Englander, Roger, producer/director; Leonard Bernstein, narrator/conductor
Year: 1961
Complete Citation:
Roger Englander, producer/director; Leonard Bernstein, narrator/con-ductor.. Folk Music in the Concert Hall. Sony Classical Video Music Education, 1993. From CBS-TV telecast, 1961 April 9 {E283}. Also available on DVD. Includes 5th movement from Ives's Symphony No. 2.Source: Videocassette
XV. Television Broadcasts, Films, and Videocassettes
C. Videocassettes
Englander, Roger, producer/director - Leonard Bernstein, narrator/conductor.
Year: 1961
Complete Citation:
Englander, Roger, producer/director; Bernstein, Leonard, narrator/conductor. “Folk Music in the Concert Hall.” New York, NY: CBS-TV Telecast, April 9, 1961.Notes: Includes 5th movement from Ives Symphony No. 2.
Source: Telecast
XV. Television Broadcasts, Films, and Videocassettes
A. Television Broadcasts
Enke, Heinz
Year: 1967
Complete Citation:
Enke, Heinz. “Charles Ives' "The Unanswered Question.”” In Versuche musikalischer Analysen, edited by Peter Benary. Berlin, Germany: Merseburger Verlag, 1967.Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1974
Complete Citation:
Enke, Heinz. “Charles Ives’ ‘The Unanswered Question’.” In Zur musikalischen Analyse, edited by Gerhard Schumacher, 232-240. Darmstadt, Germany: Wissenschaftliche Buchgesellschaft, 1974.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Epstein, Paul
Year: 1996
Complete Citation:
Epstein, Paul. “A Performer’s Note on Ives's First Sonata for Violin and Piano.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 27-28. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.Source: [Chapter in] Festival Publication
IV. Individual Studies by Genre
B. Chamber Works
Ericson, John Q.
Year: 1988
Complete Citation:
Ericson, John Q. “Ives and the Band March.” Unpublished typescript, 1988.Source: Unpublished typescript.
IV. Individual Studies by Genre
A. Orchestral and Band Works
Escuder, Alejandro
Source: Online article
IV. Individual Studies by Genre
C. Keyboard Works
Espina, Noni
Year: 1986
Complete Citation:
Espina, Noni. Vocal Solos for Christian Churches, 87-89. Metchuen, NJ: Scarecrow Press, 1986.Notes: With annotations for A Christmas Carol, Abide with Me, Forward into Light, His Exaltation, Hymn, Naught that Country Needeth, Religion,The Camp Meeting, The Collection, The Waiting Soul, and Watchman!
Source: Score
IV. Individual Studies by Genre
E. Songs
Estrin, Marc
Year: 2003
Complete Citation:
Estrin, Marc. “Essay after a Sonata: Concerning the Sublimation of Charles Ives.” New England Review, vol. 24, no. 2 (2003): 85-112.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Etkin Mariano, German Cancian, Carlos Mastropietro, and Maria Cecilia Villanueva
Year: 2001
Complete Citation:
Etkin Mariano, German Cancian, Carlos Mastropietro, and Maria Cecilia Villanueva. Superposicion y Gradualidad en Hallowe’en de Charles Ives. Research Group on Musical Analysis at the University of La Plata, Argentina. La Plata, Argentina: Editorial de la Universidad de La Plata, 2001.Notes: Translates to Superposition and Gradualism in Hallowe’en by Charles Ives
Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Euteneuer-Rohrer, Ursula Henrietta
Year: 1980
Complete Citation:
Euteneuer-Rohrer, Ursula Henrietta. “Charles E. Ives’ ‘The Cage’: Eine Werkbetrachtung.” Neuland 1 (1980): 47-52.Source: Journal
IV. Individual Studies by Genre
E. Songs
Evans, Margaret R.
Year: 1982
Complete Citation:
Evans, Margaret R. Sacred Cantatas: An Annotated Bibliography, 1960-1979, 75. Jefferson, NC: McFarland & Company, 1982.Notes: Discusses Psalm 90.
Source: Book
IV. Individual Studies by Genre
D. Choral Works
Fairfield, Patrick
Year: 2006
Complete Citation:
Fairfield, Patrick. “‘Representations of Femininity in the Songs of Charles Ives.” Paper presented at the Thirty--second Conference of the Society for American Music. Chicago, Illinois, 2006.Source: Conference paper
IV. Individual Studies by Genre
E. Songs
Farberman, Harold
Year: 1963
Complete Citation:
Farberman, Harold. Liner notes for Pieces for Chamber Orchestra and Songs. Cambridge CRS 1804, 1963, 33.3 RPM.Source: Liner notes
IV. Individual Studies by Genre
B. Chamber Works
Feder, Stuart
Year: 1983
Complete Citation:
Feder, Stuart. "Charles Ives and the Unanswered Question.” In The Psychoanalytic Study of Society edited by Werner Munsterberger, L. Bryce Boyer, and Simon A. Grolnick, 321-351. Volume 10 of The Psychoanalytic Study of Society. Hillsdale, NJ: The Analytic Press, 1983.Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1989
Complete Citation:
Feder, Stuart. “‘Calcium Light Night’ and Other Early Memories of Charles Ives.” In Fathers and Their Families, 307-326, edited by Stanley H. Cath, Alan Gurwitt, et al. Hillsdale, NJ: Analytic Press, 1989.Source: Chapter in Book
IV. Individual Studies by Genre
B. Chamber Works
Year: 1999
Complete Citation:
Feder, Stuart. “This Scherzo is [not] a Joke.” In Humor and Psyche: Psy-choanalytic Perspectives, edited by James W. Barron, 203-217. Hillsdale, NJ: Ana-lytic Press, 1999.Source: Chapter in Book
IV. Individual Studies by Genre
B. Chamber Works
Year: 2004
Complete Citation:
Feder, Stuart. “Hanover Square ‘Accordion’ to Charles Ives.” Paper presented at A Century of Composing in America: 1820-1920. The City University of New York, The Graduate Center, New York, New York, October, 2004.Source: Conference Paper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Feinberg, Alan
Year: 1999
Complete Citation:
Feinberg, Alan. “An Ives Premiere: The ‘Emerson Concerto’: An Ulti-mate Statement.” American Record Guide 61/6 (November- December 1999): 6--8.Notes: Gives personal background to performances of Concord Sonata [in London], Study No. 22, and The Celestial Railroad prior to his playing of the premiere of the concerto.
Source: Magazine
Reprints: Feinberg, Alan. “Endless Quest: Ives’s Emerson Concerto Comes to Life.” <i>Symphony</i> 50/1 (January- February 1999): 9-11.
IV. Individual Studies by Genre
A. Orchestral and Band Works
Feith, Michel
Complete Citation:
Feith, Michel. “La Commémoration: Traduction Ou Trahison? (Saint-Gaudens, Ives, Lowell).” Revue Française D'études Américaines, no. 80, (1999): 69-81.Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works
