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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
(-) IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
(-) XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Burk, James M.

Year: 1969
Complete Citation:
James M. Burk. “Charles Ives’ ‘Variations on “America”’ for Band.” In Letters to the Editor. Instrumentalist 23/10 (May 1969): 18.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1974
Complete Citation:
Burk, James M. “Ives Innovations in Piano Music.” Clavier 13 (October, 1974): 14-16.
IV. Individual Studies by Genre
C. Keyboard Works

Burkholder, J. Peter

Year: 1987
Complete Citation:
Burkholder, J. Peter. “Quotation and Paraphrase in Ives’s Second Symphony.” 19th-Century Music XI (1987): 3-25.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2002
Complete Citation:
Burkholder, J. Peter. “The Organist in Ives.” Journal of the American Musicological Society 55/2 (2002): 255-310.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Burr, Raymond A.

Year: 1976
Complete Citation:
Burr, Raymond A. “The Art Songs of Charles Ives.” In South Florida's Historic Ives Festival, 1974-1976, 53-56. Coral Gables, FL: University of Miami, 1976.
Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs

Butterworth, Neil

Year: 1999
Complete Citation:
Neil Butterworth. “Charles Ives.” In The American Symphony, 36-44. Brookfield, VT: Ashgate Publishing, 1999.
Notes:

Discusses the four numbered sym-phonies and the Universe Symphony. States that the four movements of the Holidays Symphony “form separate patriotic pieces” that can “in no way...collectively constitute a symphony.”

Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Calvert Bean, Jr.

Year: 1969
Complete Citation:
Calvert Bean, Jr. “Re: Variations on ‘America.’” Instru-mentalist 24/2 (September 1969): 14.
IV. Individual Studies by Genre
C. Keyboard Works

Carr, Cassandra Irene

Year: 1989
Complete Citation:
Carr, Cassandra I. “Charles Ives's Humor as Reflected in His Songs.” Amer-ican Music 7/2 (Summer 1989): 123-139.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Carson, Gerald

Year: 1965
Complete Citation:
Carson, Gerald. “The Piano in the Parlor.” American Heritage, December 1965.
Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works

Carter, Chandler

Year: 2001
Complete Citation:
Carter, Chandler. “‘Coke Cans and Chain Mail’: Contemplating Diver-sity and Unity in Charles Ives’s Tom Sails Away.” Paper presented at Annual Meeting of the Music Theory Society of New York State. New York University, New York, New York, April 8, 2001.
Source: Conference Paper
IV. Individual Studies by Genre
E. Songs

Charles, Sydney Robinson

Year: 1967
Complete Citation:
Charles, Sydney Robinson. “The Use of Borrowed Materials in Ives’ Second Symphony.” The Music Review, 28/2 (May, 1967): 102-111.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Chasins, Abram

Year: 1979
Complete Citation:
Chasins, Abram. Leopold Stokowski: A Profile, 219, 236-237, 242. New York, NY: Hawthorne Books, 1979.
Notes:

Discusses Stokowski’s performance of Ives Symphony No. 4, and Stokowski’s list which includes the Robert Browning Overture and Symphony No. 4.

Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Childs, Andrew S.

Year: 2004
Complete Citation:
Childs, Andrew S. “The Children’s Hour: The Thematic Voice of Childhood in the Songs of Charles Ives.” D.M.A. diss., Univer-sity of Washington, 2004.
Source: D.M.A. Dissertation
IV. Individual Studies by Genre
E. Songs

Chmaj, Betty E.

Year: 1989
Complete Citation:
Chmaj, Betty E. "Charles Ives and the Concord Sonata.” In Poetry and the fine arts: papers from the poetry sessions of the European Association for American Studies Biennial Conference, Rome 1984, edited by Hagenbüchle, Roland and Jacqueline Saunier-Ollier.
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works

Christy, Van A.

Year: 1979
Complete Citation:
Christy, Van A. Foundations in Singing, 56-60. 4th ed. Dubuque, IA: Wm. C. Brown Company, 1979.
Notes:

Includes examples from At Sea, At the River, Evening, The Indians, and Remembrance.

Source: Book
IV. Individual Studies by Genre
E. Songs

Christiansen, Larry A.

Year: 1969
Complete Citation:
Christiansen, Larry A. “Charles E. Ives and the Sixty-Seventh Psalm.” Music: The AGO & RCCO Magazine III, February 1969, 20-21.
Source: Magazine
IV. Individual Studies by Genre
D. Choral Works
Year: 1969
Complete Citation:
Christiansen, Larry A. “Charles E. Ives and the Sixty--Seventh Psalm.” Music/AGO-RCCO Magazine 3/2 (February 1969): 20-21.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

Clark, Sondra Rae

Complete Citation:
Clark, Sondra Rae. “Ives and the Assistant Soloist.” Clavier 13/7 (1974): 17-20, 30.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1966
Complete Citation:
Clark, Sondra Rae. “The Transcendental Philosophy of Charles E. Ives as Expressed in ‘The Second Sonata for Pianoforte, “Concord, Mass., 1840-1860,”’” Master’s Thesis, San Jose State College, 1966.
Notes:

Unpublished Master’s Thesis

Source: Master’s Thesis
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1974
Complete Citation:
Clark, Sondra Rae. “The Element of Choice in Ives’s ‘Concord Sonata.’” Musical Quarterly 60/2 (April 1974): 167-186.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works