Image
Complete Citation:
Coleman, Judy Bounds. “Charles Ives: The Man and His Songs.” Mid-west Quarterly (July 1960) 1/4: 295-320.
Bibliography
Genres
Coleman, Judy Bounds
Year: 1960
Notes:
Includes a reprint of “The Things Our Fathers Loved,” No. 43 of 114 Songs, p. 312-313.
Source: Journal
IV. Individual Studies by Genre
E. Songs
E. Songs
Conen, Hermann
Year: 1981-1982
Complete Citation:
Cohen, Hermann. “All the wrong notes are right’ — Zu Ch. Ives’ 2. Klaviersonate.” Neuland 1 (1981-1982): 28-42.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Cook, Christopher
Year: 2004
Complete Citation:
Cook, Christopher. “‘I Was Always Taught to Dream Big’: Susan Graham.” BBC Music Magazine, Vol. 12, No. 11 (2004): 24-27.Source: Magazine
IV. Individual Studies by Genre
E. Songs
E. Songs
Cooney, Denise Van Glahn
Year: 1996
Complete Citation:
Cooney, Denise Van Glahn. “A Sense of Place: Charles Ives and ‘Putnam’s Camp, Redding, Connecticut.” American Music 14/3 (Fall 1996): 276-312.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Cooney, Denise Von Glahn
Year: 1997
Complete Citation:
Cooney, Denise Von Glahn. “New Sources for The ‘St. Gaudens’ in Boston Common (Colonel Robert Gould Shaw and His Colored Regiment).” Musical Quarterly 8 (Spring 1997): 13-50.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Copland, Aaron
Year: 1934
Complete Citation:
Copland, Aaron. “One Hundred and Fourteen Songs.” Modern Music (January--February 1934) 11/2: 59--64.Notes:
Discussion of selected songs.
Source: Journal
IV. Individual Studies by Genre
E. Songs
E. Songs
Year: 1934
Complete Citation:
Copland, Aaron. “One Hundred and Fourteen Songs.” Modern Music, 11/2 (January 1934): 59-64.Source: Journal
Reprints:
Copland, Aaron. “One Hundred and Fourteen Songs.” In <i>Charles Ives and His World</i>, edited by J. Peter Burkholder, 307-312. Princeton, NJ: Princeton University Press, 1996.
IV. Individual Studies by Genre
E. Songs
E. Songs
Cowell, Henry.
Year: 1949
Complete Citation:
Cowell, Henry. “Review of Three-Page Sonata.” The Musical Quarterly vol. 35 (1949).Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Cowell, Henry
Year: 1955
Complete Citation:
Cowell, Henry. “Ivesiana.” Musical Quarterly 41/1 (January 1955): 85-89.Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
B. Dance
Cowell, Henry Dixon
Year: 1955
Complete Citation:
Cowell, Henry Dixon. “New York.” The Musical Quarter-ly 41/1 (January 1955): 85--89.Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews
Cowell, Sidney
Year: 1974
Complete Citation:
Cowell, Sidney. “Ivesiana: ‘More than Something Just Usual.’” High Fidelity and Musical America, (October 1974): MA-14-MA-16.Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews
Crane, Frederick
Year: 1982
Complete Citation:
Crane, Frederick. “How Should the Jew’s Harp Part of ‘Washington’s Birth-day' be played?” Verundzwanzigsteljahrsschrift der Internationalen Maultrommelvirtuosengenossenschaft 1 (1982): 49-57.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Croce, Arlene
Year: 1975
Complete Citation:
Croce, Arlene. “Dancing: American Space.” The New Yorker 51/13 (May 19, 1975).Notes:
Details the dances. “The piece is one of those on an American subject in which Balan- chine becomes completely an American choreographer —not the Stravinsky-Balanchine, or the Balanchine of ‘Western Symphony’ or ‘Stars and Stripes,’ who ex- presses America from a European point of view, but a Balanchine who sees us at the same distance from which we see Ourselves.”
Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews
Year: 1975
Complete Citation:
Croce, Arlene. “Dancing: Free and More Than Equal.” The New Yorker 51/1 (February 24, 1975): 120--122.Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews
Crunden, Robert M.
Year: 1974
Complete Citation:
Crunden, Robert M. “Charles Ives: The Man and His Music: Charles Ives’ Innovative Nostalgia.” The Choral Journal, vol. 15, no. 4 (1974): 5-12.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
D. Choral Works
Year: 1974
Complete Citation:
Crunden, Robert M. “Charles Ives’ Innovative Nostalgia.” The Choral Journal 15/4 (December 1974): 5-12.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
D. Choral Works
Crutchfield, Will
Year: 1985
Complete Citation:
Crutchfield, Will. “The ‘Concord’ Sonata: An American Masterpiece.” Opus 1, no. 4 (June 1985): 21-22.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Currier, Ruth
Complete Citation:
Ruth Currier, choreographer. Phantasmagoriad; Jose Limon Dance Com-pany. Music: Song for Harvest Season; From the Steeples and the Mountains.
Notes:
Music: Song for Harvest Season; From the Steeples and the Mountains.
Source: Performance (dance)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
B. Dance
Cyr, Gordon
Year: 1971
Complete Citation:
Cyr, Gordon. “Intervallic Structural Elements in Ives’ Fourth Symphony.” Perspectives of New Music 9/2 and 10/1 (1971): 291-303.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Year: 1972
Complete Citation:
Cyr, Gordon. "Orchestral Music: by Charles Ives.” Notes, Vol. 29, Issue 2 (December 1972): 319.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works