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Complete Citation:
Freund, Robin. “Charles Ives: On the Completion of ‘The Housatonic at Stockbridge.’” A Charles Ives Newsletter.
Bibliography
Genres
Freund, Robin
Notes:
Published on the Charles Ives Society’s web- site.
Source: Poem
XIII. Ives in Literature
A. Poetry
A. Poetry
Friedberg, Ruth C. and Robin Fisher
Year: 2012
Complete Citation:
Friedberg. Ruth C. “Charles Ives (1874-1954).” In American Art Song and American Poetry, I: America Comes of Age, 43-89. Metuchen, NJ: The Scarecrow Press, 1981.Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
E. Songs
Friedheim, Philip
Year: 1953
Complete Citation:
Friedheim, Philip. “Review of [Ives’] First Violin Sonata.” Music Library Association Notes, Second Series, Vol. 11, No. 1 (December 1953).Source: Journal
IV. Individual Studies by Genre
B. Chamber Works
B. Chamber Works
Furnas, T. Chalmers
Year: 1937
Complete Citation:
Furnas, T. Chalmers. “Charles E. Ives, An Essay.” The Mills of God, A Book of Essays and Poems. Amesbury, MA: The Whittier Press, 1937.Source: Book
XIII. Ives in Literature
A. Poetry
A. Poetry
Gaede, Annemarie
Year: 1986
Complete Citation:
Gaede, Annemarie. “Analyse der Concord Sonate von Charles. Hausarbeit zur Staatlichen Prüfung für Musikschullehrer und selbständige Musiklehrer.” Term paper, Staatliche Hochschule für Musik Rheinland, 1986.Notes:
Betreut von Prof. Jecker und Prof. Löbner.
Source: Academic Paper
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Gail, Dorothea
Year: 2004
Complete Citation:
Gail, Dorothea. “The Concord Sonata of Charles Ives: An Analysis of the Individuation of the Musical- Autonomous Logic of the Form.” Paper read at a The Congress of the German Society for Music Theory [Twentieth Century Session]. Cologne, Germany, October 16, 2004.Source: Conference Paper
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 2005
Complete Citation:
Gail, Dorothea. “The Second Movement of Charles Ives’s Fourth Symphony: An Analytical Approach to Form and Structure.” Paper presented at Twentieth Century Music Conference. Society for Music Analysis. University of Sussex, Falmer, Brighton, United Kingdom, August 28, 2005.Source: Conference paper
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Year: 2009
Complete Citation:
Gail, Dorothea. Charles E. Ives’ Fourth Symphony. Hofheim, Germany: Wolke, 2009.Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Year: 2009
Complete Citation:
Gail, Dorothea. Charles E. Ives Fourth Symphony: Quellen - Analyse - Deutung. Bd. 3. Hofheim, Germany: Wolke-Verlag, 2009.Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Gann, Kyle
Year: 1996
Complete Citation:
Gann, Kyle. “Master of the Universe.” Village Voice 41/23, June 4, 1996, 58. Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Year: 1996
Complete Citation:
Gann, Kyle. “Now in Technicolor.” Village Voice 41/11, March 12, 1996, 66.Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Year: 2004
Complete Citation:
Gann, Kyle. “Conservative Praise: Saving Charles Ives’s Symphonies from His Fans.” Symphony 55/3 (May-June 2004): 13--17.Notes:
Makes a strong case for performances of the first three symphonies.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Year: 2005
Complete Citation:
Gann, Kyle. “Music: Reconstructing The Universe.” The Village Voice, Vol. 50, No. 37. September 6, 2005: 90.Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Year: 2017
Complete Citation:
Gann, Kyle. Charles Ives’s Concord Essays after a Sonata. Music in American Life Series. Champaign, IL: University of Illinois Press, 2017.Source: Book
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Gardner, Kara Anne
Year: 2004
Complete Citation:
Gardner, Kara Anne. “Antimodernism, ‘The Celestial Railroad,’ and ‘The Comedy’ of Charles Ives.” Paper presented at The Society for American Music Conference [Session 8a]. Cleveland, Ohio, March 12, 2004.Source: Conference
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Gaudibert, Eric
Year: 1991
Complete Citation:
Gaudibert, Eric. “A propos de From the steeples and the mountains d’lves.” Dissonanz/Dissonance 29 (August 1991): 14-15.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Ghandar, Ann
Year: 1980
Complete Citation:
Ghandar, Ann. “Charles Ives: Organization in Emerson.” Musicology: The Journal of the Musicological Society of Australia 6 (1980): 111-127.Notes:
Part I, “The Allegation of Chaos,” presents several appraisals of Ives and his work, including “A Meterological Chart of the Climate of Opinion” about Ives. Part II, “Emerson,” contains an analysis of the first move-ment of Sonata No. 2, “Concord, Mass., 1840-1860” for piano.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 1980
Complete Citation:
Ghandar, Ann. “Charles Ives: Organisation in EMERSON.” Musicology VI (1980): 111-127.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 1980
Complete Citation:
Ghander, Ann. “Charles Ives: Organisation in Emerson.” Musicology: The Journal of the Musicological Society of Australia 6 (1980): 111-127.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 1980
Complete Citation:
Ghandar, Ann. “Charles Ives: Organisation in emerson.” Musicology Australia, Vol. 6, Issue 1 (1980): 111-127.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works