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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
(-) IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
(-) XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Clark, Sondra Rae

Complete Citation:
Clark, Sondra Rae. “Ives and the Assistant Soloist.” Clavier 13/7 (1974): 17-20, 30.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1966
Complete Citation:
Clark, Sondra Rae. “The Transcendental Philosophy of Charles E. Ives as Expressed in ‘The Second Sonata for Pianoforte, “Concord, Mass., 1840-1860,”’” Master’s Thesis, San Jose State College, 1966.
Notes:

Unpublished Master’s Thesis

Source: Master’s Thesis
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1974
Complete Citation:
Clark, Sondra Rae. “The Elements of Choice in Ives’s Concord Sonata.” The Musical Quarterly 60 (1974): 167-186.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1974
Complete Citation:
Clark, Sondra Rae. “The Element of Choice in Ives’s ‘Concord Sonata.’” Musical Quarterly 60/2 (April 1974): 167-186.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Coffill, Brian

Year: 2019
Complete Citation:
Coffill, Brian. “Charles Ives’s Decoration Day: A Conductor’s Guide.” SAGE Open 9, no. 1 (January 2019).
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Cogan, Robert

Year: 1999
Complete Citation:
Cogan, Robert. The Sounds of Song: A Picture Book of Music for Voice. Cambridge, United Kingdom: Publication Contact International, 1999.
Source: Book
Reprints:

Cogan, Robert. “The Sounds of Song: A Picture Book of Music for Voice.” <i>Sonus</i> 22/1 (Spring 2002): 1-10.

IV. Individual Studies by Genre
E. Songs
Year: 2002
Complete Citation:
Cogan, Robert. “Ives’ Farewell.” Sonus: A Journal of Investigations into Global Musical Possibilities, Vol. 22, No. 2 (2002): 1-10.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Cohn, Arthur

Year: 1962
Complete Citation:
Cohn, Arthur. “Not once but twice—the ‘Concord’ Sonata.” The American Record Guide, Vol. 28, June 1962.
Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works

Coleman, Judy Bounds

Year: 1960
Complete Citation:
Coleman, Judy Bounds. “Charles Ives: The Man and His Songs.” Mid-west Quarterly (July 1960) 1/4: 295-320.
Notes:

Includes a reprint of “The Things Our Fathers Loved,” No. 43 of 114 Songs, p. 312-313.

Source: Journal
IV. Individual Studies by Genre
E. Songs

Conen, Hermann

Year: 1981-1982
Complete Citation:
Cohen, Hermann. “All the wrong notes are right’ — Zu Ch. Ives’ 2. Klaviersonate.” Neuland 1 (1981-1982): 28-42.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Cook, Christopher

Year: 2004
Complete Citation:
Cook, Christopher. “‘I Was Always Taught to Dream Big’: Susan Graham.” BBC Music Magazine, Vol. 12, No. 11 (2004): 24-27.
Source: Magazine
IV. Individual Studies by Genre
E. Songs

Cooney, Denise Van Glahn

Year: 1996
Complete Citation:
Cooney, Denise Van Glahn. “A Sense of Place: Charles Ives and ‘Putnam’s Camp, Redding, Connecticut.” American Music 14/3 (Fall 1996): 276-312.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Cooney, Denise Von Glahn

Year: 1997
Complete Citation:
Cooney, Denise Von Glahn. “New Sources for The ‘St. Gaudens’ in Boston Common (Colonel Robert Gould Shaw and His Colored Regiment).” Musical Quarterly 8 (Spring 1997): 13-50.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Copland, Aaron

Year: 1934
Complete Citation:
Copland, Aaron. “One Hundred and Fourteen Songs.” Modern Music, 11/2 (January 1934): 59-64.
Source: Journal
Reprints:

Copland, Aaron. “One Hundred and Fourteen Songs.” In <i>Charles Ives and His World</i>, edited by J. Peter Burkholder, 307-312. Princeton, NJ: Princeton University Press, 1996.

IV. Individual Studies by Genre
E. Songs
Year: 1934
Complete Citation:
Copland, Aaron. “One Hundred and Fourteen Songs.” Modern Music (January--February 1934) 11/2: 59--64.
Notes:

Discussion of selected songs.

Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 1975
Complete Citation:
Copland, Aaron. “Night Thoughts (Homage to Ives).” Parnassus: Poetry in Review 3/2 (Spring/Summer 1975): 295-299.
Source: Journal
XIII. Ives in Literature
A. Poetry
Year: 1975
Complete Citation:
Copland, Aaron. “A Garland for Charles Ives.” Poetry in Review, Spring/Summer 1975, 293-393.
Notes:

Includes Copland's Night Thoughts for piano and essays by Elliott Carter, Lou Harrison and others.

Source: Magazine
XIII. Ives in Literature
A. Poetry

Cowell, Henry.

Year: 1949
Complete Citation:
Cowell, Henry. “Review of Three-Page Sonata.” The Musical Quarterly vol. 35 (1949).
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Cramer, Alice

Year: 1979
Complete Citation:
Cramer, Alice Carver. “Charles Ives in the Tulip Poplars.” Poet Lore 74, no. 1 (Spring 1979): 18.
Source: Magazine
XIII. Ives in Literature
A. Poetry

Crane, Frederick

Year: 1982
Complete Citation:
Crane, Frederick. “How Should the Jew’s Harp Part of ‘Washington’s Birth-day' be played?” Verundzwanzigsteljahrsschrift der Internationalen Maultrommelvirtuosengenossenschaft 1 (1982): 49-57.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works