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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
(-) IV. Individual Studies by Genre
(-) V. General Music Studies
(-) VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Abell, Arthur M.

Year: 1964
Complete Citation:
Abell, Arthur M. Gesprache mit beruhmten Komponisten, so entstand- en ihre unsterblichen Meisterwerke. Eschwege, West Germany: G.E. Schroeder Verlag, 1964.
Source: Book
Reprints:

Abell, Arthur M. <i>Gesprache mit beruhmten Komponisten, so entstand- en ihre unsterblichen Meisterwerke </i>[Talks with Great Composers]. New York, NY: Citadel Publishing, 1964.

VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Acker, Emma

Year: 2009
Complete Citation:
Acker, Emma. “Artistic Identity in a Transatlantic Age Patrick Heron, Peter Lanyon, and the New American Painting.” The British Art Journal, vol. 10, no. 3 (2009): 158-170.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Acton, Charles

Year: 1968
Complete Citation:
Acton, Charles. “The Charles Ives Enigma.” The Irish Times, 1968.
Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship

Adams, John

Year: 1994
Complete Citation:
Adams, John. “Ives: The Amount to Carry.” In American Transcendentalists [Program Booklet]. Brooklyn Philharmonic Orchestra, Brooklyn Academy of Music, Brooklyn, New York, November 11-13, 1994. Da Camera of Houston, The Menil Collection, Houston, Texas, November 21-22, 1994.
Source: Program Booklet
VI. Topical Studies
D. Insurance

Adler, Paula

Year: 1979
Complete Citation:
Adler. Paula. “El mundo de Charles Ives.” Heterfonia 12/3 (1979): 25-27.
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles

Adorno, Theodor W.

Year: 1966
Complete Citation:
Adorno, Theodor W. “Mahler.” In Wagner, Mahler: Due Studi, 215-217. Translated to Italian by Giacomo Mazoni. Torino, Italy: Giulio Einaudi Editore, 1966.
Notes:

Relates Ives to Mahler.

Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Ahlstrom, David

Year: 1991
Complete Citation:
Ahlstrom, David. “The Problem of the Unfinished: A Cart, a Deity, and Ives's Universe Symphony.” Sonus 11/2 (Spring 1991): 65-76.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Ahn, Eun G. [안은지]

Complete Citation:
Ahn, Eun G. “논문 : 아이브스의 바이올린 소나타 2번과 4번에 나타난 음악적 특징.” 음악과 민족, vol. 49 (2015): 201.
Notes:

Translates to “Thesis: Musical Characteristics of Ives’ Violin Sonata Nos. 2 and 4”<br>

IV. Individual Studies by Genre
B. Chamber Works

Ahn, Eunji

Year: 2015
Complete Citation:
Ahn, Eunji. “아이브스의 바이올린 소나타 2번과 4번에 나타난 음악적 특징.” 음악과 민족, no. 49 (2015): 201-225.
Notes:

Translates to “Distinctive Features in the Second and Fourth Violin Sonatas of Charles Ives”

Source: Journal
IV. Individual Studies by Genre
B. Chamber Works

Albèra, Philippe

Year: 2001
Complete Citation:
Albèra, Philippe. “Mensch und Maschine.” Dissonanz (2001): 46-47.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Albrecht, Philipp

Year: 2010
Complete Citation:
Albrecht, Philipp. “Besprechungen: Dorothea Gail “Charles Ives’ Fourth Symphony: Quellen-Analyse-Deutung.”” Musiktheorie, Vol. 25, No. 3 (2010): 272-274.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Alexander, Charles C.

Year: 1980
Complete Citation:
Alexander, Charles C. Here the Country Lies: Nationalism and the Arts in Twentieth-Century America. Bloomington, IN: Indiana University Press, 1980.
Notes:

Many references to Ives.

Source: Book
VI. Topical Studies
L. Ives and America

Alexander, Michael John

Year: 1986
Complete Citation:
Alexander, Michael John. “Bad Resolutions or Good? Ives’s Piano ‘Take-Offs.’” Tempo, New Series 158 (1986): 8-14.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1989
Complete Citation:
Alexander, Michael J. The Evolving Keyboard Style of Charles Ives. Outstanding Dissertations in Music From British Universities. New York, NY: Garland, 1989.
IV. Individual Studies by Genre
C. Keyboard Works

Allen, Andrew J.

Year: 2014
Complete Citation:
Allen, Andrew J. “Repertoire Today for Saxophone: The Saxophone Works of Composer Robert Jager.” Saxophone Today (2014): 28-30.
Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Alms, Anthony

Year: 2005
Complete Citation:
Alms, Anthony. “The Inner World of Charles Ives: A Hermeneutic Approach to Central Park in the Dark.” Paper presented at Twentieth Century Music Conference. Society for Music Analysis. University of Sussex, Falmer, Brighton, United Kingdom, August 28, 2005.
Source: Conference paper
IV. Individual Studies by Genre
A. Orchestral and Band Works

Almen, Byron, and Robert Hatten

Year: 2012
Complete Citation:
Almen, Byron, and Robert Hatten. 2012. “Narrative Engagement with Twentieth -Century Music: Possibilities and Limits.” In Music and Narrative since 1900, edited by Michael Klein and Nicholas Reyland, 59--85. Bloomington, IN: Indiana University Press, 2012.
Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Althouse, Jay and Judith O’Reilly

Year: 2001
Complete Citation:
Althouse, Jay and Judith O’Reilly. “Charles Ives (1874-1954).” In Accent on Composers: The Music and Lives of 22 Great Composers. Van Nuys, CA: Alfred Music, 2001.
Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles

Alves, Bill and Brett Campbell

Year: 2017
Complete Citation:
Alves, Bill and Brett Campbell. “Day of Ascension: (1946-1947).” In Lou Harrison: American Musical Maverick, 124-130. Bloomington, Indiana: Indiana University Press, 2017.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Alwes, Chester L.

Year: 1985
Complete Citation:
Alwes, Chester L. “Formal Structure as a Guide to Rehearsal Strategy in Psalm 90 by Charles E. Ives.” Choral Journal 25/8 (April 1985): 21-25.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works