: An Index,” Part II. Juilliard Review 2/2 (Spring 1955): 31-43.
Bibliography
Genres
Keats, Sheila
Year: 1955
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Keller, James M.
Year: 2011
Complete Citation:
Keller, James M. Chamber Music: A Listener’s Guide. New York, NY: Oxford University Press, 2011.Source: Book
IV. Individual Studies by Genre
B. Chamber Works
B. Chamber Works
Kelly, Kevin
Year: 2011
Complete Citation:
Kelly, Kevin. “Recording Reviews: Charles Ives - “The Light That Is Felt: Songs of Charles Ives”.” Journal of the Society for American Music, Vol. 5, No. 2 (2011): 283-285.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Kendall, Blanche and Marguerite Kelly Kyle
Year: 1947
Complete Citation:
Kendall, Blanche and Marguerite Kelly Kyle. “Music of the Moment.” Pan Pipes 40/2 (December 1947): 126--129.Notes:
Cited among the several dozen newly -issued scores are Ives's two songs: Evening and Walking.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Kennicott, Philip
Year: 2005
Complete Citation:
Kennicott, Philip. “The Magnificent Miss Graham”. Gramophone, Vol. 83 (2005): 24-27, 29.Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 2012
Complete Citation:
Kennicott, Philip. Sounds of America: Ives’s Answered Question. Gramophone, Vol. 89 (2012): I, III.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 2012
Complete Citation:
Kennicott, Philip. “An American Idol.” Gramophone, Vol. 89 (2012): 28-29, 31, 33.Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Kerner, Leighton
Year: 1991
Complete Citation:
Kerner, Leighton. “National Moods.” Village Voice 36, December 24, 1991, 116.Notes:
Discusses Robert Browning Overture.
Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Khittl, Christoph
Year: 2008
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Kimball, Carol
Year: 2006
Complete Citation:
Kimball, Carol. “Charles Ives (1874-1954).” In A guide to art song style and literature. Milwaukee, WI: Hal Leonard, 2006.Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
E. Songs
Kimberley, Nick
Year: 2005
Complete Citation:
Kimberley, Nick. “Reviews: Vocal - Gerald Finley on the Songs of Charles Ives.” Gramophone, Vol. 83 (2005): 77.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Kirby, Frank E.
Year: 1966
Complete Citation:
Kirby, Frank E. A Short History of Keyboard Music, 445-447, 454, 459. New York, NY: Free Press, 1966.Source: Book
Reprints:
Kirby, Frank E. <i>A Short History of Keyboard Music</i>. Second Edition. <i>Music for Piano: A Short History</i>. Portland, OR: Amadeus Press, 1995.
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Kirkland, Anthony B.
Year: 2012
Complete Citation:
Kirkland, Anthony B. “Performance Suggestions for Two Classic Wind Band Excerpts for Trumpet and Cornet Part II.” ITG Journal: The International Trumpet Guild, Vol. 36, No. 4 (2012): 77-80, 100-101.IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Kirkpatrick, John
Year: 1965
Complete Citation:
Kirkpatrick, John. Preface to Symphony No. 4, by Charles Ives. New York, New York: Associated Music Publishers, Inc., 1965.Source: Preface to Score
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Year: 1967
Complete Citation:
Kirkpatrick, John. Liner notes for Morton Gould Conducting the Chicago Symphony Orchestra — Charles Ives — Orchestral Set No. 2 (First Recording). RCA LSC-2959, 1967, 33.3 RPM.Source: Liner notes
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Year: 1968
Complete Citation:
Kirkpatrick, John, ed. “Preface.” In Eleven Songs and Two Harmonizations. New York, NY: Associated Music, 1968.Source: Score
IV. Individual Studies by Genre
E. Songs
E. Songs
Year: 1968
Complete Citation:
Kirkpatrick, John. Liner notes for “The ‘Concord’ Sonata, by Charles Ives.” Columbia MS 7192, 1968, 33.3 RPM.Source: Liner notes
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 1970
Complete Citation:
Kirkpatrick, John. “Words and Music: Ives.” Lecture, Ives at Minnesota, University of Minnesota, Minneapolis, Minnesota, April 8, 1970.Notes:
Tape version in the Ives Collection (Yale University, New Haven, CT). Kirkpatrick also spoke at Helen Boatwright’s recital.
Source: Lecture
IV. Individual Studies by Genre
E. Songs
E. Songs
Year: 1975
Complete Citation:
Kirkpatrick, John. “Editor’s Notes.” In Charles Ives, Study No. 21: Some South--Paw Pitching! for Piano, 7-12. Bryn Mawr, PA: Mercury Music Corporation, 1975.IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 1981
Complete Citation:
Kirkpatrick, John. “Notes.” In Charles E. Ives, Study No. 20 for Piano, edited by John Kirkpatrick, 12--18. Bryn Mawr, PA: Merion Music, 1981.Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works