Escuder, Alejandro
Source: Online article
IV. Individual Studies by Genre
C. Keyboard Works
Espina, Noni
Year: 1986
Complete Citation:
Espina, Noni. Vocal Solos for Christian Churches, 87-89. Metchuen, NJ: Scarecrow Press, 1986.Notes: With annotations for A Christmas Carol, Abide with Me, Forward into Light, His Exaltation, Hymn, Naught that Country Needeth, Religion,The Camp Meeting, The Collection, The Waiting Soul, and Watchman!
Source: Score
IV. Individual Studies by Genre
E. Songs
Estrin, Marc
Year: 2003
Complete Citation:
Estrin, Marc. “Essay after a Sonata: Concerning the Sublimation of Charles Ives.” New England Review, vol. 24, no. 2 (2003): 85-112.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Etkin Mariano, German Cancian, Carlos Mastropietro, and Maria Cecilia Villanueva
Year: 2001
Complete Citation:
Etkin Mariano, German Cancian, Carlos Mastropietro, and Maria Cecilia Villanueva. Superposicion y Gradualidad en Hallowe’en de Charles Ives. Research Group on Musical Analysis at the University of La Plata, Argentina. La Plata, Argentina: Editorial de la Universidad de La Plata, 2001.Notes: Translates to Superposition and Gradualism in Hallowe’en by Charles Ives
Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Euteneuer-Rohrer, Ursula Henrietta
Year: 1980
Complete Citation:
Euteneuer-Rohrer, Ursula Henrietta. “Charles E. Ives’ ‘The Cage’: Eine Werkbetrachtung.” Neuland 1 (1980): 47-52.Source: Journal
IV. Individual Studies by Genre
E. Songs
Evans, Margaret R.
Year: 1982
Complete Citation:
Evans, Margaret R. Sacred Cantatas: An Annotated Bibliography, 1960-1979, 75. Jefferson, NC: McFarland & Company, 1982.Notes: Discusses Psalm 90.
Source: Book
IV. Individual Studies by Genre
D. Choral Works
Fairfield, Patrick
Year: 2006
Complete Citation:
Fairfield, Patrick. “‘Representations of Femininity in the Songs of Charles Ives.” Paper presented at the Thirty--second Conference of the Society for American Music. Chicago, Illinois, 2006.Source: Conference paper
IV. Individual Studies by Genre
E. Songs
Farberman, Harold
Year: 1963
Complete Citation:
Farberman, Harold. Liner notes for Pieces for Chamber Orchestra and Songs. Cambridge CRS 1804, 1963, 33.3 RPM.Source: Liner notes
IV. Individual Studies by Genre
B. Chamber Works
Feder, Stuart
Year: 1983
Complete Citation:
Feder, Stuart. "Charles Ives and the Unanswered Question.” In The Psychoanalytic Study of Society edited by Werner Munsterberger, L. Bryce Boyer, and Simon A. Grolnick, 321-351. Volume 10 of The Psychoanalytic Study of Society. Hillsdale, NJ: The Analytic Press, 1983.Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1989
Complete Citation:
Feder, Stuart. “‘Calcium Light Night’ and Other Early Memories of Charles Ives.” In Fathers and Their Families, 307-326, edited by Stanley H. Cath, Alan Gurwitt, et al. Hillsdale, NJ: Analytic Press, 1989.Source: Chapter in Book
IV. Individual Studies by Genre
B. Chamber Works
Year: 1999
Complete Citation:
Feder, Stuart. “This Scherzo is [not] a Joke.” In Humor and Psyche: Psy-choanalytic Perspectives, edited by James W. Barron, 203-217. Hillsdale, NJ: Ana-lytic Press, 1999.Source: Chapter in Book
IV. Individual Studies by Genre
B. Chamber Works
Year: 2004
Complete Citation:
Feder, Stuart. “Hanover Square ‘Accordion’ to Charles Ives.” Paper presented at A Century of Composing in America: 1820-1920. The City University of New York, The Graduate Center, New York, New York, October, 2004.Source: Conference Paper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Feinberg, Alan
Year: 1999
Complete Citation:
Feinberg, Alan. “An Ives Premiere: The ‘Emerson Concerto’: An Ulti-mate Statement.” American Record Guide 61/6 (November- December 1999): 6--8.Notes: Gives personal background to performances of Concord Sonata [in London], Study No. 22, and The Celestial Railroad prior to his playing of the premiere of the concerto.
Source: Magazine
Reprints: Feinberg, Alan. “Endless Quest: Ives’s Emerson Concerto Comes to Life.” <i>Symphony</i> 50/1 (January- February 1999): 9-11.
IV. Individual Studies by Genre
A. Orchestral and Band Works
Feith, Michel
Complete Citation:
Feith, Michel. “La Commémoration: Traduction Ou Trahison? (Saint-Gaudens, Ives, Lowell).” Revue Française D'études Américaines, no. 80, (1999): 69-81.Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works
Fennell, Frederick
Year: 1976
Complete Citation:
Fennell, Frederick. “Charles Ives and the Conductor.” In South Florida's Historic Ives Festival, 1974-1976, 59. Coral Gables, FL: University of Miami, 1976.Source: Festival Pamphlet
IV. Individual Studies by Genre
A. Orchestral and Band Works
Fenner, Lucie
Year: 2001
Complete Citation:
Fenner, Lucie. “Amerikanismen im Werk von Charles Ives: Studien zu Klaviertrio und 2. Klaviersonate.” Thesis, München, Hochschule für Musik und Theater, Zulassungsarbeit, 2001.Source: Thesis
IV. Individual Studies by Genre
B. Chamber Works
Year: 2004
Complete Citation:
Fenner, Lucie. “Einnerung an die College--Jahre. Musikalische Entlehnung in Calcium Light Night und TSIAJ von Charles Ives.” Musik-Konzepte 123: Charles Ives (January 2004): 25-49.Notes: Title translates to “Memories of the College Years: Musical Borrowing in Calcium Light Night and TSIAJ by Charles Ives”
Source: Journal
IV. Individual Studies by Genre
B. Chamber Works
Ferguson, Donald N.
Year: 1964
Complete Citation:
Ferguson, Donald N. Image and Structure in Chamber Music, 323-324. Minne-apolis, MN: University of Minnesota Press, 1964.Notes: Provides listing of Ives’s major chamber works with extremely brief remarks.
Source: Book
IV. Individual Studies by Genre
B. Chamber Works
Fernández, Anouska Antúnez
Year: 2005
Complete Citation:
Fernández, Anouska Antúnez. “Ives y Beethoven en Clave Postmoderna: Análisis e Interpretación en el Siglo XXI.” Revista De Musicología, vol. 28, no. 2 (2005): 1435-1447.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Fischer, Fred
Year: 1975-1976
Complete Citation:
Fischer, Fred. “Ives' Concord Sonata.” PQ 92 (1975-1976): 23-27.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
