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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
(-) IV. Individual Studies by Genre
(-) V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Brooks, William

Year: 1984
Complete Citation:
Brooks, William. “A Drummer-Boy Looks Back: Percussion in Ives’s Fourth Symphony.” Percussionist 22, no. 6 (1984), p. 4-45.
Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1984
Complete Citation:
Brooks, William. “A Drummer Boy Looks Back: Percussion in Ives’ ‘Fourth Symphony’.” Percussive Notes 22 (1984): 4-45.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Brown, Geoff

Year: 1999
Complete Citation:
Brown, Geoff. “Charles Ives.” The Times, October 12, 1999, 49.
Source: Newspaper
V. General Music Studies
A. Short Biographies and Profiles

Broyles, Michael

Year: 1998
Complete Citation:
Broyles, Michael. “Art Music from 1860 to 1920.” In The Cambridge His-tory of American Music, edited by David Nicholls, 244-249. Cambridge, United Kingdom: Cambridge University Press, 1998.
Source: Chapter in Book
V. General Music Studies
C. Other

Bruhn, Christopher

Year: 2005
Complete Citation:
Bruhn, Christopher. “‘A Shamelessly Personal Batch of Choices’: The Kirkpatrick ‘Copy’ of Ives's Concord Sonata.” Paper presented at The Thirty--first Annual Conference of the Society for American Music. Eugene, Oregon, February 17, 2005.
Source: Conference paper
IV. Individual Studies by Genre
C. Keyboard Works
Year: 2011
Complete Citation:
Bruhn, Christopher. “The Transitive Multiverse of Charles Ives’s ‘Concord’ Sonata.” Journal of Musicology 28.2 (Spring 2011): 166-194.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Bruzaud, Radosveta

Year: 2002
Complete Citation:
Bruzaud, Radosveta. “Esquisse de la Personnalité Musicale de Charles Ives.” L’éducation Musicale (2002).
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles
Year: 2004
Complete Citation:
Bruzaud, Radosveta. “La Dimension Verbale des “Take-Offs” et des “Songs Without Voice” de Charles Ives.” L’éducation Musicale (2004): 16-24.
Source: Magazine
IV. Individual Studies by Genre
E. Songs
Year: 2004
Complete Citation:
Bruzaud, Radosveta. “La Notion de Musique à Programme dans les Poèmes Symphoniques de Charles Ives.” L’éducation Musicale (2004): 21-29.
Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works

Bryan, Paul

Year: 1975
Complete Citation:
Bryan, Paul. “Orchestra and Band Music by K. M. Snoek, Charles Ives.” Notes 31, no. 3 (March 1, 1975): 654.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Budde, Elmar

Year: 1971
Complete Citation:
Budde, Elmar. “Anmerkungen zum Streichquartett Nr. 2 von Charles E. Ives.” “Bericht über den internationalen Kongreß” Bonn 1970, edited by Carl Dahlhaus, 303-307. Stuttgart, Germany: Bärenreiter, 1971.
Source: Book
IV. Individual Studies by Genre
B. Chamber Works

Burbank, Richard

Year: 1984
Complete Citation:
Burbank, Richard. Twentieth Century Music. London, UK: Thomas and Hudson, 1984.
Source: Book
V. General Music Studies
C. Other

Burge, David

Year: 1986
Complete Citation:
Burge, David. “Private Lesson: Contemporary Piano: Charles Ives’ First Sonata.” Keyboard Magazine 12/11 (November 1986): 116-118.
Notes:

Reprinted in David Burge. <i>Twentieth-Century Piano Music</i>. New York, NY: Schirmer Books, 1990: 33-45. Chapter 3, “Charles Ives.”

Source: Magazine, Book
Reprints:

Burge, David. “Charles Ives.” In <i>Twentieth-Century Piano Music</i>, 33-45. New York, NY: Schirmer Books, 1990.

IV. Individual Studies by Genre
C. Keyboard Works
Year: 1986
Complete Citation:
Burge, David. “Private Lesson: Contemporary Piano: Unifying Ele-ments in Ives’ Piano Sonatas.” Keyboard Magazine 12/12 (December 1986): 102-103.
Notes:

Comments about Sonatas Nos. 1 and 2.

Source: Magazine
Reprints:

Burge, Daivd. “Charles Ives.” In <i>Twentieth-Century Piano Music</i>, 33-45. New York, NY: Schirmer Books, 1990.

IV. Individual Studies by Genre
C. Keyboard Works
Year: 1986
Complete Citation:
Burge, David. “Private Lesson: Contemporary Piano: The Early Years of Charles Ives.” Keyboard Magazine 12/10 (October 1986): 101.
Source: Journal
Reprints:

Burge, Daivd. “Charles Ives.” In <i>Twentieth-Century Piano Music</i>, 33-45. New York, NY: Schirmer Books, 1990.

IV. Individual Studies by Genre
C. Keyboard Works
Year: 1987
Complete Citation:
Burge, David. “Private Lesson: Contemporary Piano: Skeletal Motifs in the Emerson Movement of Ives’ Concord Sonata.” Keyboard Maga-zine 13/1 (January 1987): 92.
Source: Magazine
Reprints:

Burge, David. “Charles Ives.” In <i>Twentieth-Century Piano Music</i>, 33-45. New York, NY: Schirmer Books, 1990.

IV. Individual Studies by Genre
C. Keyboard Works
Year: 1990
Complete Citation:
Burge, David. “From 1900 to the end of World War I.” In Twentieth-century piano music. New York, NY: Schirmer Books, 1990.
Source: Chapter in Book
Reprints:

Burge, David. “From 1900 to the end of World War I.” In <i>Twentieth-century piano music</i>. Lanham, MD: Scarecrow Press, 2004.

IV. Individual Studies by Genre
C. Keyboard Works
Year: 2018
Complete Citation:
Burge, David. “Charles Ives’ ‘First Sonata.’” Timeless relevance: the Keyboard Magazine Columns 1975-1989, edited by Elon Burge. Chelsea, Québec: Chelsea Books, 2018.
IV. Individual Studies by Genre
C. Keyboard Works
Year: 2018
Complete Citation:
Burge, David. “Skeletal motifs in the ‘Emerson’ movement of Ives’ ‘Concord sonata.’” In Timeless relevance: the Keyboard Magazine Columns, 1975-1989, edited by Elon Burge. Chelsea, Québec: Chelsea Books, 2018.
IV. Individual Studies by Genre
C. Keyboard Works
Year: 2018
Complete Citation:
Burge, David. “Unifying elements in Ives’ piano sonatas.” In Timeless relevance: the Keyboard Magazine Columns, 1975-1989, edited by Elon Burge. Chelsea, Québec: Chelsea Books, 2018.
IV. Individual Studies by Genre
C. Keyboard Works